Sentences with phrase «fiction film on»

Not exact matches

From singing show tunes in Grease to playing a ruthless hitman in Pulp Fiction, Travolta's talent has transcended many decades as he continues to take on A-list roles in blockbuster films.

At the time, O'Connell was working on a poster for a science - fiction and horror film festival featuring John Carpenter's 1988 cult classic «They Live» about aliens living incognito among humans.

Questions which the body politic or the academic world are unwilling to confront head - on are often dealt with through the medium of, say, science fiction: think of the Matrix films, or a novel such as Kazuo Ishiguro's Never Let Me Go.

Yet Collins» stories aren't paedaphobic pulp fiction, and Gary Ross» film adaptation doesn't focus on the brutality of the idea.

On July 14, Kent Westmoreland, head mixologist at Windsor Court's Cocktail Bar, will partner with celebrity guest bartender and host of The Proper Pour Charlotte Voisey of William Grant and Sons to serve special cocktails inspired by classic noir films and fiction.

James Dashner, the author of «The Maze Runner,» a top - selling dystopian science fiction series that was turned into a film trilogy, has been dropped by his publisher, Random House, due to his inclusion on a list of authors who allegedly engaged in harassment.

If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.

I'm working on a science fiction film with Steven that's based on a treatment I coauthored with the producer Lynda Obst.

In the recent science fiction film Passengers, a huge spaceship flies at half the speed of light on a 120 - year - long journey toward the distant planet Homestead II, where its 5000 passengers are to set up a new home.

The world's last unexplored continent — not a bad setting for a new science fiction movie, once Cameron returns from filming the further adventures of the Na «vi on their native Pandora, in the Alpha Centauri star system.

Stepping inside the pristine education and research space at the Houston Methodist Institute for Technology, Innovation & Education (MITIE) is akin to walking on the set of a science fiction film.

I love romantic movies, adventure, action, western, fiction, education, films based on real events.

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It's a science fiction film that gives you a lot of plot to chew on and some genuine moral dilemmas — about sacrifice, guilt, heinous crimes to protect the greater good and what not.

The four fiction films that follow the documentaries were all made for politically motivated anthologies, and they focus on themes of social change and personal identity.

I have gravely mixed feelings about every movie on Marc Forster's résumé, from «Monster's Ball» to «Stranger Than Fiction» to «The Kite Runner» to the 2008 Bond film «Quantum of Solace,» but the guy is undeniably a stylistic virtuoso with a Michael Winterbottom - like ability to jump around from one genre to another.

It was also excellent marketing that drew in all the WOMEN who love space and rockets, who devour science fiction, who flocked to all the Star Wars and Star Trek films when they were growing up, who fought hard to be part of NASA's astronaut program, and on and on.

In fact, Kubrick had to fight the studio in order to not have their idea of science fiction music imposed on the film.

Released in theatres on August 24,1966, «Fantastic Voyage» was not only a film of authentic wonder but a science fiction masterpiece with amazing special effects... the team enters the body of a man where they see first hand the oceans of life within the human body that contains the «corpuscles», «the heart», «the lungs» and other features of the human body through which the crew move through are exquisitely designed in great detail with artistic quality.

The author's sardonic voice has been lost in most films based on his fiction, but this one nicely captures that unruffled Leonard authority.

His next project (which, though it doesn't begin filming until next month, is currently slotted for an end - of - year release) is a New York - set period dramedy based on the stranger - than - fiction, real - life FBI sting operation (ABSCAM) that brought down numerous crime figures and corrupt government officials in 1980.

Beginning his career as an author and responsible for the source material of Danny Boyle's The Beach in 2000, Alex Garland then directly ventured into the film industry by doing screenplay's - again with Boyle on 28 Days Later and Sunshine - before he eventually took the reigns himself by making his directorial debut with the magnificent science fiction film Ex Machina in 2014.

Commercially, of course, it's prudent to venture into avant garde science fiction territory on a smallish budget, the way Jonathan Glazer did with his truly disorienting and memorable 2013 alien visitation film «Under the Skin.»

The breathtaking, richly eloquent, and visually - poetic film - deliberately filmed at a slow pace - about space travel and the discovery of extra-terrestrial intelligence (many years before Star Wars (1977), Close Encounters of the Third Kind (1977), and E.T.: The Extra-Terrestrial (1982)-RRB-, was based on the published 1951 short story The Sentinel, written in 1948 by English science fiction author Arthur C. Clarke.

Various Clarke, Kubrick, and science fiction authorities are interviewed throughout the video, providing interesting commentary on their favorite scenes in the movie, as well as insights into the specific personalities of the creators of the film and the book.

But there's one Science Fiction film that towers above all others of the genre, as well as all other films, and that is Stanley Kubrick's 2001: A Space Odyssey, which Warner Brothers barely released in time to actually be seen on a big screen during the relevant year.

Grace Lee's film betrays its own fictions by overloading on cheap worst - case - scenario mythology.

In the mid-nineteen-forties, Rossellini rose to international fame with the seminal works of so - called neo-realism, in which he filmed actors who weren't stars, mainly on location, in stories and with methods that seemed closer to documentary than to fiction.

Not likely to appeal to a wide range audience (this is not a film dependent on special effects or action sequences), the international thriller is the type of science fiction film we don't see often enough.

Journals Elliott Stein reports from the 5th Miami film festival on the excitement surrounding Nestor Almendros» Nobody Listened, and Pat Aufderheide discusses the emerging aesthetic gene - splicing between fiction and documentary praxis, thrown into sharp relief the San Francisco film festival.

In fact, for a film that's based on a true story, «Machine Gun Preacher» is riddled with more clichés than most pieces of fiction.

The Oscar - winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere, and White Jazz)-- a compelling blend of L.A. history and pulp fiction that has earned it comparisons to the greatest of all Technicolor noir films, Chinatown.

I guess that Portugal is rapidly becoming the country du jour of cinema, with Tabu being the finest new fiction film I saw in 2012, while I finally got to see the 4 1/2 hour version of Raúl Ruiz's amazing Mysteries of Lisbon (on Blu - ray discs): it has still never had a theatrical screening in Montreal!

It's the three pillars of science - fiction as defined by J.G. Ballard; the film plays like a western set on Mars, starring bugs pretending to be men.

But perhaps it was the six award - winning films in MIFF's 50th Shorts Awards that most fittingly captured the hybrid nature of MIFF 2011, a selection of old and new forms of filmmaking, from a myriad of countries on a range of issues: A Fine Young Man (Kevan Funk, 2010) from Canada, winner of Best Short Film; Best Australian Short, The Palace (Anthony Maras, 2011); Andrew Kavanagh, winner of the Emerging Australian Filmmaker Award for At the Formal (2010); Green Crayons, (Kazik Radwanski, 2010) from Canada, winner of Best Fiction Short Film; Nullabor (Alister Lockhart, Patrick Sarell, 2011) from Australia, the Best Animation Short Film; Leonids Story (Rainer Ludwigs, 2011) from Russia, the Best Documentary Short; and A History of Mutual Respect (Gabriel Abrantes, Daniel Schmidt, 2010) from Portugal, winner of Best Experimental Short Film.

Scotty actor and film series writer throws cold water on reports «Pulp Fiction» director is fully aboard the Enterprise

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.