In 2014, Markiewicz was invited to spend two months residing at the Biermans - Lapôtre Foundation in Paris where he prepared his solo exhibition «Le Retour du Plombier Polonais,» presented at Centre d'art Nei Liicht in Dudelange and produced the first part of his docu -
fiction film project Low Cost Symphony with the actors Luc Schiltz and Laure Roldan.
As a result of the first five years of Catalyst Forum gatherings, more than $ 20 million has been raised for 67 documentary and
fiction film projects.
Not exact matches
His next
project (which, though it doesn't begin
filming until next month, is currently slotted for an end - of - year release) is a New York - set period dramedy based on the stranger - than -
fiction, real - life FBI sting operation (ABSCAM) that brought down numerous crime figures and corrupt government officials in 1980.
Robert Greene's
film follows the actress Kate Lyn Sheil as she prepares to play Chubbuck in a
project that's part documentary, part
fiction and a bit too much navel - gazing.
In order to qualify as an international narrative feature
film, the submitted
project must be either scripted or improvisational
fiction, and more than half of the
project's financing must originate from outside of the United States.
Binoche and her director have already completed their next
project, «High Life,» a science
fiction film that pairs the star with Robert Pattinson.
At a lunch Wednesday in Manhattan, this year's Heterodox Award, given to
films that provocatively expand the blurry line between
fiction and nonfiction, was presented to Sean Baker's The Florida
Project and the Legacy Award was given to Leon Gast for his classic
film, When We Were Kings.
In its swirl of violence and emotion, the new movie feels like a summation of those two most recent pictures, even as it braids together settings and story elements from Jia's earlier
films «Unknown Pleasures» (2002) and «Still Life» (2008), his surreally tinged docu -
fiction about the incalculable impact of the Three Gorges Dam
project.
Weinstein cracked that he'd be more remembered for TV efforts like «
Project Runway» than iconic indie
films like «Pulp
Fiction.»
Ending a frustrating nine - year absence from the screen, during which Martel began and ultimately abandoned a science -
fiction project, «Zama» is, fittingly enough, a
film about waiting: It brings you deep into the world of Don Diego de Zama, a servant of the Spanish crown longing for a transfer from his soul - sapping Paraguayan outpost.
Sean Baker's The Florida
Project was a revelatory experience, both in and of itself and because of the fact that it so fully realized the promise of American place - specific reality - based
fiction cinema after so many years of
films with intriguing passages and situations that never quite add up to an entire satisfying movie.
Alas the
project, «On High in Blue Tomorrows», has a history in which a previous, doomed production ended as reality seeped into its
fiction and the
film's onscreen / offscreen lovers were killed.
Other prestigious Jurors at NVFF 2013 included Dierk Sindermann, a member of the Hollywood Foreign Press; Lissa Gibbs, producer of educational and network documentaries; Jennifer Siebel Newsom, producer / director of the award winning Miss Representation; Musician and
film director Dave Grohl; actresses Rose McGowan (Charmed) and Madeline Zima (Californication); Paul Duffy, Amazon Web Services executive; Ryan Tudhope, co-founder Atomic
Fiction; and Neil Berkeley, founder of Brkly Productions (creative work includes:
Project Runway, Top Chef, Martha Stewart's Everyday Food, America's Next Great Restaurant and more).
Worst - case scenario: The
project turns out like a number of Clooney productions and / or
fiction -
film remakes of documentaries: dutiful, well intentioned, kinda lifeless.
The
film, starring Walter Pidgeon, Leslie Nielsen, Anne Francis and the timeless Robby the Robot, is considered one of the best science -
fiction films ever made and was a strong inspiration on such future
projects as «Star Trek.»
As often happens, documentary tendencies ran through some of the festival's best
fictions, notably The Florida
Project by Sean Baker (whose previous
film was the astonishing Tangerine) and The Rider by Chloé Zhao: the first an excursion into the candy - colored stucco dilapidation of the residence motels and junk shops clustered a few streets away from Disney World, the second a trip into the ranches and rodeo arenas of South Dakota's High Plains.
Since 2007, the New Frontier exhibition at the Sundance Film Festival has provided the highest level of curation in the emerging field, incorporating
fiction, non-
fiction and hybrid
projects to showcase transmedia storytelling, multi-media installations, performances and
films.
Mr. Robot creator and showrunner Sam Esmail is adding another science
fiction project to his resume, this time an adaptation of the seminal 1927
film Metropolis.
Now, it appears that the studio has found a director for a
film reboot of the
project, and it's someone with a history of rebooting beloved and enigmatic science
fiction tales: Blade Runner -LSB-...]
However, it seems to have also taken a backseat to another
project, the Cuban spy thriller Wasp Network, a French - Brazilian co-pro set in 1990s Florida, which has been confirmed as
filming after Non
Fiction wraps.
Some Background: Besides being an attorney, which informs this
film, her feature directorial debut, Porter has served as an executive producer on both
fiction and non-
fiction projects, and worked on
projects at various TV and cable networks.
Electricomics, the real life emergence of a new kind of digital comic book storytelling experience, ripped from the
fiction of Alan Moore and Mitch Jenkins «The Show
film projects.
The two objectives are to create a publishable or producible body of work, as a Major Writing
Project, in one of five genres (
fiction, creative nonfiction, playwriting,
film and poetry) and to train students in the teaching of writing at the post-secondary level.
«Maddox's «Twice the First Time,» an intensely personal
project that combines song, dance,
film, poetry and speculative
fiction, is making its world premiere at the Contemporary Arts Center.
«It has been a unique and uncanny pleasure to recreate an iconic
film concerned with authenticity in the very location of Vertigo, and to learn about the «ghosts» haunting both museums, providing ample material for a
project questioning identity and representation, in this era where
fiction and reality have become increasingly blurred», states Lynn Hershman Leeson.
Central to their
project is a speculative
fiction narrative they developed over the course of their residency, which has generated several short
films and will culminate in a limited - edition comic book.
During her research for the
project, Laing also watched science -
fiction films of aliens or mutants infesting the human race, noting similarities in the way in which man - made suburbia infests and spreads across the natural landscape.
Including photography,
film, text, sound and archival material, this
project blurs the lines between
fiction and documentary, exploring how images inform our understanding of myth and reality.
The timeline made apparent that only very few science
fiction films, produced in the optimism of the late 1960s and 70s,
project their visions into a very distant future, and imagine a future reality that is desirable.
Beatriz Santiago Muñoz's (b. 1972, San Juan, Puerto Rico)
projects grapple with the slippery distinctions between ethnography,
fiction, and documentary
film and examine the symbolic and material histories of the communities she observes with her camera.
Beginning with Cronos (1993) and continuing throughThe Devil's Backbone (2001), Hellboy (2004), Pan's Labyrinth (2006), Pacific Rim (2013), and Crimson Peak (2015), among many other
film, television, and book
projects, del Toro has reinvented the genres of horror, fantasy and science
fiction.
The
films, photoworks, installations, curatorial
projects, screening programs, discussion platforms and publications of The Otolith Group explore the accumulated science
fictions of the present in order to reflect upon the powers and capacities of historical futures.