Sentences with phrase «fiction genre with»

Today I'm reviewing Illusion by Frank Peretti, who practically invented the modern Christian speculative fiction genre with This Present Darkness.

If you're constantly changing fiction genres with each and every book you publish as an independent author starting out, you won't get the benefit of building that loyal readership that is willing to buy your books because they know what to expect.

Not exact matches

That jibes with what Stewart suggests, that certain kinds of books — genre stuff like fan fiction or romance — work better digitally, but print is still a more desirable way to digest the really good meaty writing.

If he wants to include ancient mythology and ignorant superst!tion in his writing, that's fine, it goes along with the genre — fiction.

On first reading, we see that Dillard wants to account for the fascination with surfaces, with play, with the mixing of genres in postmodern fiction, and she wants to know why those traits fascinate her so much.

These last two phrases are applicable to White's own work, which has been saddled — unfairly, to my mind — with the label of genre fiction.

These are genres that have traditionally provided fertile ground for metaphysically inclined fiction, but for a long time their presence in the American mass media began with Star Trek and ended with Star Wars — fun but shallow entertainments whose take on religion mixed Daniel Dennett with Deepak Chopra, secular condescension with New Age mumbo - jumbo.

The thing with science fiction that's different than other genres is that it's always about the idea.

One view, subscribed to by the towering French figure of Jules Gabriel Verne, a man with a better claim to being the Father of Science Fiction than anyone else, was that the genre should consider itself almost a legitimate field of science proper, or at least should try to hold itself to an analogous code of rigor.

Instead they prefer men of mystery, with 19 % picking thrillers as the sexiest genre a man can read, so any men palming through one of Benjamin Black's crime fiction novels (real name John Banville, he uses Black as a pseudonym - it just adds to his mystery!)

I have gravely mixed feelings about every movie on Marc Forster's résumé, from «Monster's Ball» to «Stranger Than Fiction» to «The Kite Runner» to the 2008 Bond film «Quantum of Solace,» but the guy is undeniably a stylistic virtuoso with a Michael Winterbottom - like ability to jump around from one genre to another.

The old Flash Gordon and Buck Rogers serials were not science fiction, the «alien invaders» flicks of the 50s were likewise fantasy, and it continues today with such non science fiction films as Independence Day, Red Planet and Event Horizon trying to claim a genre title of which they are not worthy.

From A Trip to the Moon (1902) to Arrival (2016), science fiction cinema has produced a body of classics with a broader range of styles, stories, and subject matter than perhaps any other film genre.

With his debut feature, he never misses a beat while infusing the story with quirky insights and pulp - fiction antics that lift this genre film to a new leWith his debut feature, he never misses a beat while infusing the story with quirky insights and pulp - fiction antics that lift this genre film to a new lewith quirky insights and pulp - fiction antics that lift this genre film to a new level.

A few years back I met up with him for an interview about Dredd, and we talked a lot about science fiction, and how the genre pushes itself forward.

Writer - producer - editor - director Krik (his director's credit reads «Dave Herman,» apparently out of concern that weaving too much inconvenient truth in with the genre fiction might attract the wrath the shadow conspirators), might have done better to deliver less retro larkiness and more straight facts.

Which is to say that while Annihilation, drawn from the first novel in Jeff VanderMeer's Southern Reach trilogy, formally belongs, much like Garland's Ex Machina, to the science fiction genre, it unfolds in a realm where conventional science has ceased to operate, and where the characters» journey, although peppered with horror tropes cribbed from Lake Placid, Prophecy and The Thing, is ultimately an internal one.

It is the reason why science fiction is my cinematic genre of choice — there is something thrilling about breaking the rules and getting away with it, and here is a world in which the laws of... Continue reading Annihilation

With Ex Machina, Alex Garland shows that he's just as talented as a director as he is a writer, and that he should definitely keep challenging the science fiction genre.

Finally, he's hosting AMC Visionaries: James Cameron's Story Of Science Fiction, where he speaks with other great names in genre cinema like Ridley Scott and George Lucas.

For some Anglo - Saxon spectators who only discovered Assayas with Irma Vep (1996), a worn - out cliché reigns supreme — that there would be «two Olivier Assayas»: one exquisitely crafting intimate family or relationship dramas, such as Fin août, début septembre (Late August, Early September, 1998) or L'Heure d'été (Summer Hours, 2008); and one coining genre fictions sweeping several countries and dealing head - on with globalisation: demonlover (2002) or Boarding Gate (2007).

I believed this to be the way movies naturally were, unaware then that I was poised at the cusp of a decade of filmmaking that would redefine fantasy and science - fiction, setting precedents for the genre with films like Back to the Future and Predator, E.T., and Blade Runner, Near Dark, and Miracle Mile — the well was as deep for flights of fancy in the Eighties as it was for incomparable character - driven paranoia in the Seventies.

It is the reason why science fiction is my cinematic genre of choice — there is something thrilling about breaking the rules and getting away with it, and here is a world in which the laws of nature really don't apply.

With Barker's status as one of the most prominent openly gay figures in genre fiction at the back of the mind, that Candyman is something of an elegiac lament for the outcasts and the sexually humiliated only augments its status as one of the best of the end - of - the - eighties / start - of - the - nineties body mortification films.

Black Panther and the Promise of Science Fiction By Devika Girish A studio - sized engagement with race under the sign of Afrofuturism, Ryan Coogler's Black Panther taps into a maligned genre's superpowers, from high - gloss to lo - fi

With Sunshine, the pair delves into science - fiction, taking a straightforward genre plot and slowly illuminating the thematic implications behind it.

What you more often get from movies is something that could be called «science fiction - flavored product» — a work that has a few of the superficial trappings of the genre, such as futuristic production design and somewhat satirical or sociological observations about humanity, but that eventually abandons its pretense for fear of alienating or boring the audience and gives way to more conventional action or horror trappings, forgetting about whatever made it seem unusual to begin with.

The film noir put out inky tendrils in many existent genres, forever altering even the Western (Anthony Mann, perhaps the most gifted director associated with the new vision, the new mode, also began his remarkable series of James Stewart Westerns in this era: Winchester» 73, The Naked Spur, etc.); and certainly its temperamental affinities to the science - fiction film, a prime manifestation of the McCarthy era, are worth a nod.

With an underrated film comes an underrated actor in Sam Rockwell (Frost / Nixon, Iron Man 2) who pairs up with one of my favorites in Kevin Spacey to deliver a science fiction movie hell bent on breaking all the rules of genre - specific filmmakWith an underrated film comes an underrated actor in Sam Rockwell (Frost / Nixon, Iron Man 2) who pairs up with one of my favorites in Kevin Spacey to deliver a science fiction movie hell bent on breaking all the rules of genre - specific filmmakwith one of my favorites in Kevin Spacey to deliver a science fiction movie hell bent on breaking all the rules of genre - specific filmmaking.

I wrote in my review of the film: «With Ex Machina, Alex Garland shows that he's just as talented as a director as he is a writer, and that he should definitely keep challenging the science fiction genre.

Prey is another great entry in the science fiction shooter genre with a story that tackles some dark experiments gone wrong while you have to survive through the nightmare of its aftermath.

A superb pas - de-deux with American cinema, this ultra-violent futuristic film brought the action film genre a touch of class with its masterly combination of Road Movie, Western and Science - Fiction elements.

There are no «Matrix» visuals here — you might say that Fassbinder suggests his levels of reality and identity with mirrors — but conceptually it anticipates a genre of science fiction and visually it creates a near future out of modern architecture, gangster - movie fashions, futuristic bric - a-brac, and more glass and mirrors than a crystal palace.

For the third film running, Shyamalan has infused pulpy genre material with a fresh sense of austerity and weight, first with the somber ghost story The Sixth Sense and its wholly original comic - book follow - up Unbreakable, and now with a science - fiction premise ripped straight from the supermarket tabloids.

Here, he does a fine job of genre - bending, showing that campy science fiction can be successfully blended with a very grounded adult drama.

60) «Spark: A Space Tail» Smart Rating: 22.05 Release date: Friday, April 14, 2017 Genre: Children, comedy, adventure, action, science fiction, animated Starring: Jace Norman, Jessica Biel, Susan Sarandon Description: Spark (Jace Norman) is a wisecracking, teenage monkey who lives on an abandoned planet with his friends Chunk and Vix (Jessica Biel).

38) «iBoy» Smart Rating: 46.23 Release date: Friday, January 27, 2017 Genre: Action, science fiction Starring: Bill Milner, Maisie Williams, Miranda Richardson Description: A teenager (Bill Milner) wakes from a coma to discover that fragments from his broken smartphone have been embedded into his brain and turned him into an actualized app with super human powers.

If «Superman» is low on this list, that has to be because most of our voters don't really view it as science fiction: sure, it kicks off with the destruction of an alien planet, but the superhero movie has now become its own genre, largely divorced from those that bore it.

Yet Justin Benson and Aaron Moorhead have still managed to carve out their own little niche in the market with this film, a daring fusion of grindhouse genre fiction with indie romance that somehow uses those seemingly opposed elements to transcend and forge a tale about the power and uniting force of love, no matter how star - crossed and unlikely its subjects may be.

Barry Forshaw has made a career out of studying the dames, pistols, machismo, and glistening city streets that define crime fiction; with previous books such as Death in a Cold Climate: A Guide to Scandinavian Crime Fiction and The Rough Guide to Crime Fiction seeking to provide a comprehensive survey of the genre, he's made himself, to quote the book jacket of British Crime Film: Subverting the Social Order, «the UK's principal expert on crime fiction.fiction; with previous books such as Death in a Cold Climate: A Guide to Scandinavian Crime Fiction and The Rough Guide to Crime Fiction seeking to provide a comprehensive survey of the genre, he's made himself, to quote the book jacket of British Crime Film: Subverting the Social Order, «the UK's principal expert on crime fiction.Fiction and The Rough Guide to Crime Fiction seeking to provide a comprehensive survey of the genre, he's made himself, to quote the book jacket of British Crime Film: Subverting the Social Order, «the UK's principal expert on crime fiction.Fiction seeking to provide a comprehensive survey of the genre, he's made himself, to quote the book jacket of British Crime Film: Subverting the Social Order, «the UK's principal expert on crime fiction.fiction.»

After all the critical acclaim heaved upon Danny Boyle and Alex Garland for helping to redefine the zombie flick with «28 Days Later...,» I was definitely excited to see if something similar could be done with science fiction genre.

James Cameron showed genre filmmakers how to increase the quality with 2005's «Aliens,» technically science fiction but still embraced by lovers of extreme tension and violence.

Since rising to importance with 1994's Pulp Fiction, Quentin Tarantino has spent his career paying homage to the genres he enjoys: Jackie Brown to blaxpoitation, Kill Bill to samurai movies, Death Proof to grindhouse cinema.

by Walter Chaw I'm most familiar with Thomas M. Disch for his sterling non-fiction work (The Dreams Our Stuff is Made Of and The Castle of Indolence) and a few samplings of his less impressive genre short fiction, and though I was aware that he'd written a couple of children's books about a band of appliances, I'd never felt compelled to investigate.

From the high school comedy of Dazed and Confused to the Parisian romance of Before Sunset and the animated science fiction of A Scanner Darkly, Linklater has scuttled from genre to genre with ease.

Subtly blended together with Michael Haneke's Time of the Wolf (of which, Girl shares a key image) and Alfonso Cuaron's Children of Men, and you have that heady mix of art - house and genre which is rare due to the difficulty of calibrating both sensibilities into a satisfying package; on of far less head - shot horror and far more thinking - woman's speculative fiction.

Spider - Man Homecoming Genre: Action / Science - Fiction / Superhero Directed by: Jon Watts Produced by: Kevin Feige, Amy Pascal Executive Produced by: Louis D'Esposito, Victoria Alonso, Patricia Whitcher, Jeremy Latcham, Stan Lee, Stan Lee Starring: Tom Holland, Michael Keaton, Zendaya, Donald Glover, Jacob Batalon, Laura Harrier, Tony Revolori, Tyne Daly, Bokeem Woodbine, with Marisa Tomei and Robert Downey Jr..

The flagship of the Festival, section Oficial Fantàstic, presents some of the most eagerly awaited movies of the year, such as Only God Forgives by Nicolas Winding Refn - director of Valhalla Rising and Drive; Jim Jarmusch's latest film Only Lovers Left Alive, an eternal love story between two vampires; A Glimpse Inside the Mind of Charles Swann III, a surrealist comedy by the hand of Roman Coppola; The Congress, a spectacular adaptation of Stanislaw Lem directed by Ari Folman - responsible for Vals with Bashir -, that combines animation with a science - fiction story starring Robin Wright and Harvey Keitel; Sitges 2013 will also represent the return of Kiyoshi Kurosawa to the fantastique genre with Real.

The Girl with All the Gifts Genre: Drama / Science - Fiction Directed by: Colm McCarthy Starring: Gemma Arterton, Paddy Considine, Glenn Close, Sennia Nanua Release Date: TBA 2016

With its stunning visual style, sly subversion science - fiction and horror genre conventions and one of the most terrifying and memorable monsters in screen history, «Alien» became an instant film classic from the moment it burst forth — literally — in the summer of 1979.