Acclaimed British filmmaker Ben Rivers treads the line between documentary and
fiction in this new exhibition at Camden Arts Centre
Not exact matches
A
new exhibition and season of events at the Barbican Centre
in London offers a fun, frantic sprint through the scenery of classic science
fiction.
Since 2007, the
New Frontier
exhibition at the Sundance Film Festival has provided the highest level of curation
in the emerging field, incorporating
fiction, non-
fiction and hybrid projects to showcase transmedia storytelling, multi-media installations, performances and films.
In the coming weeks, Logo TV will announce performers, presenters and special guests as well as reveal the nominations in the academy winner selected categories: «Best New Fashion Designer,» «Best New Art Exhibition,» «Best New Fiction (Literature)» and «Best New Nonfiction (Literature)»
In the coming weeks, Logo TV will announce performers, presenters and special guests as well as reveal the nominations
in the academy winner selected categories: «Best New Fashion Designer,» «Best New Art Exhibition,» «Best New Fiction (Literature)» and «Best New Nonfiction (Literature)»
in the academy winner selected categories: «Best
New Fashion Designer,» «Best
New Art
Exhibition,» «Best
New Fiction (Literature)» and «Best
New Nonfiction (Literature)».
Opening
in June 2017, major Barbican
exhibition Into the Unknown: A Journey through Science
Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a
new, global perspective on Science
Fiction.
«Introduction,» Science
Fiction, a special issue published
in conjunction with the
exhibition Science
Fiction at John Weber Gallery,
New Observations, n. 17 (1983).
In 2015, Science, Fiction marked her eighth solo exhibition at the gallery in New Yor
In 2015, Science,
Fiction marked her eighth solo
exhibition at the gallery
in New Yor
in New York.
Now it's time to think three dimentional and about the effect of color - maybe you will even find great inspiration
in our
new exhibition Los Angeles - A
Fiction?
In 2016, her work has been included in the exhibitions Los Angeles - A Fiction curated by Gunnar B. Kvaran (AFM), Thierry Raspail (MAC Lyon) and Nicolas Garait - Leavenworth at the Astrup Fearnley Museet, Oslo (touring to MAC / Musée d'art contemporain de Lyon, France 2017), L' image volée curated by Thomas Demand at the Fondazione Prada, Milan and L.A. Exuberance - New Gifts by Artists at the Los Angeles County Museum of Art / LACM
In 2016, her work has been included
in the exhibitions Los Angeles - A Fiction curated by Gunnar B. Kvaran (AFM), Thierry Raspail (MAC Lyon) and Nicolas Garait - Leavenworth at the Astrup Fearnley Museet, Oslo (touring to MAC / Musée d'art contemporain de Lyon, France 2017), L' image volée curated by Thomas Demand at the Fondazione Prada, Milan and L.A. Exuberance - New Gifts by Artists at the Los Angeles County Museum of Art / LACM
in the
exhibitions Los Angeles - A
Fiction curated by Gunnar B. Kvaran (AFM), Thierry Raspail (MAC Lyon) and Nicolas Garait - Leavenworth at the Astrup Fearnley Museet, Oslo (touring to MAC / Musée d'art contemporain de Lyon, France 2017), L' image volée curated by Thomas Demand at the Fondazione Prada, Milan and L.A. Exuberance -
New Gifts by Artists at the Los Angeles County Museum of Art / LACMA.
Horton's work has been featured recently
in the following group exhibitions: Beautiful Fictions, Art Gallery of Ontario, Toronto (2009 - 2010), My Evil Twin, MacKenzie Art Gallery, Regina (2009), Toy Void, Münchner Kammerspiele, Munich (2008), Stutter and Twitch, Bard College Museum, Annandale - on - Hudson, New York (2007), Beyond / In Western New York, The Albright Knox Art Gallery, Buffalo, New York (2007) and We can Do This Now, The Power Plant, Toronto (2006 - 2007
in the following group
exhibitions: Beautiful
Fictions, Art Gallery of Ontario, Toronto (2009 - 2010), My Evil Twin, MacKenzie Art Gallery, Regina (2009), Toy Void, Münchner Kammerspiele, Munich (2008), Stutter and Twitch, Bard College Museum, Annandale - on - Hudson,
New York (2007), Beyond /
In Western New York, The Albright Knox Art Gallery, Buffalo, New York (2007) and We can Do This Now, The Power Plant, Toronto (2006 - 2007
In Western
New York, The Albright Knox Art Gallery, Buffalo,
New York (2007) and We can Do This Now, The Power Plant, Toronto (2006 - 2007).
Solo
exhibitions include «the wet wet wanderer», as part of «Para
Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting»,
New Museum,
New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters
in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.
Her work has been featured
in Fictions at the Studio Museum of Harlem;
in in - gé - nue, her first solo
exhibition at Fort Gansevoort
in New York;
in a solo booth at UNTITLED Miami Beach with Fort Gansevoort; and at a mid-career survey of her work, Deborah Roberts: The Evolution of Mimi, at the Spelman College Museum of Art.
2017 Past Skin, MoMA PS1, The Museum of Modern Art,
New York, NY Invisible Cities, The Wallach Art Gallery at Columbia University, NY Mundos Alternos: Art and Science
Fiction in the Americas, «Pacific Standard Time», UCR / California Museum of Photography, Riverside, CA COMM ALT SHIFT, Aljira A Center for Contemporary Art, Newark, NJ Biennale of Moving Images, Faena Bazaar and Faena Hotel, Miami Beach, FL Biennale of Moving Images, Faena Art Center Buenos Aires, Argentina Digital Bodies, Eli and Edythe Broad Art Museum, East Lansing, MI Vision All Together, Durango Arts Center, Durango, COSouth Florida Consortium
Exhibition, Museum of Contemporary Art, North Miami, FL South Florida Consortium
Exhibition, Museum of Contemporary Art, North Miami, FL Prospect 4: The Lotus
in Spite of the Swamp,
New Orleans Biennial,
New Orleans, LA No burden as heavy, David Castillo Gallery, Miami Beach, FL Change Agents, Art and Culture Center of Hollywood, Hollywood, FL
His
exhibitions include, «Counterweight Roommate» at the Museum of Modern Art
in New York, «Antarctopia» at the 2014 Venice Biennale, «In Orbit» at the Pierogi Boiler in Brooklyn, «Wall to Wall Floor To Ceiling» at the Tel Aviv Art Museum, «Performance Architecture» at the 2013 Moscow Biennial, «The Real and Other Fictions» at the 2013 Lisbon Architecture Biennial, «Draft Urbanism» at the Biennial of the Americas, «Practise Architecture» at Tate Britain, «A Sac of Rooms All Day Long» at the San Francisco Museum of Modern Art, «Roomograph» at the deCordova Museum, and «The Rise and fall» in the 2012 Marrakech Biennia
in New York, «Antarctopia» at the 2014 Venice Biennale, «
In Orbit» at the Pierogi Boiler in Brooklyn, «Wall to Wall Floor To Ceiling» at the Tel Aviv Art Museum, «Performance Architecture» at the 2013 Moscow Biennial, «The Real and Other Fictions» at the 2013 Lisbon Architecture Biennial, «Draft Urbanism» at the Biennial of the Americas, «Practise Architecture» at Tate Britain, «A Sac of Rooms All Day Long» at the San Francisco Museum of Modern Art, «Roomograph» at the deCordova Museum, and «The Rise and fall» in the 2012 Marrakech Biennia
In Orbit» at the Pierogi Boiler
in Brooklyn, «Wall to Wall Floor To Ceiling» at the Tel Aviv Art Museum, «Performance Architecture» at the 2013 Moscow Biennial, «The Real and Other Fictions» at the 2013 Lisbon Architecture Biennial, «Draft Urbanism» at the Biennial of the Americas, «Practise Architecture» at Tate Britain, «A Sac of Rooms All Day Long» at the San Francisco Museum of Modern Art, «Roomograph» at the deCordova Museum, and «The Rise and fall» in the 2012 Marrakech Biennia
in Brooklyn, «Wall to Wall Floor To Ceiling» at the Tel Aviv Art Museum, «Performance Architecture» at the 2013 Moscow Biennial, «The Real and Other
Fictions» at the 2013 Lisbon Architecture Biennial, «Draft Urbanism» at the Biennial of the Americas, «Practise Architecture» at Tate Britain, «A Sac of Rooms All Day Long» at the San Francisco Museum of Modern Art, «Roomograph» at the deCordova Museum, and «The Rise and fall»
in the 2012 Marrakech Biennia
in the 2012 Marrakech Biennial.
Zhongguo 2185 - As a
new exhibition takes its inspiration from the future China imagined
in Cixin Liu's first (unpublished) novel, Mingwei Song looks at the significance of Liu's novel and the role of science
fiction in contemporary art
Recent group
exhibitions include «A Union of Voices»: HORATIO JUNIOR, London «Sex Shop»: Folkestone Fringe, Folkestone, «
In and out of windows»: Vane, Newcastle upon tyne, «Eulogy»: Vane, Newcastle upon Tyne, Between fact and
fiction: Vane, Newcastle upon Tyne (2014), «Winter Show», September, Berlin, Germany, «Gifted»: Chart, London, «Luminous Language»: Launch F18 (2013),
New York, USA «The Dorian Project», SecondGuest,
New York, touring to Ana Cristea Gallery,
New York, «Anschlüssel: London / Berlin», C4RD Centre for Recent Drawing, London (2012), «THE FUTURE CAN WAIT presents: Polemically Small», Torrance Art Museum, Torrance, California, touring to CHARLIE SMITH london, London, «Mail Please», Blyth Gallery, London, (2011), «MurmurART: an introduction», MurmurART, London (2010), «One Spirit Showcase», Hines Urban Gallery, London, «40 Artists 80 Drawings», The Drawing Gallery, London (2009), «00 Nature Part 1», Contemporary Art Projects, London, «Baltic Square», Arena Gallery, Liverpool Biennial (2008), and «Jerwood Contemporary Painters», Jerwood Space, London (2007).
The title of the
exhibition «
New Suns» derives from an epigram of an unfinished book by the Afro - American science -
fiction writer Octavia Butler, which captures the cosmic tension between optimism and pessimism and touched Joseph's soul
in depth.
In 2018, Gray's work was included in Public Fiction: the Conscientious Objector at the MAK Center for Art & Architecture in Los Angeles where he directed a new durational performance delivered by professional actors, and upcoming, a number of Gray's works are included in the major summer group exhibition Michael Jackson: On the Wall at London's National Portrait Gallery, travelling to the Grand Palais Paris, and the Kunstmusem Bonn through 201
In 2018, Gray's work was included
in Public Fiction: the Conscientious Objector at the MAK Center for Art & Architecture in Los Angeles where he directed a new durational performance delivered by professional actors, and upcoming, a number of Gray's works are included in the major summer group exhibition Michael Jackson: On the Wall at London's National Portrait Gallery, travelling to the Grand Palais Paris, and the Kunstmusem Bonn through 201
in Public
Fiction: the Conscientious Objector at the MAK Center for Art & Architecture
in Los Angeles where he directed a new durational performance delivered by professional actors, and upcoming, a number of Gray's works are included in the major summer group exhibition Michael Jackson: On the Wall at London's National Portrait Gallery, travelling to the Grand Palais Paris, and the Kunstmusem Bonn through 201
in Los Angeles where he directed a
new durational performance delivered by professional actors, and upcoming, a number of Gray's works are included
in the major summer group exhibition Michael Jackson: On the Wall at London's National Portrait Gallery, travelling to the Grand Palais Paris, and the Kunstmusem Bonn through 201
in the major summer group
exhibition Michael Jackson: On the Wall at London's National Portrait Gallery, travelling to the Grand Palais Paris, and the Kunstmusem Bonn through 2019.
2009 Abstract Cabinet Show, Eastside projects, Birmingham, UK Paper Moon, Sommer & Kohl, Berlin, Germany Summer
in the City, Martin Asbaek Gallery, Copenhagen, Denmark The Golden Record - The Sounds of Earth, The Collection, Lincoln, England; touring to g39, Cardiff, UK Nus, Fortes Vilaça, São Paulo, Brazil Collection Art Foundation Mallorca, CCA Kunsthalle Andratx, Mallorca, Spain 2008 Chambres a part II, la Réserve Paris, Paris, France 100 Years 100 Artists 100 Works of Art, A Foundation Gallery, London, England Golden Record - the Sounds of the Earth, Collective Gallery, Edinburgh, Scotland Supernatural, Kunsthalle Andratx, Majorca, Spain Pendre la crémaillère, Sommer & Kohl, Berlin, Germany Space to Draw, Jerwood Space, London, England Art on the London Underground, Rochelle School, London, England 2007 Star Dust, Musée d'Art Contemporain du Val - de-Marne (MAC / VAL), Paris, France Cult
Fiction, Hayward Gallery, London; toured to
New Art Gallery, Walsall; Nottingham Castle, Nottingham; Leeds City Art Gallery, Leeds; Aberystwyth Art Gallery, Aberystwyth; Tullie House, Carlisle, UK (catalogue) Drawing 2007 Biennial Fundraiser, The Drawing Room, London, England 2006 Drawing Inspiration, Abbot Hall Art Gallery, Cumbria, UK The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, England (catalogue) 2005 Sonnenblume Titanic, Kjubh Kunstverein, Cologne, Germany Ticker, carlier gebauer, Berlin, Germany; curated by Aurélie Voltz The Failure, Korridor, Berlin, Germany Ten Year Anniversary
Exhibition, Stephen Friedman Gallery, London, England Post Notes, ICA, London; toured to Midway Contemporary Art, Minneapolis, USA Communism, Project, Dublin, Ireland; curated by Grant Watson
21C Museum Hotels to Open
New Location
in Nashville with Inaugural
Exhibition Truth or Dare: A Reality Show, Which Explores Intersections of Fact and
Fiction, Presence and Absence
She has shown internationally
in numerous
exhibitions including Abracadabra, Tate Gallery London (1999), Prop
Fiction, White Columns
New York (1997), Bang!
Hou Young's work has been exhibited
in major group shows including
New voices: a dslcollection story, Klein Sun Gallery,
New York, NY (2016); Dessensus Agitation - The Painting of Language, Today Art Museum, Beijing, China (2016); Fact or
Fiction, Tang Contemporary Art, Hong Kong (2016); Omnipresent Concrete, Hunsand Space, Beijing, China (2014 - 2015); Touch, Chengdu A4 Contemporary Arts Center, Chengdu, China (2009 - 2010); The mARket Summer 2009 - 2010, Beijing Center for the Arts, Beijing, China (2009); Blank Show, Inside - Out, Beijing, China (2008); Blank, Ke Center for the Contemporary Arts, Shanghai, China (2007); Today Art Gallery Recent
Exhibition, Today Art Museum, Beijing, China (2006); The 3rd Chinese Oil Painting
Exhibition, The National Art Museum of China, Beijing, China (2003).
2010 Order to see, Galerie Praz, Delavallade, Paris, France
In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial,
New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian,
New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise,
New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase,
New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as
Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee
Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art,
New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise,
New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery,
New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?
Recent
exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots
in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art,
New York (2013); Science is
FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography
in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).
These works, selected by Pfeiffer and the
exhibition's curator, explore the theme of the artist as editor, one who plays with space and time and,
in doing so, creates
new narratives that blur the line between fact and
fiction.
Recent group
exhibitions includeStranger than
Fiction at the Santa Barbara Museum of Art, Santa Barbara, CA; Opening Ceremonyat Morgan Lehman Gallery,
New York; and Else, curated by Derrick Adams, at Tilton Gallery,
New York, all
in 2010.
Selected recent solo
exhibitions include: Para /
Fictions, Witte de With Center for Contemporary Art, Rotterdam NL (upcoming 2017); AND SHE WILL SAY: HI HER, AILLEURS, TO HIGHER GROUNDS..., Kunstmuseum Luzern CH; GDM - Grandad Visitor Center, Pirelli Hangar Bicocca, Milan IT; ALL BEHIND, WE»LL GO DEEPER, DEEP DOWN AND SHE WILL SAY:, MMK, Frankfurt DE; DROPPED HERE AND THEN, TO LIVE, LEAVE IT ALL BEHIND, FRAC / Consortium Dijon FR; Into all is here, Red Brick Art Museum, Beijing CN; C'est l'est not ouest, State of Concept, Athens GR; A Way To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (
in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux,
New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting,
New Museum,
New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013).
Her work has been included
in group
exhibitions such as Her Crowd: New Art by Women from Our Neighbors» Private Collections, Bruce Museum, Greenwich, CT (2016); Sincerely Yours, Torrance Art Museum, Torrance, CA (2015); The Go - Between, Museo di Capodimonte, Naples, Italy (2014); Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles, CA (2012); La Californie, The Museum of Public Fiction, Los Angeles, CA (2011); Baker's Dozen III, Torrance Art Museum, Torrance, CA (2011); Unfinished Paintings, LACE: Los Angeles Contemporary Exhibitions, Los Angeles, CA (2011); and NewNow, Nerman Museum of Contemporary Art, Overland Park,
exhibitions such as Her Crowd:
New Art by Women from Our Neighbors» Private Collections, Bruce Museum, Greenwich, CT (2016); Sincerely Yours, Torrance Art Museum, Torrance, CA (2015); The Go - Between, Museo di Capodimonte, Naples, Italy (2014); Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles, CA (2012); La Californie, The Museum of Public
Fiction, Los Angeles, CA (2011); Baker's Dozen III, Torrance Art Museum, Torrance, CA (2011); Unfinished Paintings, LACE: Los Angeles Contemporary
Exhibitions, Los Angeles, CA (2011); and NewNow, Nerman Museum of Contemporary Art, Overland Park,
Exhibitions, Los Angeles, CA (2011); and NewNow, Nerman Museum of Contemporary Art, Overland Park, KS (2009).
Presented at the Fondation Cartier pour l'art contemporain on the eve of the
new millennium, the
exhibition Un monde réel revisited the major themes of science
fiction and space conquest, offering food for thought on imagination and its relationship to reality
in the late twentieth century.
In both the sculptures from the mid-1990s, and the new drawings created for the exhibition Players, Huma Bhabha reinvents the human head, deconstructing and reconstructing an archetype in which she gathers and transforms various art - historical typologies: from the African, Oceanic and carnival masks to those worn by the actors / dancers in the Indian theatre, from the grotesque faces of Expressionist painting to the demonic, hybrid features we may find in the characters of science - fiction movies or the Marvel comic book
In both the sculptures from the mid-1990s, and the
new drawings created for the
exhibition Players, Huma Bhabha reinvents the human head, deconstructing and reconstructing an archetype
in which she gathers and transforms various art - historical typologies: from the African, Oceanic and carnival masks to those worn by the actors / dancers in the Indian theatre, from the grotesque faces of Expressionist painting to the demonic, hybrid features we may find in the characters of science - fiction movies or the Marvel comic book
in which she gathers and transforms various art - historical typologies: from the African, Oceanic and carnival masks to those worn by the actors / dancers
in the Indian theatre, from the grotesque faces of Expressionist painting to the demonic, hybrid features we may find in the characters of science - fiction movies or the Marvel comic book
in the Indian theatre, from the grotesque faces of Expressionist painting to the demonic, hybrid features we may find
in the characters of science - fiction movies or the Marvel comic book
in the characters of science -
fiction movies or the Marvel comic books.
As part of the series The Artist's Eye,
in which an artist who has previously shown at The Drawing Center shares her or his perspective on a current
exhibition,
New York - based artist Cecily Brown will lead a walkthrough of Terry Winters: Facts and
Fictions.
The Drawing Center has organized a series of public programs to coincide with the
exhibition: Thursday, May 17, 2018, 6:30 PM As part of the series The Artist's Eye,
in which an artist who has previously shown at The Drawing Center shares her or his perspective on a current
exhibition,
New York - based artist Cecily Brown will lead a walkthrough of Terry Winters: Facts and
Fictions.
He has been featured
in group exhibitions throughout Europe and the U.S., including Expanding Frontiers: Propos d'Europe 15, curated by Rolf Hoff, Foundation Hippocrène, Paris (2016); The Painter of Modern Life, Curated by Bob Nickas, Anton Kern Gallery, New York (2015); The Stand In (or A Glass of Milk), Curated by Alexandra Gaty, Public Fiction (The Museum of), Los Angeles (2013); Pour une grammaire du hasard, Curated by Corrinne Charpentier, Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (2012); and Golden Age: Reference Work, Museum of Contemporary Art, Chicago (2011
in group
exhibitions throughout Europe and the U.S., including Expanding Frontiers: Propos d'Europe 15, curated by Rolf Hoff, Foundation Hippocrène, Paris (2016); The Painter of Modern Life, Curated by Bob Nickas, Anton Kern Gallery,
New York (2015); The Stand
In (or A Glass of Milk), Curated by Alexandra Gaty, Public Fiction (The Museum of), Los Angeles (2013); Pour une grammaire du hasard, Curated by Corrinne Charpentier, Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (2012); and Golden Age: Reference Work, Museum of Contemporary Art, Chicago (2011
In (or A Glass of Milk), Curated by Alexandra Gaty, Public
Fiction (The Museum of), Los Angeles (2013); Pour une grammaire du hasard, Curated by Corrinne Charpentier, Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (2012); and Golden Age: Reference Work, Museum of Contemporary Art, Chicago (2011).
Recent
exhibitions include White Blues at Kunstvereniging, Diepenheim, The Netherlands (2010); The House
in my Head at Kunsthallen Brandts, Odense, Denmark (2010); Larger than Life, Stranger than
Fiction at The 11th Fellbach Small Sculpture Triennial, Germany (2010); Luc Tuymans: A Vision of Central Europe, Bruge Central, Belgium (2010); The Magic of Clay, GI Holtegaard, Copenhagen, Denmark (2011); and SFMOMA's
New Work Series (2011).
2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016:
New Perspectives on Art of the Americas, SITE Santa Fe,
New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse,
New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort,
New York,
New York WORD, Hudson Valley Center for Contemporary Art, Peekskill,
New York
New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs,
New York Greater
New York, MoMA PS1,
New York,
New York An Evening Redness
in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brookly
in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe,
New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation,
New York,
New York P3, Prospect
New Orleans,
New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS,
New York, NY Geometries of Difference:
New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art,
New Paltz,
New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS,
New York,
New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013
Fiction / Non-
Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS,
New York,
New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery,
New York,
New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design,
New York,
New York; Memorial Art Gallery, Rochester,
New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe,
New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn,
New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill,
New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug -
In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brookly
In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet
Exhibitions and Mass MoCA, Brooklyn.
Chiurai has held numerous solo
exhibitions since 2003 and has participated
in various local and international
exhibitions, most recently Figures &
Fictions: Contemporary South African Photographyat the Victoria and Albert Museum
in London and Impressions from South Africa, 1965 to Nowat the Museum of Modern Art
in New York, which acquired Chiurai's work for their collection.
Chiurai has held numerous solo
exhibitions since 2003 and has participated
in various local and international
exhibitions, including Figures &
Fictions: Contemporary South African Photography at the Victoria and Albert Museum
in London and Impressions from South Africa, 1965 to Now at the Museum of Modern Art
in New York, which acquired Chiurai's work for their collection.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of
fiction to the accompanying publication 1988
In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows
in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy
in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats
in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Bag Bags
in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP
New York Needle Exchange 1991 Participates
in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street
in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in New York 1992 LA riots 1992 DAAD residency
in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994
New York Knicks lose to Houston Rockets
in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Game 7 NBA Finals 1995 Organizes retrospective of the
New Cinema late 70's
New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged
in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo
exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of
New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works
in New York and Marfa Tex
in New York and Marfa Texas
Recent group
exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects,
Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting
in an Atemporal World, Museum of Modern Art,
New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).
A further three
new shows open shortly after this, beginning with the first
exhibition in Ireland by the French artist Pierre Huyghe (23 February - 15 May), whose film works explore themes of reality and
fiction, history and memory.