FICTION TALES FROM in a sentence

We have new short speculative fiction tales from authors around the world.

This year, though, Brin kicked off the Founders Letter with a quote taken from the very beginning of «A Tale of Two Cities,» a book written over 150 years ago by Charles Dickens — a historical fiction about the French Revolution.

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Oscar - winning films like the abuse - survival tale Precious, the 2016 Best Picture winner Room, about a kidnapping victim, may not be straight - ahead biopics, but both stories were pulled from the headlines and spun into fiction.

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by Lynn Margulis Drama: A tale of atmospheric scientists from the founder of the endosymbiosis theory, via an ultimately unsatisfying symbiosis of fiction and autobiography.

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Writerly insights on far - flung fiction (and some cool science - y facts) from fairy tales and myths to dystopian fantasy and magical realism.

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Coming from a veteran of British intelligence, le Carré's fiction offers a counterpoint to the glamorous spy tales of Ian Fleming and others.

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Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

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No fear, though, everything comes together after a fashion in a long - in - coming finale in a closed scenario ripped off whole from Near Dark and From Dusk Till Dawn (and Pulp Fiction and Tales from the Crypt: Demon Knight, and on and from Near Dark and From Dusk Till Dawn (and Pulp Fiction and Tales from the Crypt: Demon Knight, and on and From Dusk Till Dawn (and Pulp Fiction and Tales from the Crypt: Demon Knight, and on and from the Crypt: Demon Knight, and on and on).

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Argo, the latest from one - time Hollywood poster boy / laughing stock Ben Affleck, now a respected director of punchy, entertaining, if until now slight films, tells the so - improbable - it - must - be-true tale of a CIA operation to evacuate six American diplomats during the Iranian hostage crisis of» 79 - ’81 by pretending they are members of a science fiction film crew.

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Inspired by Richard Matheson, Ray Bradbury, H.P. Lovecraft, and EC Comics» Tales from the Crypt and The Vault of Horror, Stephen King carved a path for himself as the world's foremost writer of horror fiction throughout the»70s and»80s.

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Historians would be first to note that the history lesson in Randall Wallace's (The Man in the Iron Mask, Pearl Harbor) screenplay is barely reminiscent of the facts (much taken from the Blind Harry poem, which is generally disregarded as romanticized folklore), but taken as a work of mostly fiction, it is still a rousing and well - executed tale of the inspirational fight for the right not to live under tyranny that has a universal appeal.

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For those in the mood for this kind of tale, it's a well - acted and absorbing piece of dramatic fiction, which is the least you would expect from an Irving adaptation.

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From the opening «fee - fi - fo - fum», to the ambiguous ending that casts doubt over the truth or fiction of the tale, each sits, settled and snug, paying attention to every word.

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But in plenty of other respects, this humorless science - fiction cautionary tale feels like a relic from an earlier era, pulled out of a dusty old box of zip disks and 56k modems.

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