Sentences with phrase «fiction texts on»

2 fully differentiated (by colour) lessons to support the teaching of synthesis (writing a summary of differences) Differentiation: purple = lower blue = middle yellow = higher Resources use modern and 19th century non fiction texts on prisons and tattoos to guide students in responding to the synthesis task on the new specification language paper.

8 fully differentiated lessons that allow students to plan, prepare and create non fiction texts on the theme of family holidays.

Not exact matches

«People always wanted storytelling games,» says Emily Short, an award - winning writer of interactive fiction and text - based mobile game Versu — where gameplay involves typing commands into an on - screen prompt.

On the Nature of Human Romantic Interaction Karl Iagnemma, The Dial Press, $ 22.95 A computer technician who thinks he's found the mathematical equation for romance and a botanist who secretly yearns for the author of her field's most trusted text are two of the protagonists in a spellbinding collection of short stories from Iagnemma, a roboticist and fiction writer at MIT.

«People always wanted storytelling games,» says Emily Short, an award - winning writer of interactive fiction — text - based adventures where the player has to type in commands at an on - screen prompt.

There are texts and meditations on the power and purpose of science fiction, both as art form and intellectual tool, but visitors are left to piece together their own ideas — difficult while being accosted by a real Darth Vader mask, Star Trek spacesuits and an enormous, loud, interactive NASA console.

The exhibition's dramatically lit opening text informs visitors that after a long time on the fringe, «Science fiction is now all around us.»

The cards are based on the topic of Hedgehogs and include fiction, non-fiction and poetry texts with a range of inference questions.

A mini scheme of work focussing on some creative writing and EDUQAS fiction reading style questions of gothic texts.

Unlike gamification, which is the layering of game mechanics on non-game environments, DGBL calls for the direct use of digital games as educational texts (game genres such as adventure, platformer, AI, interactive fiction, mmorpg, sandbox, and more can be used).

A comprehensive unit using a variety of Science Fiction (short) stories, focusing on reading for meaning and locating information in a text.

Students read complex nonfiction and fiction texts focusing on issues of both current and enduring importance.

He specifically looks at the impact the standards have had on the emphasis of non-fiction vs. fiction texts in reading, and on enrollment in advanced courses in mathematics.

Learn how to rephrase the performance objectives of college and career ready standards for English language arts and literacy into good questions that challenge students to comprehend, comment on, consider, critique, and create texts of literacy fiction and nonfiction using various types of oral, written, creative, and technical expression.

These carefully curated selections include exceptional works of narrative nonfiction, informational texts, and historical fiction on an array of topics.

Fiction texts should be paired with nonfiction texts on the same topic or theme.

«With our students, we knew they all did well just reading fiction, but when it came to reading informational text, that's where our students had some issues,» Dalton said, «and Achieve3000 focuses on reading for information.»

CSI Chapters Add - On Complete Package gives you access to the full range of text types represented in the series, including financial literacy, graphic nonfiction, biography, poetry, science fiction, and more!

Reading features fiction, literary nonfiction, poetry, exposition, document, and procedural texts or pairs of texts, and focuses on identifying explicitly stated information, making complex inferences about themes, and comparing multiple texts on a variety of dimensions.

These upper elementary school learners immerse themselves in within - reach fiction books and expository nonfiction as they work on vocabulary development, envisionment, ascertaining main ideas, recognizing text infrastructure, and thinking critically.

As the author of five fantasy novels, all of which are currently sold on Amazon, I am not without experience in the area of text editing when it comes to finalizing one's fiction book for publication in one form or another.

Particularly in genre fiction you'll see patterns such as distressed text on crime fiction, or pastel images on chick - lit, or certain colour schemes.

From printing and binding a family history, to crafting a lavish work of fiction, to a manual or text book companion to your work or teaching career — print on demand and... Continue Reading →

Karen Grenick Literary Agent went on to sign more clients and they went on to win awards, such as the SCBWI Golden Kite Award for Best Picture Book Text, the Benjamin Franklin Award for Best New Fiction, and the Parents» Choice Gold Award for Best Non-Fiction.

My presentation on fan fiction (Beyond the Text: Writing Undercover on the Web) extrapolated Brian's idea.

But life is never straight forward for Thursday: she is low on funds and needs her Spec - Ops job back; she wants to return a troublesome bookjumper, Yorick Kaine, back to the book he came from, before he succeeds in his campaign to leap from Chancellor and leader of the Whigs to Dictator of England; and she needs to organise Play Group and a speech therapist for Friday, whose first two years spent in the Fiction world have him talking Lorem Ipsum, the dummy text used by printers.

This standard, focused on text complexity and type, underscores the importance of literacy development through a variety of sources, both fiction and nonfiction.

Compare The Night Worker to Sherri Duskey Rinker's Goodnight, Goodnight, Construction Site (2011), or for lessons on the different features of fiction and nonfiction texts, pair it with the First Facts: Transportation Zone series title Bulldozers in Action, by Peter Brady (2012).

At the time they were trying to focus more on fiction, as opposed to the non-fiction and academic texts that they had been publishing for so long.

James Scott Bell: There is an old writing text that I found from 1919 on the fundamentals of fiction by this professor.

To gain insight and get the most optimized codes for your book, search for your BISAC code text (not the alpha - numeric code, but the full subject heading and text like Fiction / Fantasy / Paranormal) on sites like Amazon, bn.com, and Goodreads and take a look at the pages of competition.

If the book is structurally simple, without much formatting, pictures, tables, footnotes and so on — just simple text, like most fiction — it's not too hard.

In the fiction world, a «novelette» is a story that is between 7,500 and 20,000 words in length (that's about 30 — 80 manuscript pages, but could be shorter or longer in printed form, depending on the variables of formatting text).

Certainly, there are topics that require special considerations (a how - to book on photography, for example, that includes several pictures and captions), but for most fiction writers, it's text that sells, so focus on designing your eBook to be readable.

Cain is a daring, atmospheric novel — the first in a new biblical fiction series based on Genesis 1 - 11 — drawn with visionary scope, literary depth, and immense respect to the biblical text.

I'm on record as predicting the flat - text e-book era has an outside range of five years, at least for fiction — specialized non-fiction and manuals will continue to be valuable for their content alone.

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As expressed in the exhibition text, Unfinished Conversations considered the intertwining themes of social protest, the effect of history on the formation of identity, and how fact and fiction can be juxtaposed in art.

By the early 1980s Jonas had begun to create complex, nonlinear narratives premised on literary and historical texts, including science fiction (Double Lunar Dogs, 1984), medieval Icelandic sagas (Volcano Saga, 1989), and, more recently, the writings and biography of the art historian Aby Warburg (The Shape, the Scent, the Feel of Things, 2004).

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

More recently, he has collaborated on text / image projects with writer and theorist Lawrence Rickels as well as fiction writer and translator Brian Evenson.

He has published on projects for aquatic settlements and informal infrastructures, as well as texts on science - fiction design, floating buildings, and swarming building systems.

Prior to her decision to focus on literature, Scrima worked as a professional artist for many years, incorporating short fiction pieces into large - scale text installations.

The exhibiting artists exponentially expand on and add to the show's themes through a variety of strategies, including: performed fictions that resituate celebrity and commodity culture; collaborative text pieces that give institutionally marginalized voices visibility; appropriation of pop culture to explore the isolation of fame; the mining of distinctly American signifiers such as varsity sports and daytime TV talk shows; and juxtapositions of post-consumer objects that read on multiple levels and often indicate how a person's race, class, gender, and sexuality can position them in a simultaneous state of hypervisibility and invisibility in American culture.

Previous titles include: On Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000 - 2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh SandOn Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000 - 2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandon (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandon) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandy!

Current Forehead and Brain, Albright - Knox Art Gallery, Buffalo March 10 — June 17, 2018 - Being: New Photography 2018, The Museum of Modern Art, New York March 18 — August 19, 2018 - Kiss the architect on the mouth, Simone Subal Gallery, New York April 15 — May 13, 2018 - Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago April 28 — December 30, 2018 Upcoming B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco June 8 — July 14, 2018 Past KLEIN / OLSON, The Renaissance Society, Chicago - double - ended arrow, Simone Subal, New York - The vases my monitors their frames, cura.basement, Rome - From her come a gang and a run, Document, Chicago Text / publications Exhibition text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV /Text / publications Exhibition text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV /text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV /text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV /Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV /Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV /text by Thomas Roach Contact Studio Simone Subal CV / Bio

An art review on Friday about «Fore,» at the Studio Museum in Harlem, misspelled the given name of one of the museum's artists in residence, who will present a text piece based on urban street fiction.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas