This is popular with non-fiction authors, but fiction writers don't have to rule it out.
Other more prolific fiction writers don't have fiction platforms for all their books, but do have writing blogs which they use to lead any interested readers to their works.
The problem Sagan faced, as all science
fiction writers do in such situations, is that at the speed of, say, the Voyager spacecraft (the fastest human - made object), it would take about 490,000 years to get to Vega.
Remember, during this time, just as now, a fiction writer didn't need an agent to sell a book.
A working fiction writer doesn't need to post as often as the «monetized» blogger.
A fiction writer didn't need an agent to take care of them.
Not exact matches
Because I'm not a woman, I couldn't
do justice to the stories on my own, so I asked the top female Christian
fiction writer of our time — Mary DeMuth — to coauthor it with me.
It is the rare reader of
fiction who
does not at some time or other consider becoming a
writer.
Yet all
fiction writers (and playwrights and filmmakers, for that matter) must make similar imaginative leaps, and will be judged — as Styron has been judged — by how convincingly they portray the characters whose points of view they've
done their best to assume.
Interesting discussion — Totally agree about the «punching above their weight» problem with the current spate of «popular» atheists and junk
writers, as well as the «Hollywood» treatment of Pullman, but you don't need to wade through Pullman's trilogy to get a useful insight into institutionalism vs genuine spirituality — just pick up the excellent «The Dragon in the Sea» by Dune author Frank Herbert or «The Moon is a Harsh Mistress» by Robert Heinlien — great works from the Golden Age of Science
Fiction literature.
Randy Boyagoda seems not to have noticed that the
writers he's tired of seeing cited by his fellow Christians
did not place their faith, as he
does, in anything so small as literature («Faith in
Fiction,» August / September).
I received many, many messages from readers offering counter-evidence to my complaint in the form of notable contemporary
writers who do engage faith matters in their fiction, and indeed Image journal has developed a list of what it calls «the Image Top 50 Contemporary Writers of Faith» in response to the
writers who
do engage faith matters in their
fiction, and indeed Image journal has developed a list of what it calls «the Image Top 50 Contemporary
Writers of Faith» in response to the
Writers of Faith» in response to the essay.
[5] The Cameroonian
fiction writer, Makuchi, alludes to the propensity to imagine and remember this period of Cameroonian history as irrational and the freedom fighters as murders: «Are you PU murderers not going to
do the same thing tomorrow... Eeeh?
Full marks to Gollancz for publishing this collection of stories by one of Britain's consistently finest science
fiction writers — but it, and other book publishers, would be
doing themselves,
writers and readers a favour by providing more outlets for short
fiction.
And this
writer would argue that the «Pulp
Fiction» filmmaker is already
doing so and then adapting them for the screen.
Science
Fiction has to be well written and internally consistent if it's to engage and hold an audience but V just comes across as (yet another) TV series written by non-sci fi
writers who don't have a grasp of the genre.
You don't have to look too far or to deep to find the similarities among
writer / director Andrew Niccol's three science
fiction films (I'm ignoring The Host, which is more Stephanie Meyer than Niccol).
Writer - producer - editor - director Krik (his director's credit reads «Dave Herman,» apparently out of concern that weaving too much inconvenient truth in with the genre
fiction might attract the wrath the shadow conspirators), might have
done better to deliver less retro larkiness and more straight facts.
The questions get bigger still in the final chapters, which concern the nature of being human and the idea that, just as the science
fiction writers of yesteryear couldn't predict this modern world, we don't know if people, sentient robots, and unforeseeable next - gen tech will play nicely together.
As he
did in 2009's superb District 9,
writer / director Neill Blomkamp has created another piece of absorbing, socially - conscious science
fiction that is visually sumptuous yet disturbing in its implications for the human race.
June's pick: From journalist - turned -
fiction writer Alex Berenson, The Night Ranger (A John Wells Novel) about his hero John Wells, who in this latest installment must rescue kidnapped
do - gooders in East Africa.
Science
fiction is at its best when it takes a crazy concept and applies it to real world issues, and that's exactly what
writer director Yoshio Kato
does with 3FT Ball and Souls, a teeny tiny Japanese film filled with big ideas and even bigger heart.
Johnson brought in Shane Carruth,
writer - director of the meticulously planned and way more convoluted time - travel thriller «Primer» (2004) to
do some special effects work, which indicates to me that RJ is fairly serious about his science -
fiction.
The great science
fiction writer - philosopher Stanislaw Lem wrote, «We
do not want other worlds, we want mirrors.»
Yet movie executive Griffin Schraeder's (Greg Kinnear, I Don't Know How She
Does It) annoyance at struggling
writer Charlie (Dennis Quaid, The Words) quickly transcends
fiction.
«The Rider» Technically speaking, «The Rider» doesn't open until April 2018, but I've already cried my way through Chinese - born
writer - director Chloé Zhao's deeply humanistic docu -
fiction hybrid twice (it won top honors in Cannes» Directors» Fortnight section and at the Reykjavik Film Festival) and was duly impressed when the Film Independent Spirit Awards nominated it for best picture.
Write regularly, write about what you know, imitate
writers you admire, don't be afraid of rejection... — those tips and more from an experienced editor of
fiction for young readers!
Granta
does a really nice job of focusing on one country and finding young
fiction and nonfiction
writers from there and dedicating an entire issue to them.
Well, initially I was going to say that I didn't really have a horse in this race, since I'm an SF / F author, not a romance author — but pointed out and quite correctly that actually, any
writer of
fiction has a horse in this race.
Why would a
fiction writer hire someone who doesn't specialize in
fiction when there are so many people dedicated to it?
Major houses
do publish
fiction — even first novels by unknown
writers — but consider the risk involved and the competition for those contracts.
A discussion regarding the genres of science
fiction and fantasy — how the markets are changing, what
writers can
do to improve their craft in these genres, and much more.
I didn't set out to brand myself as a women's
fiction writer or a romance
writer or any other single genre
writer.
Science
fiction and fantasy
writers face a unique problem: How
do you convey the details of imaginary worlds without bogging down your story?
It
does not matter if you are a
fiction or non
fiction writer, thrill or adventure
writer, using the right tools to get your name out there, information about your content, and future books, is something all authors should
do.
Fiction Writers Connection — Query Letter
Do's and Don'ts Rites of Submission: Cover Letters and Queries by Jacqueline Ogburn
Do's and Don'ts How to make the Perfect Query Letter by Gail Eastwood FAQ Query Letters by Tara K. Harper
SFWA (Science
Fiction & Fantasy
Writers of America)
did issue a statement.
The Science
Fiction Writers of America is currently drafting guidelines to
do the same.
I don't care about being accepted into a «professional» author's group, be it the Science
Fiction Writers of America, The Screenwriters Guild, or Michael Kozlowski's list of approved book club reading.
Failure and sin, redemption and healing form the backbone of these five novels, much as they
do in the Bible that inspires
writers of Christian
fiction.
Many people don't know that he published several works before turning to crime
fiction with The Neon Rain, so no one thought of my father as a mystery
writer during my formative years.
Major writing organizations such as the Romance
Writers of America, Canadian Writing Union and Published Authors Network all accept indie published authors as members and the Science
Fiction Writers of America is currently drafting guidelines to
do the same.
A
writer of popular
fiction, Russell Blake, said that shifting his prices didn't really move sales very much, but he didn't substantiate it with any specifics.
When publishing experts are asked, «well what about
fiction writers,» the answer is usually, «um, I don't have experience with that, but it should work too.»
Since you, the
fiction writer, are not dealing with the publisher directly as you can
do these days, your royalty statement and any money with it FIRST goes to an agent in the country of the publisher.
It doesn't matter if you're a children's book author,
fiction writer, non-
fiction how - to author, business person, or even a fine artist.
A lot of
fiction authors say that what most people consider as book marketing doesn't work as well for
fiction writers.
I was also pleased to discover that being a
writer of erotic
fiction did not bar me from membership.»
It was at a time in Hawkins» life that she says she was «very bad at following things through» and didn't have a lot of confidence in herself as a
fiction writer.