The result is a film that has the integrity to stay true to the parameters of Suzanne Collins»
fictional dystopia but is nevertheless flat and — for a universe built on kids killing kids for televised entertainment — disappointingly lacking in tension and satirical bite.
Not exact matches
Cinematographer Roger Deakins made light come alive in this
fictional dark
dystopia world with contrasting pools of light moving and transforming differently in almost every scene.
,» a series of films that inspired the eighth episode of David Lynch and Mark Frost's Twin Peaks: The Return, with Andrei Tarkovsky's sepia - toned Stalker (1979), a science -
fictional allegory that reimagines the Soviet Union as a totalitarian
dystopia.
Ready Player One's futuristic
dystopia is different from our world today, but familiar touchstone like Twitch or Wired magazine act as a calming salve even within a dire
fictional world.