The second video, entitled The white ghosts sailed in, is
a fictional film documentary allegedly made in 1788 by Australian Indigenous people depicting Sydney Harbor with a film camera prototype discarded by Captain Cook.
Not exact matches
This one will be hard to stomach if you actually watch it, but as one of the first ever «found - footage» horror movies, about a
fictional documentary crew shooting a
film in the Amazon, it has been hugely influential.
The
film, a fusion of
documentary and drama directed by Iain Forsyth and Jane Pollard, is a
fictional re-creation of the 20,000 th day of Mr. Cave's life, when he started recording his 2013 album, «Push the Sky Away.»
It won two jury awards at Sundance, and arguably an appreciation for Nick Cave the artist would influence any viewer's perception of 20,000 Days On Earth, but what really affects ones viewing of this
film is entering into it and viewing it as a
documentary disguised as a
fictional film, or a
fictional film disguised as a
documentary.
Film director Adam Rifkin spoofs Hollywood's star machine in concocting this
fictional «mockumentary» about a director (Rifkin playing himself) who wants to make a
documentary film about a rising young star.
They are
films that are either
documentaries or real life dramas that take the basic true elements of a story and put it in a
fictional setting.
Written and directed by Chloe Zhao, this
film is a «docu - drama» hybrid, meaning it's a
fictional feature
film but uses real
documentary elements.
The scenario is
fictional, but the sex scenes can be construed as
documentary in nature, to almost the same extent as the nine concerts that punctuate the
film and provide it with its title.
Jonathan Demme will probably be forever known as the guy who directed The Silence of the Lambs (1991), though his filmography is now far heavier with
documentaries and music
films than with
fictional horrors.
The best Iranian
film in years, invisible in its own country save for a series of screenings at the latest Fajr
Film Festival, a sum of Banietemad's work (both
fictional and
documentary): characters from some of her earlier
films meet and have complex, intimate interactions over the landscape of contemporary Tehran.
This is the second, more serious problem with the
film: it's
fictional status means the filmmakers could have done anything they wanted to, and this is what they chose to
film — a fabricated and unflattering characterization of a real person disguised as a
documentary about the making of her
film.
In fact, the moment recalls Godard's famous dictum that every
fictional film is a
documentary of its actors.
Here's another icon: punk - rock godfather Iggy Pop, who gets the
documentary treatment from Jim Jarmusch (who's also at Cannes with his
fictional feature
film «Paterson»).
The reason why it hasn't is simple: Emmet is a completely
fictional character, and the
documentary - style talking head introductions to the
film's individual vignettes (by jazz historians and enthusiasts, including Allen himself) go a long way in convincing the audience of the
film's truth.
This is a
fictional film rather than a
documentary on several of the movie theater shootings that occurred over the past few years.
[To Jolie] In a way like your
film too, revealing a culture and an environment that has a pretty heightened degree of authenticity, meaning the
documentary but at the same time, there are composite characters and there are
fictional elements.
This
film could almost be a
fictional documentary, where we try and fail to get into the head of this violent, but decent human being.
Andersen opens the
film with an idea: if people can appreciate
documentaries for their
fictional qualities, why can't the opposite be true?
Typically for Zaatari the Stockholm exhibition involves found photographic archives, multimedia installations, and
film and video, both
documentary and
fictional (and works that sit somewhere between the two).
Ataman's
film Journey to the Moon is especially engaging in the way it crafts a
fictional story interwoven with a
documentary style interview of Turkish scholars.
As many commentators have noted, this evolution in Chang's artistic practice began around the time of her 2005
film, Shangri - La, which uses
documentary and Surrealistic techniques to recreate the eponymous
fictional town.
A mixture of
fictional and
documentary material, this expressionistic
film focused on the paradox of assimilation while trying to hold on to one's cultural perspective.
This captivating, three - channel video installation encompasses
fictional narrative, natural history
documentary, and
film essay, referencing Ralph Waldo Emerson, Herman Melville's Moby Dick (1851) and Heathcote Williams's poem Whale Nation (1988), among others.
He made a
documentary of the mission, and hired two screenwriters to follow him as he did it, so they could write a
fictional version of the making of the
documentary while themselves factoring into the
documentary — and then, eventually, he would
film the screenplay they come up with.
For the
documentary, which considers personal identity, the individual in society, and how we construct our social selves, Wearing placed an advertisement in newspapers throughout Newcastle and London, asking readers if they would like to act in a
film either as themselves or cast as a
fictional character.
Indeed this new
film is set against a
fictional visit by two American anthropologists to Dún Chaoin, mirroring the premise of Hockings and McCarty's 1968
documentary.
By September, UTA Fine Arts had revealed two
film projects, both of them
documentaries: Maura Axelrod's study of the prankster - sculptor Maurizio Cattelan, and an absurdist quest for a quite possibly
fictional sculpture by Ed Ruscha, made by Pierre Bismuth, a French conceptual artist best known for co-writing the Oscar - winning screenplay for Eternal Sunshine of the Spotless Mind.
For more on the two very different Arctic denizens, you might click back to my piece on Arctic Tale, a
film on the two species combining amazing
documentary footage and a
fictional fable.]