In the latest video from DidYouKnowGaming, the gang discusses Sonic Adventure 2 ′ s backstory which includes the game's «American influences», Pepsi Man references, and the fact that Robotnik's cousin Maria may have contracted
a fictional form of AIDS.
Not exact matches
You can
form a group
of like minded individuals who rally around the ideals
of the
fictional Sauron and call them Sauronists.
Chesterton's feelings about Russian anti-Semitism were reflected in a series
of pieces published during 1891 (written in the
form of fictional Letters) in The Debater, the school magazine
of which he was co-founder and a prolific contributor:
What is offensive that Ms. Harris is so pained by a
fictional Christmas character being represented as White that she would rather see said character portrayed in the
form of a bird rather than a human being.
While they are rarely explicitly stated, they emerge in dramatic or narrative
form in almost all
forms of fictional and non-fiction programming: news, sports, drama, situation comedies, advertisements, soap operas, and children's cartoons.
A narrative
form of analogy frequently found in religious teachings is the parable, a short
fictional story whose characters are taken from everyday life.
Get your child into the habit
of thinking about things and
forming her own opinions on everything from current news events to historical milestones to
fictional stories.
Fritzsch's exposition is, for the most part, in the
form of an imaginary discussion between Einstein, Newton and Adrian Haller, a
fictional professor
of physics.
I've always been interested in creative writing, and now that I'm retired I'm pursuing that interest in the
form of fictional crime thrillers set in real locations.
Not being able to communicate regularly with the Russian girl you like you face to face, men are inclined to grant her
fictional character, to idealize it, which in any case should not be allowed under any
forms of russian girls dating.
Played by Michael B. Jordan with a juvenile ardor, rage boiling under his skin, Killmonger is a beautiful
fictional creation, the embodiment
of this passage from German philosopher Peter Sloterdijk's Rage and Time: «The person who is en - raged in the highest
form enters the world like a bullet enters the battle... Wherever rage flames up we are dealing with the complete warrior.»
It's a thoughtful movie that recreates the 1950s TV sitcom in the
form of a
fictional such program called Pleasantville - a black and white town à la Leave to Beaver and Father Knows Best where everything that happens is expected and pleasant.
In a
fictional European country where alchemy is an advanced
form of science, brothers Edward (Ryosuke Yamada) and Alphonse (Atom Mizuishi) learn the art in an attempt to bring their mother back from the dead, but their plan goes awry (to put it mildly).
He does have one particular obsession, and that is the so - called Darwin Awards, which are
fictional annual awards (delivered in book and internet
form) given to people who die through acts
of sheer stupidity (a man straps a jet engine to his car, a woman puts an RV in cruise control thinking it will drive itself, etc.), thus taking the dumbest among us out
of the human gene pool.
Bilge's lucid summary
of the twisty - turny documentary Kate Plays Christine — in which director Robert Greene follows around a real - life actress while she rehearses for a
fictional movie about the life
of a real person — got me thinking: Aren't we starting to need more words for the bounteously proliferating
forms of nonfiction filmmaking besides just documentary?
Last week a video in the
form of a news report from the
fictional news program WHIH, featuring Leslie Bibb's Christine Everheart, first introduced in Iron Man, focused on the fallout
of the Avengers exploits and -LSB-...]
This
fictional account follows assistant district attorney Decourcy Ward (Hodge)
forming an unlikely alliance with a corrupt yet venerated FBI veteran (Bacon) to take on a family
of armored car robbers from Charlestown in a case that grows to involve the entire criminal justice system
of Boston.
King and his alternative persona Richard Bachman (responsible for schlockier novels like The Running Man) here find
fictional proxies in the
form of novelist Thad Beaumont (Timothy Hutton), tormented by his violent alter ego George Stark, a leather - clad creep who begins violently murdering various
of the writer's associates.
There's a whole gamut
of things I think it's nice to see reflected back to you in
fictional form.»
Set in the
fictional Californian neighbourhood
of Gordita Beach in 1970 (the year PTA was born, incidentally), Inherent Vice is the tale
of the shambolic private investigator Larry «Doc» Sportello (Joaquin Phoenix), an inveterate dopesmoker — or «hippie scum», if you prefer the analysis meted out by his LAPD nemesis, Det. Christian «Bigfoot» Bjornsen (Josh Brolin, on magnificent
form).
While Porterfield's aesthetic gambit with Putty Hill — utilizing documentary techniques to convey a
fictional narrative — resulted in a remarkable hybrid
form of experiential cinema, I Used To Be Darker arguably ups the ante by pairing a similarly observational naturalism (sans interviews) with more traditionally - plotted melodrama.
Movies themselves are a
form of voyeurism, with the characters the ones being observed,
fictional they may be.
The
fictional council house development in Greater Manchester that
forms the backdrop to Shameless, one
of Britain's longest - running drama series, is packed with dodgy incident.
Co-written with her brother Sven, who was himself a successful DJ, the film looks to be a sort
of «Almost Famous» for the EDM age, following a
fictional DJ act
formed alongside Daft Punk.
Following their meet - cute, The Fault in Our Stars runs its course charting Hazel and Augustus's relationship from its somewhat aimless beginnings, in which she resists getting close to him out
of fear
of hurting him, through health crises that serve as a
form of bondage, and eventually across an ocean to Amsterdam in search
of the reclusive (
fictional) author
of Hazel's favorite novel.
This fits into the following syllabi: - A-Level - 3.1.2 - Understanding Different Business
Forms IB - 1.2 - Types
of Organizations This allows students to practice their knowledge
of: - Features
of Private Limited Companies Features
of Public Limited Companies Advantages and disadvantages
of each type in the context
of an organization This case study is based on a
fictional organization and contains a number
of questions.
In studying Ancient Greece, teachers
form groups
of five and have their students reach a consensus on who should be the new patron goddess or god
of the
fictional city - state Dasteinia.
Creative writing may be in the
form of bibliographies,
fictional or non-
fictional papers, short stories or even scripts and play writing projects.
It seems a pity that readers might
form such an opinion
of Bock's
fictional Bethune (and thus, to a greater or lesser extent,
of the real Bethune) because
of a
fictional device - especially as, by the end
of the novel, Bock gives sufficient reason to explain why Bethune would be apart from his daughter at this time.
If you are writing the review
of a fiction,
form your own opinion on the
fictional art
of work.
First announced in the summer
of 2008, Viz held portfolio reviews at San Diego Comic Con as part
of their search for new original content, stating that «primary focus for the overall Viz original - comics plan is long -
form fictional escapades.».
When writing your
fictional stories, they will take shape in one
of the following basic
forms, each varying in length / word count: Novels Novellas Short Stories Flash Fiction The obvious difference, for the most part, is their word count / length.
«The Gryphon Press's inspiring books bring education about empathy and the human - animal bond to children in the
form of beautiful
fictional picture books.
Leaping into real life from the pages
of the Newbury Medal - winning author's beloved series
of books, visitors come face to face with the famous
fictional characters Ramona Quimby, Henry Huggins, and Henry's canine companion, Ribsy, which were
formed by sculptor Lee Hunt.
I've always been interested in creative writing, and now that I'm retired I'm pursuing that interest in the
form of fictional crime thrillers set in real locations.
This is the Police is, in its basic
form, a police strategy game, wrapped inside a story featuring the last days
of a stereotypical chief
of police, Jack Boyd, in the
fictional city
of Freeburg in the... [Read More]
Kou, along with his friend Asuka Hiiragi and others he meets, sets out to help the people
of Moriyama City, a
fictional city which lies just outside Tokyo, fix their emotions and find out the cause
of what's making these Eclipses to
form all
of a sudden.
Developers provide minimal hints in the
form of blue or red flashing colors on key objects as players trek through this
fictional world, named Vanguard, constantly scanning for objects in the environment to use.
SCVNGR games can take the
form of interactive tours, high - tech scavenger hunts, or even alternate reality games that make use
of the augmented reality features
of the iPhone and Android camera overlays, inserting
fictional images and text overlaid into real - world locations.
For her exhibition at the SCAD Museum
of Art, Castillo Deball presents the most recent iteration
of the project «To - Day,» which combines historical research about a specific site and a physical
form that contains this research, which the artist calls a «
fictional character.»
The lush mélanges
of color, pattern, and texture within the paintings
of Shara Hughes (b. 1981, Atlanta, GA) come together to
form fictional yet evocative landscapes.
The
fictional Eliza not only assumes the role
of collector, anthropologist and naturalist; as curator
of her wunderkammer she asserts her right to creative and artistic
forms of social commentary about her time.
Taking its title from the name
of a
fictional, post-iPhone device at the centre
of Gary Shteyngart's 2010 near - future novel Super Sad True Love Story, Äppärät is concerned with labor, play and the uncertain zone between the two; with the extension
of the body, and the self, through technologies ancient and contemporary; with things (to borrow Martin Heidegger's formulation) «present - at» and «ready - to» hand; with compulsion and with death Äppärät begins with Jessie Flood - Paddock's Just Loom (2015), a wall painting - cum - sculpture based on an illustration
of a worker operating a loom from Denis Diderot's Encyclopédie (1751 - 72), one
of the first attempts to record and systematize all human knowledge in published
form.
This important work is the second piece in a trilogy
forming part
of an ongoing series which navigates the notional architecture and collection
of a
fictional museum, with this work being the «Hall
of Sculptures».
The less than reliable curatorial voice from Powhida's future proposes an authoritative account
of our present and near future through institutional
forms — wall texts, videos, an exhibition catalogue, as well as
fictional works
of art, speculative drawings, and research - based diagrams, that point to the ways exhibitions shape and reflect histories.
For Caravaggio, the lack
of a detailed background (sacrificing a sense
of location for shadows), was a
form of «tromp l'oeil» an illusory visual trick, which is designed to persuade the viewer
of his painting to believe that a
fictional scene is actually occurring right in front
of them.
Diversity in
forms and the use
of apparently distant tools and references are the point
of departure to create a
fictional sense
of transcendence and fluidity.
Taking inspiration from the creature's composed physicality and
fictional being, the show reflects on new
forms of abstraction and intangibility derived from the assemblage
of different styles and materials often associated with the internet and its context
of visual and narrative fragmentation.
These
forms act as a magnet to which the male character, Die Man, gravitates towards, and eventually engages with, all adding to the experience
of a familiar domestic world shifting towards a space that is
fictional and unfamiliar.
Céline Condorelli is an artist who works with architecture, combining a number
of approaches from developing structures for «supporting» (the work
of others,
forms of political imaginary, existing and
fictional realities) to broader enquiries into
forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.