Sentences with phrase «fictional form on»

But it was also a treatise in fictional form on the Christian vocation.

Not exact matches

Get your child into the habit of thinking about things and forming her own opinions on everything from current news events to historical milestones to fictional stories.

Last week a video in the form of a news report from the fictional news program WHIH, featuring Leslie Bibb's Christine Everheart, first introduced in Iron Man, focused on the fallout of the Avengers exploits and -LSB-...]

This fictional account follows assistant district attorney Decourcy Ward (Hodge) forming an unlikely alliance with a corrupt yet venerated FBI veteran (Bacon) to take on a family of armored car robbers from Charlestown in a case that grows to involve the entire criminal justice system of Boston.

Set in the fictional Californian neighbourhood of Gordita Beach in 1970 (the year PTA was born, incidentally), Inherent Vice is the tale of the shambolic private investigator Larry «Doc» Sportello (Joaquin Phoenix), an inveterate dopesmoker — or «hippie scum», if you prefer the analysis meted out by his LAPD nemesis, Det. Christian «Bigfoot» Bjornsen (Josh Brolin, on magnificent form).

This fits into the following syllabi: - A-Level - 3.1.2 - Understanding Different Business Forms IB - 1.2 - Types of Organizations This allows students to practice their knowledge of: - Features of Private Limited Companies Features of Public Limited Companies Advantages and disadvantages of each type in the context of an organization This case study is based on a fictional organization and contains a number of questions.

In studying Ancient Greece, teachers form groups of five and have their students reach a consensus on who should be the new patron goddess or god of the fictional city - state Dasteinia.

My upcoming book is set at a fictional college that is based on the college I attended, so I want to blog about specific places on campus, professors or classmates who inspired certain characters, and campus ghost stories that appear in one form or another in my novel.

If you are writing the review of a fiction, form your own opinion on the fictional art of work.

Why we are willing to coop ourselves up for hours on end every day, pounding at a keyboard, pouring what's inside our heads into our fingers and then out into the world, giving our abstract thoughts objective form as nonfiction works or fictional worlds?

Developers provide minimal hints in the form of blue or red flashing colors on key objects as players trek through this fictional world, named Vanguard, constantly scanning for objects in the environment to use.

Taking its title from the name of a fictional, post-iPhone device at the centre of Gary Shteyngart's 2010 near - future novel Super Sad True Love Story, Äppärät is concerned with labor, play and the uncertain zone between the two; with the extension of the body, and the self, through technologies ancient and contemporary; with things (to borrow Martin Heidegger's formulation) «present - at» and «ready - to» hand; with compulsion and with death Äppärät begins with Jessie Flood - Paddock's Just Loom (2015), a wall painting - cum - sculpture based on an illustration of a worker operating a loom from Denis Diderot's Encyclopédie (1751 - 72), one of the first attempts to record and systematize all human knowledge in published form.

Taking inspiration from the creature's composed physicality and fictional being, the show reflects on new forms of abstraction and intangibility derived from the assemblage of different styles and materials often associated with the internet and its context of visual and narrative fragmentation.

Through site - specific installations, including sculpture and digital prints on silk, this exhibition considers the ways in which artists provide an indirect view of reality, representing it as a fictional mythology drawn from its facts, forms, or histories, but never reflecting them directly.

This important work by the recent Turner Prize winner is the second piece in a trilogy forming part of an on - going series that navigates the notional architecture and collection of a fictional museum, with this work being the «Hall of Sculptures».

Taking the form of a constantly reworked potential text, it comprises a series of theoretical and fictional narratives that evolve from Gillick's research of past and present evaluations of the aesthetics of social systems by focusing on modes of production rather than consumption.

By monopolizing on the line that rests between factual and fictional narratives, this presentation disrupts the notion of the past as static, homogeneous, and reliable, as it offers up a series of objects that form an incomplete history from today to the eighth millennium BCE.

Through site - specific installations, including sculpture and digital prints on silk, on the subversion of opacity, considers the ways in which artists provide an indirect view of reality, representing it as a fictional myth drawn from facts, forms, or histories, but never reflecting them directly.

Specifically, the information on geoengineering that was presented to the study participants (in the form of a fictional newspaper article) bears no relation to mainstream scientific opinion on geoengineering nor, even, to the opinions of advocates of geoengineering.

On the inside of these notebooks, you can find a fake order form for other novels in the fictional publisher's warehouse.

The varying degrees of stigma the fictional, gay couple faced in Study 2 does not represent the intricate web of how different forms and degrees of stigma and support interact can not be teased apart so easily, but rather acted as a cue for participants to recognize that stigma often piles up on people with multiple, stigmatized identities (Sanders Thompson, Noel, & Campbell, 2004).