Making
fictional movies about sport is the devil's own job.
Bilge's lucid summary of the twisty - turny documentary Kate Plays Christine — in which director Robert Greene follows around a real - life actress while she rehearses for
a fictional movie about the life of a real person — got me thinking: Aren't we starting to need more words for the bounteously proliferating forms of nonfiction filmmaking besides just documentary?
Not exact matches
Keir Dullea, actor, talks
about the 50th anniversary of the classic
movie, «2001, A Space Odyssey,» and his
fictional early interaction with artificial intelligence.
«The Interview,» the Sony Pictures film
about a
fictional plot to assassinate North Korean leader Kim Jong Un, opened in more than 300
movie theaters across the United States on Christmas Day, drawing many sell - out audiences and statements by patrons that they were championing freedom of expression.
This one will be hard to stomach if you actually watch it, but as one of the first ever «found - footage» horror
movies,
about a
fictional documentary crew shooting a film in the Amazon, it has been hugely influential.
If you have ever felt invested in a
fictional character's fate in a
movie, TV series or book, you know exactly what Ambrosi is talking
about.
The first thing many of us think
about when it comes to the future relationship between artificial intelligence (AI) and cybersecurity is Skynet — the
fictional neural net - based group mind from the «Terminator»
movie franchise.
Naked Gun 2 1/2, which is a perversely, though funny,
movie really
about environmental regulation; and it's a Leslie Nielsen
movie, and he is a cop who is basically been called upon to protect, in a
fictional Bush administration, the president has decided we're going to have a whole new fuel system which isn't going to be nuclear or kind of fossil fuels, coal and oil — it is going to be based on alternatives.
TKF: Is the reality of what we're learning
about black holes stranger than any
movie or
fictional account?
Scenes occur both inside and outside the
fictional film without adequate warning, and this arty ambiguity is as
about as far as the
movie's pleasures go.
An epigraph before the
movie warns us not to take anything we're
about to see too seriously — probably because, while Hughes was a real figure, the
movie compresses various events of his life and inserts
fictional characters, eventually taking on the cast of an old,
fictional Hollywood narrative closer to Sunset Boulevard than a biopic.
It may be â $ œthe most eagerly awaited film of the yearâ $ but itâ $ ™ s also just another
movie, in a very long series,
about a man in a mask with pointy little ears, wearing a cape and speaking in an affected growl, having improbable adventures in a
fictional universe, derived from a strip cartoon.
There will always be cynicism
about the Tinseltown attitude towards
fictional disability (something that is traditionally admired as long as it comes as a package with genius), but this is a genuinely excellent performance from Redmayne, and the
movie itself is far more complex and demanding than you might expect.
This is the kind of thing you'd expect on a women's cable network
movie - of - the - week, and screenwriter Allison Burnett (working from, what I've heard, a more meta -
fictional novel by Charles Baxter; this kind of circumstantial plotting might actually work as meta - fiction) takes a kind of dopey sincerity
about the whole thing.
Award: The Assassin Least Sexy
Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke
About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and
Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a
Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best
Movie About Journalism: Spotlight Worst
Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home
Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)
In fact, it tacitly accepts the more absurd elements of its convoluted
fictional universe, instead laboring under the delusion that we care enough
about the characters that we want to see what happens to them after the events of the first
movie.
There is a short film that inspired The Nancy Starling (the
fictional movie within Their Finest), which is a short film
about a woman played by Peggy Ashcroft, who goes to help rescue her husband from Dunkirk (Channel Incident, 1940).
I can't ever recall seeing a
movie that could be called an «autobiopic» before, afilmmaker making a
fictional film
about his own life.
Ruby Sparks is
about a
fictional woman come to life, a female - led version of all those male fantasy
movies such as Weird Science; Kazan exposes the limitations of that fantasy (Dano plays a novelist whose heroine, played by Kazan, steps full - blooded into his life, whereupon he discovers that to exert total control over another human is less of a gift than a nightmare).
One reality is made to spill into another, and some of the loveliest developments — the humanizing of a disgruntled baker (Lyle Lovett) who we've encountered mainly as the disembodied telephone voice of a crank caller, and a mix - up of snapshots between two clusters of characters at a Fotomat — can be described as exercises in dialectical relativity that come
about when separate
fictional worlds in the
movie are briefly made to converge.
This is Bruce Willis in tough veteran mode as the ultra-hard US Marine in Antoine Fuqua's
movie about a
fictional Navy SEAL operation in civil war - torn Nigeria.
About a month in the past, Ubisoft launched a live - action quick
movie on Amazon Prime to advertise Far Cry 5, chronicling the story of three vloggers who enterprise within the Far Cry 5's Hope County and encounter the sport's
fictional Eden's Gate cult.
The informal poll in which there was
about a 50:50 split on whether it was «alright» to stretch the truth concerned the
fictional movie «The Day After Tomorrow» (I never saw it; it sounded pretty stupid and likely to muddy the waters).
The Academy Award - nominated
movie «Three Billboards Outside Ebbing, Missouri» has some intrigued
about the
fictional backdrop for the
movie.