Encased in a giant wedge shaped frame of etched glass that inhibits our view Hartley has created a disorientating
fictional space which both perplexes and seduces the viewer.
Not exact matches
Artwork by its various members is installed throughout the
space,
which has been modelled after the
fictional spacecraft from 1963 Czech science - fiction film Ikarie XB - 1.
Teachers reported that viewing the play facilitated such dialogue because it afforded them a safe
space and
fictional referent in
which to learn about and discuss poverty.
Through the seemingly
fictional quality of these
spaces, the purposes of
which are as often as not ill - defined, Cohen creates a cross between documentary photography and artifice, sense and nonsense, the ordinary and dream - like.
These forms act as a magnet to
which the male character, Die Man, gravitates towards, and eventually engages with, all adding to the experience of a familiar domestic world shifting towards a
space that is
fictional and unfamiliar.
The charge of violence and eroticism is implicit rather than clearly articulated and the application of paint is more open and free, embodying the content rather than describing it, thus developing the exploitation of the canvas as a
fictional / artificial
space,
which requires a more sustained reading from the viewer.
It is organized as a story narrated in several episodes:
fictional worlds sited in galleries, public
spaces, unused buildings, and online,
which draw from Liverpool's past, present and future.
«Me as Muse» is a multimedia video installation in
which Thomas challenges and disrupts historical perceptions of beauty,
fictional spaces, and traditional gender roles.
The model and mini exhibition are
fictional, and thus reference the way in
which buildings operate in imaginary
spaces in the minds of architects, clients, and communities until they come to physical fruition.
These imaginary architectural
spaces use formal elements
which are juxtaposed and layered; sometimes creating curious illusions of other,
fictional spaces.
The exhibition entailed the regular creation of a fourth
space in
which the
fictional community, the film, and the gallery would converge.
In the Gallery's large second - floor
space, Soares created a variant on her iconic large - scale installation, Finale (2013), in
which she amasses domestic objects into an environment that evokes
fictional narratives and recalls memories.
It can also be traced back to her series Chambres, a sequence of environments
which recreated
fictional or personal and domestic
spaces.