Other highlights of the exhibition include her Neverland series from 2002, where she
photographed objects, either alone or in groups, on
fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40
framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found
photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-
photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-
photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-
photographed the front page of the newspaper with the text redacted.