Sentences with phrase «field hands the men»

Many were decades out of date, showing young, strong men instead of the middle - aged field hands the men had become.

Not exact matches

Certainly the families of those slain in New York's Twin Towers, the Pentagon, and that Pennsylvania field on 9/11 have earned the right to raise their hands in jubilation that the man who masterminded the slaughter of their loved ones has now met a justifiable end.

(As regards the secondary character of intellectual constructions, and the primacy of feeling and instinct in founding religious beliefs, see the striking work of H. Fielding, The Hearts of Men, London, 1902, which came into my hands after my text was written.

Man, of course, is like one of the natural objects in the hands of man: «Their inhabitants, shorn of strength, are dismayed and confounded, and have become like plants of the field, and like tender grass, like grass on the housetops...» What is forgotten is that when the power of man is unleashed it is never in the hands of all men («man» here means some men rather than all men, and this is even more flagrantly so todaMan, of course, is like one of the natural objects in the hands of man: «Their inhabitants, shorn of strength, are dismayed and confounded, and have become like plants of the field, and like tender grass, like grass on the housetops...» What is forgotten is that when the power of man is unleashed it is never in the hands of all men («man» here means some men rather than all men, and this is even more flagrantly so todaman: «Their inhabitants, shorn of strength, are dismayed and confounded, and have become like plants of the field, and like tender grass, like grass on the housetops...» What is forgotten is that when the power of man is unleashed it is never in the hands of all men («man» here means some men rather than all men, and this is even more flagrantly so todaman is unleashed it is never in the hands of all men («man» here means some men rather than all men, and this is even more flagrantly so todaman» here means some men rather than all men, and this is even more flagrantly so today).

The New Testament claims, that Jesus died on the cross for men's salvation, and that he rose in victory to ascend to the right hand of God, are outside the historian's field of reference.

Angry, old white men who fear having to compete on an even playing field and feel their grip on the world slipping through their tiny, wrinkled hands.

The stadium is empty today, silenced by July's lazy hand, but in one of its rooms a man sits by a window overlooking the football field.

Basically, stack the box, stop the run, play man coverage against the Bears» replacement - level wide outs, get off the field and hand the ball to your offense.

While Gundogan is a better passer and a more disciplined man on the field of play, Xhaka's defensive abilities are what give him the upper hand.

Areas such as anthropology, on the other hand, had a lower emphasis on innate talent and a higher percentage of female Ph.D. s. Men and women showed no difference in how they ranked their fields.

But when Sirigu and colleagues used transcranial magnetic stimulation — a technique that employs magnetic fields to excite neurons in the brain — to stimulate specific fragments of the motor cortex, they found that the «hand areas» in the motor cortex of both men had reassumed their original «wiring.»

For some reason this outfit makes me want to run through a field of sunflowers holding hands with my man whilst drinking lemonade from a Mason jar.

Entertainment Weekly got their hands on this kick - ass new movie still featuring Spider - Man in the upcoming film «The Amazing Spider - Man» aka Spider - Man 4 from writers Steve Ditko and Stan Lee by director Marc Webb (The Office, (500) Days of Summer, Lone Star) stars Emma Stone (Zombieland, The Croods, Friends With Benefits), Andrew Garfield (The Imaginarium of Doctor Parnassus, The Social Network), Rhys Ifans (Notting Hill, Neverland), Martin Sheen (Stella Days, The Double), Sally Field (Forrest Gump, Brothers & Sisters), C. Thomas Howell (Chupacabra, Red Dawn, The Outsiders), Denis Leary (Ice Age: Continental Drift) and Julianne Nicholson (Brief Interviews with Hideous Men).

Dillahunt will portray Armsby, a fellow field hand who works alongside Solomon Northup, a free black man who's brought South against his will and sold into slavery.

On the other hand, shots fired, one man down, another being threatened with a gun, concerned farm wife is watching events unfold through her kitchen window — that one actually happened about 1 A.M., and when I arrived, there was one dead man on the ground, another potential victim had fled into a tall corn field, and the suspect had headed for the barn.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

It's a battle royale, a case of using whatever comes to hand in order to be the last man standing amidst the slowly shrinking field of battle.

Backlit by a gossamer haze of swirling colors, shadowy violets and seeping crimsons and piercing teals, a field of figures whirl around each other, figures such as the faces of men and women, disembodied hands, dogs at play in a forest, horses and bulls, isolated trees, and buildings frozen in space.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Underneath these lines, Theodore plays with the tension between man and machine by hand - painting delicate color fields that glow through the machine made line work.

I write this as I am on a train towards my flight back to the United States of America, racing by green fields combed and stroked to fruitfulness by the hand of man.

«No one can claim... that men had the upper hand in terms of having a head start in the field.»

Marketable Transferable Skills Hands - on construction trades, project management, construction engineering, field survey, land - use, estimating, cost control, planning, scheduling and construction management skills with basic thinking, resource man...

Professional Duties & Responsibilities Oversaw security operations in the United States and during three tours of duty in Iraq Served in a 6 man scout sniper team which successfully completed 50 missions in theater Determined range, windage, and elevation for active insurgent targets Built strong rapport with indigenous people to attain information on High Priority targets Operated deep in hostile territory without support units for extended periods of time Trained and led a 12 marine security patrol team in combat and high pressure situations Provided fire support and communications with artillery, jets, and other support units Responsible for base security operations including checkpoints in hostile territory Searched vehicles and individuals for weapons and other contraband prior to base entry Highly trained in weapons, hand to hand combat, and field first aid Proficient in operation and maintenance of military communications technology Oversaw police operations including investigations, law enforcement, and administration Maintain the highest level of physical fitness and health Performed various humanitarian relief efforts throughout Africa and the surrounding area Handled high pressure situations in a calm, professional, and effective manner