Not exact matches
This chapter may help other students of the congregation to avoid my mistakes and to dig deeper into a
field whose intricacy
extends well beyond even the
lines of inquiry and interpretation I finally adopted.
Oklahoma City
extended their winning streak to seven games by shooting 48.8 percent from the
field and 52.9 percent from the three - point
line.
This channel is especially good at showing coronal loops - the arcs
extending off of the Sun where plasma moves along magnetic
field lines.
April Silvered Water, Syria Self - Portrait (2014, Ossama Mohammed & Wiam Bedirxan)-- 6.1 Song to Song (2017, Terrence Malick) DP — 7.1 Chiasmus (2003, Daïchi Saïto) 16 mm Chasmic Dance (2004, Daïchi Saïto) 16 mm Blind Alley Augury (2006, Daïchi Saïto) Super-8mm Green Fuse (2008, Daïchi Saïto) Super-8mm
Field of View # 1 (2009, Daïchi Saïto) Super-8mm All That Rises (2007, Daïchi Saïto) 16 mm Trees of Syntax, Leaves of Axis (2009, Daïchi Saïto) 35 mm Never a Foot Too Far, Even (2012, Daïchi Saïto) 16 mm Dual Projection Engram of Returning (2015, Daïchi Saïto) 35 mm Early Experimentation Silent Shorts (1896 - 1903, Various) The Goddess (1934, Wu Yonggang)-- 7.2 In the Heat of the Sun (1994, Jiang Wen)-- 6.5 After Hours (1985, Martin Scorsese) 35 mm — 7.1 The Great Train Robbery (1903, Edwin S. Porter) + M (1931, Fritz Lang)-- 8.8 [up from 8.5] + Rebel Without a Cause (1955, Nicholas Ray)-- 8.0 [same] + The Thin Red
Line (1998, Terrence Malick)-- 8.3 [up from 7.8] The Void (2016, Jeremy Gillespie & Steven Kostanski) DP — 5.2 Goodbye, Dragon Inn (2003, Tsai Ming - liang)-- 8.8 Steamboat Bill, Jr. (1928, Charles Reisner and Buster Keaton) 35 mm — 7.2 Stranger on the Third Floor (1940, Boris Ingster)-- 5.8 The Fate of the Furious (2017, F. Gary Gray) DP — 5.7 The New World [
Extended Cut](2005, Terrence Malick)-- 8.6 In Chris Marker's Studio (2011, Agnès Varda) Bad at Dancing (2015, Joanna Arnow) The Maltese Falcon (1941, John Huston)-- 6.4 + Eraserhead (1977, David Lynch) 35 mm — 9.7 [same] + The Elephant Man (1980, David Lynch) 35 mm — 6.9 [down from 7.1] Two Lovers (2008, James Gray)-- 7.6 + Double Indemnity (1944, Billy Wilder)-- 7.3 [up from 7.2] The Lost City of Z (2016, James Gray) DP — 6.8 + Kill Bill Vol.
The simple chalk
lines used to demarcate football
fields were the subject of an
extended formal study by De Keyser during the «70s and «80s.
Most are modestly sized, but a few
extend to eight feet wide; some feature vibrant strands on pastel or neutral
fields, though a number of supports are covered in electric hues; several have allover patterns, while the
lines in still others cluster irregularly or mass toward the center, as if by centripetal pull.
Tillmans makes colour and
line appear as one indistinguishable substance; instead of colour being confined by and filling in drawn profile, here colour seems to thicken and
extend into its own tendriled shapes, arriving at forms and
fields that look organically spawned» — L. RELYEA «What connects all my work is finding the right balance between intention and chance, doing as much as I can and knowing when to let go, allowing fluidity and avoiding anything being forced» — W. TILLMANS Immersing the viewer in a mesmeric expanse of deep blue, Wolfgang Tillmans» Freischwimmer 186 lyrically transcends the boundaries between photography, painting and drawing.
In Untitled (December) from 1969, two deep red
lines — one uniform, one not — arc across the pale
field of the canvas to the edges, where they
extend over the sides.