This is the thing that impresses me most about
the field of abstract expressionist painting and sculpture.
Not exact matches
In much
Abstract Expressionist painting of the 50s, notably
paintings by Rothko and Newman, expanded
abstract visual
fields reflect the viewer's gaze, conjuring an awareness
of self.
With encouragement from Greenberg, Bush became closely tied to two movements that grew out
of the efforts
of the
abstract expressionists: Color
Field Painting and Lyrical Abstraction.
His automatic
paintings and use
of color inspired the surrealists,
abstract expressionists, Dadaists, and color
field painters.
Pollock's energetic «action
paintings», with their «busy» feel, are different, both technically and aesthetically, from the violent and grotesque Women series
of Willem de Kooning's figurative
paintings and the rectangles
of color in Mark Rothko's Color
Field paintings (which are not what would usually be called
expressionist, and which Rothko denied were
abstract).
Powerful
abstract expressionist painting of color
fields, titled «Shifting Memories» by Marie (Meinke) Sarni (American, b. 1931), circa 1980.
Frankenthaler, Louis and Noland formed the core
of a group known as the colour
field painters, though the critic Clement Greenberg preferred one
of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces
of the
abstract expressionists, the purely colour - based
paintings of Noland and the others marked out a different and more advanced stage
of art's march to absolute abstraction.
Bhavsar's large scale
paintings are bold, bright, beautiful and reminiscent
of the
abstract expressionists and color
field painters
of yore but with an undeniably original Indian influence.
This may be a bit left
field, but I was in London for Bernard Cohens breakfast at the Tate Britain, where I went straight to see the Cezannes at the NPG and then to Garys show at Paisnal.Let me say I take my hat off to the Paisnal gallery for showing an artist so obviously alive and kicking.Ive known Gary since we showed together at MOMA oxford straight out
of college.I also remember his big show at the ACME gallery, where he mixed drawing and
paint very successfully.I have to say I was a little disappointed, particularly the way an
abstract expressionist activity stresses the surface, particularly the Rhoplex PVA, which looked frothy..
A leading figure in the development
of Color
Field Painting in the late 1950s and an important American
abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color - based and
expressionist abstraction for over six decades.
Biography: A leading figure in the development
of Color
Field Painting in the late 1950s and an important American
abstract painter, Walter Darby Bannard (better known as Darby Bannard) has been committed to color - based and
expressionist abstraction for over five decades.
In work
of abstract expressionists, two major
painting sub genres were allocated in 1950s — Action Painting and Color Field P
painting sub genres were allocated in 1950s — Action
Painting and Color Field P
Painting and Color
Field PaintingPainting.
Rejecting all forms
of representational art or figuration, they also avoided the gestural
abstract expressionist idiom
of Willem de Kooning and Jackson Pollock, even though the latter's «action -
painting» can be seen as a pioneering attempt to create an «all - over»
field of colour, recalling Monet's huge water lily canvases.
Note:
Abstract Expressionism refers in general to those artists who were working in New York in the 1950s, even if their work was not especially
expressionist or
abstract: so it encompassed Mark Rothko, and his Colour
Field Painting, as well as the gesturalism
of Willem de Kooning (1904 - 97) and his Woman series.
By the 1950s this multiform style had evolved into his signature style
of abstract expressionist painting, known as «Colour Field Painting
painting, known as «Colour
Field PaintingPainting».
Studying the work
of American
abstract expressionists such as Helen Frankenthaler, an artist who poured thinned
paint directly on larger than life - sized canvases on the floor in her Color
Field works, Olivier similarly engaged in a process
of coaxing acrylic
paint to spread and drip in brilliantly hued pools, more characteristic in watercolor.
She was one
of the early
abstract expressionists and a pioneer in the development
of color -
field painting.
A Fishtown native who's studio is in the Crane Arts Center, Browning obviously takes full advantage
of the large work space to create massive
paintings, this color
field of speeding urban images, like you see out
of the corner
of your eye as you zoom down the Expressway, is
abstract expressionist yet a kind
of contemporary cubism with obtuse angles and cracked spacial warps.
Neither purely
abstract nor
expressionist, the style embraced two broad groupings: the school
of «Action
Painting» (a style of gestural painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko and
Painting» (a style
of gestural
painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko and
painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style
of Colour
Field Painting practised by Mark Rothko and
Painting practised by Mark Rothko and others.