Sentences with phrase «field of abstract painting»

Otero offers thought - provoking new dimensions to the field of abstract painting.

While one of the most important artists of the postwar period and a pioneering figure within the field of abstract painting, Ryman's drawings, and their profound significance within his practice, have never been examined before in a focused exhibition.

This exhibition proposes a new reading, emphasizing that the achievements of her training in the field of abstract painting did not disappear when her work turned to textiles, and that the artist addressed pictorial abstraction in a unique way, manifesting itself very quickly through an openness to spatial concerns.

Not exact matches

In much Abstract Expressionist painting of the 50s, notably paintings by Rothko and Newman, expanded abstract visual fields reflect the viewer's gaze, conjuring an awareness of self.

By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

The origins of Color Field — one of the more intriguing forms of contemporary abstract painting — seem to lie in 19th - century Romanticism, particularly in a few radically reductive...

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

Additionally, Tyler's paintings are reminiscent of the work from past artists such as the simplified geometric grids of Piet Mondrian's later work, color field paintings of Mark Rothko and the early abstract expressionistic work by Philip Guston.

Sometime in 1940 Rothko makes his last figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of color - Multiforms as they were called by others - which were greatly influenced by Milton Avery's style of painting.

Tagged with abstract painting, abstraction, art, colour - field abstraction, Mead Gallery, The Indiscipline of Painting, Warwick Artpainting, abstraction, art, colour - field abstraction, Mead Gallery, The Indiscipline of Painting, Warwick ArtPainting, Warwick Arts Centre

With encouragement from Greenberg, Bush became closely tied to two movements that grew out of the efforts of the abstract expressionists: Color Field Painting and Lyrical Abstraction.

That year he made new dot paintings on white fields that introduced an abstract and new compositional awareness to his dot paintings that emphasized the unique character of each picture.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

The colour fields are inextricably linked to her black and white canvases, the subjects of the latter — sparingly painted so as to retain the appearance of the canvas weave — resulting from internet searches that occur to her whilst working on the abstracts.

That same year Peter Young painted a series of large abstract paintings that were tight clusters of primary colored dots on white fields.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

Her work — which she describes as «futurist abstract paintings in three dimensions» — playfully transforms conventional signifiers of femininity into genderless, abstract color fields.

Figuratively, many near - abstract photographers merge the clarity of photography and of color - field painting.

John Plumb was an English abstract painter who produced paintings with large fields of a single color and narrow strips on the edge of different colors.

Within the paintings simple abstract structures alluding to architecture coexist with simple but vast fields of marks, drips and staining.

Jaime Gili's bright screen - printed design recalls the history of modernism and painting in the twentieth century with its bold, distinct color fields and abstract shapes.

His automatic paintings and use of color inspired the surrealists, abstract expressionists, Dadaists, and color field painters.

But like Elmer Bischoff and David Park, with whom he made the turn to figurative painting a few years later, Diebenkorn was asking questions that abstract expressionism couldn't always answer, even though, as the early works in the show at the Royal Academy (until 7 June) suggest, he was a loyal and talented disciple: the LA Times described him as «one of the most gifted artists in the American non-objective field».

Through the incorporation of materials culled from the everyday, she is able to address numerous artistic traditions including abstract expressionism, minimalism, and color field painting.

Among the second group of abstract paintings at Firestone are works such as «Thunderbird» (1970), where a geometric cluster of blue lines, each about the width of standard masking tape, floats on a vibrant, flat red field.

Pollock's energetic «action paintings», with their «busy» feel, are different, both technically and aesthetically, from the violent and grotesque Women series of Willem de Kooning's figurative paintings and the rectangles of color in Mark Rothko's Color Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstract).

Well, like all good abstract art, the masters of color - field painting have made it appear simple and effortless.

He liked the effect, and made it his own, combining the wiped marks with sprayed loops to create complex abstract fields that began to look, squinted at from a distance, like black and white reproductions of paintings by Franz Kline or de Kooning.

Umbach's abstract paintings reveal his classical training in the juxtaposition of people or objects rendered in realism in fields of abstraction of both color and texture.

Scher's larger works (and groupings of multiple works) provide fields where some of these elements convene, where countless drawings — which often get loose into otherwise abstract paintings — are funny conundrums that outlast their own laugh lines.

Halkin's most recent paintings share with his earliest work a fascination with hieroglyph - like shapes and mottled fields of muted color, though the palette is overall less subdued and the forms less abstract.

A fascinating 1972 documentary, directed by Emile de Antonio, examines the development of abstract expressionism through Hard Edge and Color Field painting to Pop Art.

Langsam will feature a site - specific painting on the gallery walls based on the original blueprints of the Neuberger Museum, layered and transformed by abstract color fields, selected randomly by chance.

She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

This aesthetic, of individuated parts and segments organized across a field, is recurrent in the abstract painting and sculpture on view.

Gilliam (born 1933) is a color field painter and lyrical abstractionist artist associated with the Washington Color School, a group of Washington, D.C. artists that developed a form of abstract art from color field painting in the 1950s and 1960s.

In sculpture, video and photographic prints, Rana transforms snapshots of shop signs in Lahore into abstracted cityscapes or renders reproductions of Old Master paintings as digital fields of colour.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

Powerful impressionist painting of abstract color fields, titled «Moments Remembered» by Marie (Meinke) Sarni (American, b. 1931), circa 1970.

Recent abstract paintings by Andy Collins and Stuart Netsky in the exhibition play off of Abstract Expressionism as well as Color Field and Finish Fetish painting of the 1960s.

His large - scale abstract paintings feature fields of solid color with little depth or perspective, created by pouring, spraying, and sponging paints and dyes onto the canvas.

A variety of abstract styles ranging from geometric abstraction, lyrical abstraction, hard - edge painting and color field painting are linked with the work of Ronald Davis.

Powerful abstract expressionist painting of color fields, titled «Shifting Memories» by Marie (Meinke) Sarni (American, b. 1931), circa 1980.

The Columbus Museum of Art and Denver Art Museum present Mark Rothko: The Decisive Decade, 1940 — 50, a major exhibition tracing the evolution of Rothko's work from his Surrealist - influenced, figurative compositions of the early 40s to the abstract, color field paintings for which he is best known.

One of the pioneers of Color Field Painting, Rothko's abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers» communion with the canvas in a controlled setting.

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

In this new work, introduction to his upcoming exhibition in the fall, a discarded umbrella alters our perception of an otherwise abstract color - field painting.

Bradley's layers of color and abstract fields of paint feel consistent throughout the show but still experimental with each new painting.

Helen Frankenthaler was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.