Sentences with phrase «field of contemporary art practice»

Studio items such as the manipulation of photographs including those of John Deakin, Peter Stark and Peter Beard; reproductions of Muybridge's pioneering studies of the human figure and animals in motion; images torn from books, magazines and newspapers of skin diseases, war atrocities, boxers, wildlife, art, lovers and friends all of which are of intense interest and relevance in the field of contemporary art practice.

Not exact matches

GoMA has been researching and acquiring documentary media by influential female artists since 2007, increasing the representation of women working in this field within the city's collection and highlighting the contribution of female artists to contemporary art practice overall.
The successful applicant will have experience as a curator or initiator of art projects, a thorough knowledge of contemporary practice, strong networks and sector support, and will ideally hold a post-graduate qualification in a relevant field, and / or have relevant industry experience.
ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.
This panel considers the contemporary way curators are using language in experimental ways to expand visual art practices, and what effects the crossover of these fields has had on each.
While the field of social practice has had an increasingly high profile within contemporary art discourse, this book documents artists who have been under - recognized because they do not show in traditional gallery or museum contexts and are often studied by specialists in other disciplines, particularly within the Latin American context.
Working across disciplines and historical precedents, the organization is a hub that provides access to the people, ideas, and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofContemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aArt will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofcontemporary trends and new ideas in the field of public artart.
«Teatro delle Mostre» also opened up the field of contemporary art to other forms of creative practice and exhibition making.
anti-utopias is a curated contemporary art project exploring new territories in the field of curatorial practices.
Giada Pellicari (Padova, 1987) is a contemporary art curator who is currently devoting her research and practice to the fields of Graffiti and Street Art, New Media and Public Art, through exhibitions, workshops and lecturart curator who is currently devoting her research and practice to the fields of Graffiti and Street Art, New Media and Public Art, through exhibitions, workshops and lecturArt, New Media and Public Art, through exhibitions, workshops and lecturArt, through exhibitions, workshops and lectures.
Launched in December 2002, Transformer's FRAMEWORK Panel Series engages artists, arts professionals, cultural leaders, and audiences in conversation to create an oral «field guide» to encourage and support individual emerging artists in our community, and educate audiences through the sharing of best practices within the contemporary visual arts.
Contrary to other artists working in the field of contemporary art, Osorio's artistic practice is not informed by the rhetoric of socially engaged art, relational aesthetics or any other trend related to the history of art and its categories.
The intersection of film and video with installation practices in Thater's work, which often incorporates viewers» bodies and even the projectors themselves, is one of the artist's major contributions to the field of contemporary art.
Her writing and curatorial practice encompass the fields of contemporary African and Diaspora arts, gender - related topics, design, immaterial art practices and sound.
Her way of wrestling with the vocabulary of artistic practice and «field» resonates with my own attempts to wrangle the lexicon of contemporary art - making and criticism.
It has made a decentralizing impact on the presentation of contemporary art and is dedicated to exhibiting critically - engaged artists whose practices represent a breadth of significant movements in the field.
During the symposium, a selection of key experts in the field have addressed these questions and framed them in the wider context of the naissance of the modern and contemporary art museum and the role models of Pontus Hultén and Willem Sandberg, our continuous engagement with the art production of the 1960s, the place of these exhibitions in the wider artistic oeuvres of the participating artists, post-1960s «labyrinthine» exhibition practices at large, and the growing discipline of exhibition history.
2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, ProvidenceArts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, ProvidenceARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI
On the other hand, when seen as a whole, the collection provides a portrait of a specific creative legacy of the Los Angeles contemporary art scene, in this case a notable expansion of the field of possibilities for sculptural practice.
In The Cartographer's Conundrum, a large installation currently on view at the Massachusetts Museum of Contemporary Art (Mass MoCA), artist Sanford Biggers maps artistic, cultural and spiritual practices, other disciplines and fields such as Afrofuturism, music, and sacred geometry.
The recent resurrection of abstract art and color field painting can definitely be seen as part of the revival trends in contemporary art practices and certainly as one of the main features of postmodernism, dominated by the appropriational spirit and constant recycling of the old art movements.
GoMA has been researching and acquiring documentary media by influential female artists, increasing the representation of women working in this field within the city's collection and highlighting the contribution of female artists to contemporary art practice overall.
Comisart is the new program of the Obra Social «la Caixa» in order to provide professional opportunities in the field of Spanish curatorial practices and offer new looks on the Contemporary Art Collection of «la Caixa».
It aims at providing space for young and emerging artists to present their practice and at the same time stimulating the dialogue between China and Germany in the field of contemporary art.
The «curatorial / editorial / convening / creative practice», developed by Mangion and Cauchi, deals with the dialectics of online / offline and the ways in which the two are converging in the contemporary art field.
In 2011, we implemented two year school program, which was designed on the basis of several years» research on various curatorial programs, analysis of curatorial practices, consultations with relevant national and international experts, and an evaluation of the past program and consideration of effective models of education in the field of contemporary visual arts and theories.
After graduation you will be able to situate your artistic practice in the international field of contemporary art.
Outstanding Production in the context of the expanding field of contemporary arts, dance, and performance practice
Outstanding Performer in the context of the expanding field of contemporary arts, dance, and performance practice
The Museum of Arts and Design (MAD) explores the value of making across all fields of contemporary creative practice.
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