Studio items such as the manipulation of photographs including those of John Deakin, Peter Stark and Peter Beard; reproductions of Muybridge's pioneering studies of the human figure and animals in motion; images torn from books, magazines and newspapers of skin diseases, war atrocities, boxers, wildlife, art, lovers and friends all of which are of intense interest and relevance in
the field of contemporary art practice.
Not exact matches
GoMA has been researching and acquiring documentary media by influential female artists since 2007, increasing the representation
of women working in this
field within the city's collection and highlighting the contribution
of female artists to
contemporary art practice overall.
The successful applicant will have experience as a curator or initiator
of art projects, a thorough knowledge
of contemporary practice, strong networks and sector support, and will ideally hold a post-graduate qualification in a relevant
field, and / or have relevant industry experience.
ICI provides access to the people and
practices that are key to current developments in the
field, inspiring fresh ways
of seeing and contextualizing
contemporary art.
[1] To that end, this exhibition explores the expanded
field of painting through a wide range
of works in a variety
of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning
of painting and painterly
practices in
contemporary art today.
This panel considers the
contemporary way curators are using language in experimental ways to expand visual
art practices, and what effects the crossover
of these
fields has had on each.
While the
field of social
practice has had an increasingly high profile within
contemporary art discourse, this book documents artists who have been under - recognized because they do not show in traditional gallery or museum contexts and are often studied by specialists in other disciplines, particularly within the Latin American context.
Working across disciplines and historical precedents, the organization is a hub that provides access to the people, ideas, and
practices that are key to current developments in the
field, inspiring fresh ways
of seeing and contextualizing
contemporary art.
In conjunction with a daylong symposium exploring the conceptual and tangible difficulties
of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public a
art in the public sphere, the University Museum
of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of
Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public a
Art will present a juried Exhibition
of proposed public
art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public a
art projects that address issues
of temporality, community, place, and
practice on local, national, and global levels, which will highlight the
contemporary trends and new ideas in the field of
contemporary trends and new ideas in the
field of public
artart.
«Teatro delle Mostre» also opened up the
field of contemporary art to other forms
of creative
practice and exhibition making.
anti-utopias is a curated
contemporary art project exploring new territories in the
field of curatorial
practices.
Giada Pellicari (Padova, 1987) is a
contemporary art curator who is currently devoting her research and practice to the fields of Graffiti and Street Art, New Media and Public Art, through exhibitions, workshops and lectur
art curator who is currently devoting her research and
practice to the
fields of Graffiti and Street
Art, New Media and Public Art, through exhibitions, workshops and lectur
Art, New Media and Public
Art, through exhibitions, workshops and lectur
Art, through exhibitions, workshops and lectures.
Launched in December 2002, Transformer's FRAMEWORK Panel Series engages artists,
arts professionals, cultural leaders, and audiences in conversation to create an oral «
field guide» to encourage and support individual emerging artists in our community, and educate audiences through the sharing
of best
practices within the
contemporary visual
arts.
Contrary to other artists working in the
field of contemporary art, Osorio's artistic
practice is not informed by the rhetoric
of socially engaged
art, relational aesthetics or any other trend related to the history
of art and its categories.
The intersection
of film and video with installation
practices in Thater's work, which often incorporates viewers» bodies and even the projectors themselves, is one
of the artist's major contributions to the
field of contemporary art.
Her writing and curatorial
practice encompass the
fields of contemporary African and Diaspora
arts, gender - related topics, design, immaterial
art practices and sound.
Her way
of wrestling with the vocabulary
of artistic
practice and «
field» resonates with my own attempts to wrangle the lexicon
of contemporary art - making and criticism.
It has made a decentralizing impact on the presentation
of contemporary art and is dedicated to exhibiting critically - engaged artists whose
practices represent a breadth
of significant movements in the
field.
During the symposium, a selection
of key experts in the
field have addressed these questions and framed them in the wider context
of the naissance
of the modern and
contemporary art museum and the role models
of Pontus Hultén and Willem Sandberg, our continuous engagement with the
art production
of the 1960s, the place
of these exhibitions in the wider artistic oeuvres
of the participating artists, post-1960s «labyrinthine» exhibition
practices at large, and the growing discipline
of exhibition history.
2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault
Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break
Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep
Field, Rockford University
Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC
Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence
Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College
of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College
of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel
Art Space, Brooklyn, NY
Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party /
ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence
ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford
Art Museum, Rockford, IL Fakin It, Meyer Gallery, University
of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out
of Practice,
Art Blog
Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights,
Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School
of Contemporary Art, France Boston Young
Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI
On the other hand, when seen as a whole, the collection provides a portrait
of a specific creative legacy
of the Los Angeles
contemporary art scene, in this case a notable expansion
of the
field of possibilities for sculptural
practice.
In The Cartographer's Conundrum, a large installation currently on view at the Massachusetts Museum
of Contemporary Art (Mass MoCA), artist Sanford Biggers maps artistic, cultural and spiritual
practices, other disciplines and
fields such as Afrofuturism, music, and sacred geometry.
The recent resurrection
of abstract
art and color
field painting can definitely be seen as part
of the revival trends in
contemporary art practices and certainly as one
of the main features
of postmodernism, dominated by the appropriational spirit and constant recycling
of the old
art movements.
GoMA has been researching and acquiring documentary media by influential female artists, increasing the representation
of women working in this
field within the city's collection and highlighting the contribution
of female artists to
contemporary art practice overall.
Comisart is the new program
of the Obra Social «la Caixa» in order to provide professional opportunities in the
field of Spanish curatorial
practices and offer new looks on the
Contemporary Art Collection
of «la Caixa».
It aims at providing space for young and emerging artists to present their
practice and at the same time stimulating the dialogue between China and Germany in the
field of contemporary art.
The «curatorial / editorial / convening / creative
practice», developed by Mangion and Cauchi, deals with the dialectics
of online / offline and the ways in which the two are converging in the
contemporary art field.
In 2011, we implemented two year school program, which was designed on the basis
of several years» research on various curatorial programs, analysis
of curatorial
practices, consultations with relevant national and international experts, and an evaluation
of the past program and consideration
of effective models
of education in the
field of contemporary visual
arts and theories.
After graduation you will be able to situate your artistic
practice in the international
field of contemporary art.
Outstanding Production in the context
of the expanding
field of contemporary arts, dance, and performance
practice
Outstanding Performer in the context
of the expanding
field of contemporary arts, dance, and performance
practice
The Museum
of Arts and Design (MAD) explores the value
of making across all
fields of contemporary creative
practice.