Sentences with phrase «field of the figurative arts»

Melotti encapsulated a sort of «musical abstraction» in the field of the figurative arts: «Slowly music has ensnared me, disciplining me with its laws, distractions and digressions in a balanced discourse».

Not exact matches

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

The Columbus Museum of Art and Denver Art Museum present Mark Rothko: The Decisive Decade, 1940 — 50, a major exhibition tracing the evolution of Rothko's work from his Surrealist - influenced, figurative compositions of the early 40s to the abstract, color field paintings for which he is best known.

Abstract photography emerged during a shift from figurative subjects in other fields of art in the early 1900s.

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.

Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.

Neri, who is recognized asa pioneer in the 1960s San Francisco figurative art movement, continues to receive critical praise for his drawings and sculptures.The ISC's Lifetime Achievement Award recognizes artists who've make exemplary contributions to the field of sculpture.

Laura Owens undoubtedly takes a special position in the field of young contemporary painting, as her seemingly romantic and naïve pictorial language goes beyond the separation between abstract and figurative art.

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters.

Altered States: A Psychedelic Legacy, features contemporary artists who explore psychedelic art — mostly painting and some constructions with a mix of figuration, geometric and Op imagery — against a back drop of 1960s Optical Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues, which sets the stage and creates the moart — mostly painting and some constructions with a mix of figuration, geometric and Op imagery — against a back drop of 1960s Optical Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues, which sets the stage and creates the moArt, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues, which sets the stage and creates the mood.

2012 — 2013 OS, Whitney Museum of American Art, New York, USA (solo) 2009 Museum Ludwig, Cologne 2009 Galleria Gió Marconi, Milan 2008 Portikus, Frankfurt am Main 2008 Galerie Chantal Crousel, Paris 2008 LAXART, Los Angeles (GuytonWalker) 2008 Carte Blanche III: «Gedichte der Fakten «-- Arbeiten aus der Sammlung Arend und Brigitte Oetker, Galerie für Zeitgenössische Kunst, Leipzig, Germany 2008 Wade Guyton and Kelley Walker, MAMbo, Bologna, Italy (solo) 2007 Friedrich Petzel Gallery New York, USA (solo) 2007 Galerie Francesca Pia, Zurich, Switzerland (solo) 2007 Wade Guyton: Objects are much more familiar, Power House, Memphis, USA (solo) 2007 Degree Zero, Richard Telles Fine Art, Los Angeles, USA 2007 DUMP, Postmodern Sculpture in the dissolved field, Nasjonalmuseet for Kunst, Arktitektur og Design, Oslo 2007 For the people of Paris, Sutton Lane, Paris, France 2007 The Lath Picture Show, Friedrich Petzel Gallery, New York, USA 2007 Very abstract and hyper figurative, Thomas Dane Gallery, London, UK 2007 Galerie Gisela Capitain, Cologne, Germany (solo) 2006 Paintings, Westlondonprojects, London, UK (solo) 2006 MAMBO, (Guyton / Walker collaboration), Bologna, Italy (solo) 2006 La Salle de Bains, Wade Guyton, Lyon, France (solo) 2006 U Stencil, Hard Hat Editions, Geneva, Switzerland (solo) 2006 Color, Power & Style, Friedrich Petzel Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan gallery, Pose & Sculpture (cur.

American Academy of Arts and Letters, New York, NY Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago Collections.

Red Eye: L.A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL Modern Primitivism, Shane Campbell Gallery, Chicago, IL The Monty Hall Problem, curated by Slater Bradley, Blum & Poe, Los Angeles, CA Dark Matter, White Cube, London, UK The Last Time They Met, Stephen Friedman Gallery, London, UK Whitney Biennial: Day for Night, Whitney Museum of American Art, New York, NY Delete / How to Make a Perfect Ghost, Anton Kern Gallery, New York, NY Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago Collections, Museum of Contemporary Art, Chicago, IL Mark Grotjahn, Richard Hawkins, Jay Heikes, Shane Campbell Gallery, Chicago, IL Gone Formalism, Institute of Contemporary Art, Philadelphia, PA Painting in Tongues, curated by Michael Darling, Museum of Contemporary Art, Los Angeles, CA [cat.]

Selected group exhibitions include: Faction, The University of Dayton, Dayton, Ohio; In The Flat Field, Flanders Gallery, Raleigh, NC; In Substantiality, Theodore: Art, New York, NY (with Andreas Blank, Patrick Caulfield, Richard Paul); Mostly Monochrome, McKenzie Fine Art, New York, NY; Blue, James Graham and Sons, New York, NY (curated by John Zinsser, with Rudolf de Crignis, Joe Fyfe, James Hyde, Olivier Mosset, R.H. Quaytman, Kate Shepherd, Amy Sillman, Philip Taaffe, Dan Walsh); Accrochage, Gallery Sonja Roesch, Houston, TX; Monochrome Utopia, 532 Gallery, NY (with Sharon Brant, Matthew Deleget, Olivier Mosset, Erik Saxon, Li Trincere); In Good Company: Figurative Drawings from the Collection, Albright - Knox Art Gallery, Buffalo, NY; and Minus Space, PS1 Contemporary Art Center, New York, NY.