Sentences with phrase «field painting as»

In 1964, he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg, which traveled the country and helped to firmly establish Color Field painting as an important new movement in the contemporary art of the 1960s.

In 1964, he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg, [7] which traveled the country and helped to firmly establish Color Field painting as an important new movement in the contemporary art of the 1960s.

Both meditative and visually stunning, they evoke color field painting as well as notions of the sublime in painting, in which nature provides an awe - inspiring spectacle that goes beyond mere beauty to provide a spiritual experience.

An innovative colorist, Kenneth Noland began his career as an Abstract Expressionist, became one of the first practitioners of Color Field painting as part of the Washington Color School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shapes.

The same year, he participated in the exhibition Post-Painterly Abstraction curated by Clement Greenberg at the Los Angeles County Museum of Art, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto and helped to firmly establish Color Field painting as an influential new movement in the contemporary art of the 1960s.

Works such as Yodel Me Back to Orville Overhaul (1998) extends the vocabulary that Wirsum began in the 1970s, which combined motifs from graphic illustration and comics with hard - edged geometric patterns and designs that spoke to the flat horizontality of Color Field Painting as well as the intricate patterns and rhythms of Latin American and Oceanic folk art.

Both meditative and visually stunning, they evoke color field painting as well as notions of the sublime in painting, in which nature provides an awe - inspiring spectacle that...

In different ways, they draw on color - field painting as it played itself out in the 1970s.

In those days, people would have seen gestural abstract painting or color field painting as sweeping away figurative art.

These large, abstract, and lush pieces reference color field painting as well as natural and interstellar phenomena like hoarfrost, wormholes, and the moon.

Art critic Clement Greenberg perceived Color Field painting as related to but different from Action painting.

Bess identified strongly with van Gogh, and the exhibit includes an homage to the troubled Impressionist - an interpretation of one of his wheat - field paintings as if filtered through the eyes of an aboriginal artist.

Without the prompting of her 303 Gallery show's title — «WTC, WWIII, Couch Size» — few viewers would apprehend Sue Williams's richly evocative new color field paintings as what they are: crazed essays on life in the time of 9/11, the signature disaster of the present epoch.

Not exact matches

It seems every week, half of the field have different paint schemes as car sponsorships are piece milled by eight primary sponsors annually versus the historical one or two.

I walked over to one of Van Gogh's paintings — Wheat Field with Cypresses, if I remember correctly — and as I looked at the painting, the unmitigated reality of it overwhelmed me.

He says this matter - of - factly as you begin walking through a scrubby field to an old white farm house, ramshackled and sagging, in need of paint, but generously proportioned and graced with a wraparound veranda.

My appreciation of paintings, drawings, etc., is super-casual, so what follows here could be pretty well ripped apart by experts of the field if I presented it as anything more than «here's what the sports guy thinks about the paintin's!»

This time, he's facing a crowded field of Democratic challengers, and hoping to paint himself as the level - headed grown - up, with public and private sector experience and a play - it - safe agenda that stresses education, public safety and economic growth.

The reason free market proponents have such a field day painting the public sector as inefficient is because so many public services involve complex, difficult to measure tasks which market mechanisms can not handle.

As the field of candidates, which also included former City Comptroller Bill Thompson, debated local issues, Weiner stepped in to paint himself as an outsideAs the field of candidates, which also included former City Comptroller Bill Thompson, debated local issues, Weiner stepped in to paint himself as an outsideas an outsider.

The findings may have implications in a variety of applications, he says, such as painting, producing synthetic fibers, and performing mass spectrometry, to name a few that depend on the precise control of tiny droplets of liquid augmented by electric fields.

I would like to further explore more possibilities in this field itself, and want to significantly contribute to the use of flexible solar cells on window panes, clothes and as paints.

The map shows the intensity of infrared light, and traces magnetic field lines within filaments of warm dust grains and hot gas, which appear here as thin lines reminiscent of brush strokes in a painting.

To suggest that yoga research, as a field, ignores these realities is to again, paint a biased and inaccurate portrait of the work being done.

Especially strong are James Marsden, as a hammy telecaster, and Nathan Fielder, as the artistic leader of the World Anti-Doping Agency («This is what I painted while I was on amphetamines»).

While Gilroy's story is utterly thrilling, and cinematographer Robert Elswit's camerawork paints LA as a glittering, mesmerising urban killing field, Gyllenhall is at the beating heart of this film.

And yet as the chalk lines are painted across many a playing field in preparation for sports days across the country, the dividing lines between sport and drama are still too great.

On command of the voices in her head, she spirited her two daughters to the family cottage on the Virginia Peninsula, painted the windows black, and set up the house as a field hospital.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

The San people occupied this land as well as other Southern African countries, and they left their mark in the shape of wonderfully intricate and detailed cave paintings in the many caves which dot the fields of the retreat.

June Carey June has been painting full time since 1982, but it was in the early 90's while traveling the Mendocino coast, that she discovered the California wine country, which reminded her of the long lost fields she fell in love with as a child in Pennsylvania.

Whether you choose to take part in activities such as whitewater rafting, painting and carving, yoga or mountain biking or just relax around the villa and wander into the padi fields and woods for a stroll, it is impossible not to slow right down to the Balinese pace of life here where tranquil bliss surrounds you.

The walls are painted with different themes, such as Hyrule Field with Hyrule Castle in the background, as well as the Master Sword resting in the forest with the Moon looming over.

Although firmly rooted in color - field abstraction, Jones» paintings consistently register as «pictures» - their spatial organization hints at a window space of varying depths even while the physicality of the paint asserts the surface.

And while we're gazing down the snowy lane, see how the pattern of distant fields and hedges have been very simply treated as a few streaks and dabs of blue / grey paint, thus pushing those features back into their proper place in the background.

In their paintings, instead of glittering fields of light - reflecting powder, we are confronted by snow as a solid, almost impenetrable element.

Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.

However, as Hotaling points out, viewers can still feel human presence in his landscapes because agricultural farming has given character to even the remote fields of the rural Ohio that he paints.

Parkinson writes that «Opticality seems an important sub plot in this show, and its» not just the Peter Young or the stunning Cantus Firmus by Bridget Riley that I have in mind, there is also the early Sean Scully painting East Coast Light 2, the pulsating Auditorium by Dan Walsh, Depth of Field by Richard Kirwan, as well as the strangely photographic Flirt by Jane Harris and Untitled (fold) by Tauba Auerbach.

17 In mid-century France, as in 17th - century Holland, there was a tendency for artists to attempt to achieve some sort of security in a shaky market situation by specializing, by making a career out of a specific subject: animal painting was a very popular field, as the Whites point out, and Rosa Bonheur was no doubt its most accomplished and successful practitioner, followed in popularity only by the Barbizon painter Troyon (who at one time was so pressed for his paintings of cows that he hired another artist to brush in the backgrounds).

The basic point about Louis's work and that of other Color Field painters, sometimes known as the Washington Color School in contrast to most of the other new approaches of the late 1950s and early 1960s, is that they greatly simplified the idea of what constitutes the look of a finished painting.

In his paintings he reflected abstract - minimalist trends in 20th century art as were manifest, say, in the Russian avant - garde, American color field painting or Minimal Art.

Hofmann was one of the first theorists of color field painting, and his theories were influential to artists and to critics, particularly to Clement Greenberg, as well as to others during the 1930s and 1940s.

In Chestnut (1955), the painting's white field is broken along the center, as if a chestnut tree were pushing through the pigment; and in Red, blue, black (1957), the thick, dark red ground gives way at the center to black calligraphed lines concentrated within dense gestural brushwork.

Refining a technique, developed by Jackson Pollock, of pouring pigment directly onto canvas laid on the floor, Ms. Frankenthaler, heavily influencing the colorists Morris Louis and Kenneth Noland, developed a method of painting best known as Color Field — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometrieAs disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometrieas the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometrieas artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

Viewed within the modern monastic space of the Paul Kasmin Gallery, with its cool white walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms of Lee Krasner's «Umber Paintings» emerge as fields of boundless energy.

Additionally, Tyler's paintings are reminiscent of the work from past artists such as the simplified geometric grids of Piet Mondrian's later work, color field paintings of Mark Rothko and the early abstract expressionistic work by Philip Guston.

As the American upholder of Matisse's colouristic doctrine, Milton Avery developed the French artist's decorative colour surfaces into subtly toned colour zones, thus breaking the ground for the Colour Field painting of Mark Rothko and Adolph Gottlieb, both of whom were friends of his.