Sentences with phrase «field painting produced»

Zombie Formalism, a term coined by Walter Robinson and fleshed out by Jerry Saltz, refers to the glut of look - alike, generic abstract field painting produced over the past few years by young, mostly male, artists.

Not exact matches

The findings may have implications in a variety of applications, he says, such as painting, producing synthetic fibers, and performing mass spectrometry, to name a few that depend on the precise control of tiny droplets of liquid augmented by electric fields.

Significant artists in this field are the German muralist Rainer Maria Latzke, who invented, in the 1990s, a new method of producing illusion paintings, frescography, and the English artist Graham Rust.

During the later phases of Color Field painting; as reflections of the zeitgeist of the late 1960s (in which everything began to hang loose) and the angst of the age (with all of the uncertainties of the time) merged with the gestalt of Post-Painterly Abstraction, producing Lyrical Abstraction which combined precision of the Color Field idiom with the malerische of the Abstract Expressionists.

Ward overlays this contemporary monetary reference with cowry shells, an earlier form of currency found in many cultures, and gives the paintings a distinct patina by pouring and rubbing white rum flecked with gold and silver powder in a ritualistic fashion, producing an ethereal aura much like a Color Field painting.

John Plumb was an English abstract painter who produced paintings with large fields of a single color and narrow strips on the edge of different colors.

This documentary explores a critical decade in American life, when an explosion of artistic energy produced Pop art, Minimalism, Color - field painting, and hard - edged abstraction.

Although the Japanise artist Yayoi Kusama creates in a diverse field that consists of everything from painting to sculpture, every single piece she ever produced has one same motif all over it — endless dots.

Composed of 196 panels, each consisting of 25 coloured squares that can be arranged in 11 core configurations, this work pursues the artist's early investigation of colour field paintings which he began creating in 1966 by replicating, in large scale, industrial colour charts produced by paint manufacturers.

LARGE PAINTINGS: In the 1980s and»90s, Kusama produced very large - scale polyptychs that pursue the idea of repetition, paintings that suggest an endless expansion of the visual field (Yellow Trees, 1994, Forever Museum of Contemporary Art, Akita; Flame, 1992, private colPAINTINGS: In the 1980s and»90s, Kusama produced very large - scale polyptychs that pursue the idea of repetition, paintings that suggest an endless expansion of the visual field (Yellow Trees, 1994, Forever Museum of Contemporary Art, Akita; Flame, 1992, private colpaintings that suggest an endless expansion of the visual field (Yellow Trees, 1994, Forever Museum of Contemporary Art, Akita; Flame, 1992, private collection).

For this exhibition, she created Earth Paintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which art historian Sharon Patton considers «one of the most Minimalist Color - Field paintings ever produced by an African - American artisPaintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which art historian Sharon Patton considers «one of the most Minimalist Color - Field paintings ever produced by an African - American artispaintings ever produced by an African - American artist.»

But just as important, Houshiary has produced convincing monochrome field paintings that refine and intensify «post-painterly abstraction» to uncanny new perceptual effect.

[18] In the early 1980s he produced a series of paintings of words over sunsets, night skies and wheat fields.

In 100 Years Ago (Carrera), it divides the composition horizontally, producing bands of colour that recall the colour - field painting of the 1960s.

It is during this transitional period in the mid - to late -»60s that Bowling's seminal body of work, the Map Paintings — a series of quasi-abstract colour fields overlaid with stencilled images of maps of Australia, South America and Africa — was produced.

While considered a color - field painter (see color - field painting), Olitski produced works that are freer and less severe than many of those associated with the movement.

They are staggering because they move back the invention of abstraction from circa 1910, when Kandinsky was said to have set art on a new path with his first «non-representative» paintings, to 1861, when Houghton produced The Holy Trinity, a dark crisscrossing of red and blue lines up and down the paper that then go left to right, then down again in twists and spirals, and up once more in energetic slashes, a working and reworking of energy fields so layered and physical that it can accurately be described as action painting.

After settling in New York, Kuwayama eschewed both traditional Japanese painting and Abstract Expressionism, which dominated contemporary art, and instead experimented with highly reductive painting, producing canvases with brightly colored fields of paint in horizontal and vertical compositions, such as Untitled: red and blue (1961).

Born in 1922, Fangor studied and taught art during the early years of his career, producing paintings inspired by various styles of the European avant garde before shifting his artistic output to poster design and eventually works that relate to both Optical Art and Color Field painting.

• Barnett Newman (1905 - 70) Born in New York city and best - known as a co-founder of Colour Field Painting, he started sculpting in the 1960s, producing metallic shafts echoing the vertical stripes of his paintings.

He has produced work in a range of styles but is often associated with color field painting.

Since the early 2000s Baribeau has produced several series, including his esteemed flowers and cigarbox paintings, as well as his Field and Milbrook series, for which he applies thick mixtures of oil paint, acrylic, clear latex, and collage, onto canvases that evoke Diebenkorn's Berkeley paintings or Rauschenberg's Combines.

Since the late 1980s, David Thomas has been immersed in producing color field and later monochromatic work using an array of different media, including painting, photography, sculpture, and installation.

In producing many thousands of paintings, sculptures, murals, photographs, and posters it pioneering new technical innovations in these cultural fields.

Using mostly raw canvases, Connors also produces Color Field - like works by pouring layers of paint into fabric like dye, or imprinting one wet canvas onto another.

She was just twenty - three when she poured puddles of paint, in palely glowing colors, onto a cotton canvas to produce «Mountains and Sea» (1952), which is the Rosetta stone of color - field (it's in the National Gallery of Art, in Washington), despite the fact that it bears drawn lines and a redolence of landscape.

With an aversion to abstract expressionism, Kuwayama produced distilled, richly coloured, discreetly reflective fields of paint without trace of manual intervention, the focus of the current exhibition at the Mayor Gallery in London.

Additionally we work within a broad selection of fields that produce executive candidates with the leadership abilities, cross-sector specializations, and the experience to excel within multiple industries, including importing and exporting, shipping, housing and real estate, utilities, and manufacturing, which provides support to many of San Jose's core industries through the production of computers, missiles, aluminum, fiberglass, rocket boosters and missiles, paint, atomic electrical equipment, matches, medical equipment, construction materials, fruit, vegetables, dairy products, fish cans, and chemicals.