Sentences with phrase «field painting while»

Some works recall pure color - field painting while others refer to architectonic geometries, textile patterns and information flows.

His sophisticated layerings of varied materials call to mind the broad expanses of color field painting while creating a tangible experience of texture, movement and spatial depth.

Not exact matches

In college I studied painting and after college I went into the early childcare field while also further exploring textiles.

Especially strong are James Marsden, as a hammy telecaster, and Nathan Fielder, as the artistic leader of the World Anti-Doping Agency («This is what I painted while I was on amphetamines»).

While Gilroy's story is utterly thrilling, and cinematographer Robert Elswit's camerawork paints LA as a glittering, mesmerising urban killing field, Gyllenhall is at the beating heart of this film.

Initial Smarter Balanced field tests showed dramatic drops in English and math proficiency rates and first results — while in many states better than expected — still paint a grim picture.

While many in the animal welfare field still want to paint all breeders with the same low standards brush, I look forward to opening their eyes to the true nature of the breeding business.

June Carey June has been painting full time since 1982, but it was in the early 90's while traveling the Mendocino coast, that she discovered the California wine country, which reminded her of the long lost fields she fell in love with as a child in Pennsylvania.

Although firmly rooted in color - field abstraction, Jones» paintings consistently register as «pictures» - their spatial organization hints at a window space of varying depths even while the physicality of the paint asserts the surface.

And while we're gazing down the snowy lane, see how the pattern of distant fields and hedges have been very simply treated as a few streaks and dabs of blue / grey paint, thus pushing those features back into their proper place in the background.

This attention to compositional structure is what separated him from his AbEx colleagues... Opper somehow transcended the mythology of the AbEx period and almost clandestinely slipped into the more formalist designs of color field painting, while holding to a visual language that was both his own and an echo of Bonnard.»

The Multiforms are Rothko's first true abstractions, while their palette foreshadows the palette of the color field paintings to come.

By marking the edges of the paintings, she calls attention to their shape as significant, while the nebulous contents of the pictorial field — lacking the order and legibility of the grid — offer few clues to its inner structure and encourage the viewer to lose sight of place.

By the 1970s Poons created thick - skinned, cracked and heavy paintings referred to as Elephant Skin paintings; while Christensen sprayed loops, colored webs of lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band paintings are reflections of both Chinese landscape painting and the Color Field idiom, and John Seery's stained painting as exemplified by East, 1973, from the National Gallery of Australia.

While you have to declare a field of study to apply — painting, printmaking, sculpture, photography, or «new genres» — there's a lot of interdisciplinary wiggle room once it comes time to select your courses.

While my work tends toward the reductive anyway — I refer to my esthetic as «lush minimalism» — each painting in this series is a small color field achieved by layers of translucent paint applied at right angles.

While New York and the world were yet unfamiliar with the New York avant - garde by the late 1940s, most of the artists who have become household names today had their well - established patron critics: Clement Greenberg advocated Jackson Pollock and the color field painters like Clyfford Still, Mark Rothko, Barnett Newman, Adolph Gottlieb and Hans Hofmann; Harold Rosenberg seemed to prefer the action painters such as Willem de Kooning and Franz Kline, as well as the seminal paintings of Arshile Gorky; Thomas B. Hess, the managing editor of ARTnews, championed Willem de Kooning.

In many of your paintings the foreground and background together create an all - over atmospheric field, while in your recent paintings, large star shapes become significant points of focus constructing much more of a figure / ground relationship.

The canvas as the arena became a credo of Action painting, while the integrity of the picture plane became a credo of the Color field painters.

He emerged at a time when abstract expressionism was in decline, while pop art, color field painting, and minimalism were on the rise.

While attending Bennington College, Odita was exposed to Color Field painting, in which the issue of emotion was generally displaced in relation to the formal structure embedded in the painting's surface.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

The essay offered a formulist perspective on the movement while introducing an appreciation of color - field painting.

What resulted remained true to painting's basic materials while turning its traditionally flat surface into a field of topographical undulations that, interacting with light, appear to change a great deal as the viewer moves around them.

Rothko gets the central rotunda for six of his sonorous, saturated - colour field paintings, while Barnett Newman is perhaps even better served with his sculpture Here I (to Marcia), a towering strip of bronze, standing in front of three of his majestically sombre blue paintings, as though it's been torn out of the painting to become something tangible and actual.

Sometime in November or December, while working at night at Dartington Hall and listening to the horses breathe in the field outside his window, he painted a series of three paintings,» Broadway», `' Welcome Hero», and `' Broadway Norm», in the style that would become known as «white writing» (an interlacing of fine white lines).

While Newman's work reeled viewers into a color field, Swavely's paintings resist close inspection, for as one approaches, the brushstrokes that once felt voluminous fall flat, having been washed away by turpentine - soaked rags scrubbed across canvas heavy with oil.

While for Rothko the side of the painting had color to it that not only showed the stages of its making but also indicated an environmental continuity between the painting and its site of placement, this strip, finished with a neutral light - reflecting color, signified a concept of separation between the discrete field of painted canvas and its surroundings.

A formal tension in Ferris's work exists between types of mark - making: fields of spray call to mind a quasi-photographic, Richterian blur, while scraped - on graphite and textured lines of oil pastel bring the paintings back into a non-objective realm.

Working alongside Color Field painters such as Kenneth Noland and Thomas Downing, Gilliam elaborated upon Color Field processes and aesthetics while subverting Greenbergian notions of the «integrity of the picture plane,» and disrupting the boundaries between the visual world of painting and the tangible world outside it.

While his contemporaries during the 1950s were focused on Abstract Expressionism and Color Field painting, Wolf Kahn chose to embrace the figure and incorporate representational imagery into his work.

While one of the most important artists of the postwar period and a pioneering figure within the field of abstract painting, Ryman's drawings, and their profound significance within his practice, have never been examined before in a focused exhibition.

«Judd and Adkins have each made an indelible mark on contemporary art that is critical to understanding its evolution, while Bannard's influence on Color Field painting and Alÿs» work addressing issues of geopolitical and social conflict in urban environments both merit renewed attention.

One lovely summer day, an iconic vision comes to mind: you see yourself seated at your easel in a field of flowers, working peacefully on a plein - air landscape painting as clouds float above and bees pass by, humming in a friendly manner while searching for nectar or creating honey or whatever.

The experience of his compositions and the multitude of techniques he uses to create them — such as collage, monotype, relief printing, paper marbling, and decalcomania — intensifies the complexity of his unique visual universe while provoking closer contemplation of the continuing role of painting as a vital field of contemporary research.

For Greenberg they possess a radicalism that comes more from Impressionism than Cubism, while his later dissatisfaction with increased mannerism of the Abstract Expressionist paintings led him to coin the term Post-painterly Abstraction under which he included the novel tendencies in abstraction such as color field painting, hard - edge abstraction, and the Washington Color School.

He shows his range in these later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red on the painting's surface.

But while Owens's work certainly plays on the conventions of Color Field, she draws from a wide range of source materials, including embroidery and Asian landscape painting, frequently commingling vaporous washes of color with frankly goofy representational elements.

Touch (1999) resembles a fingerprint whose whorls are limned in dust, while several other paintings explicitly recall the warp and weft of finely woven gauze as the marks seem to float like mist over the painting field.

Using dark blues, bright whites, and occasionally high - key colors, the artist creates outstanding letter - like forms that push forward with a slight pulsation, especially depending on the quality of the light that illuminates it, while the painted field as a whole changes under different viewing conditions.

In her most recent work Lou has created monochrome woven canvases, which reference Color Field painting and Minimalism, while focusing on the beauty and humanity revealed in the simple repetitive processes made by the human hand.

The paintings — many are approximately the size of a typical hardcover book — convey an intimacy (they are meant to be seen up close), while the allover fields evoke an expansiveness that exceeds the scope of our field of vision.

While some pieces are gnarly tree formations isolated atop pedestals to illustrate their status, others are flat wall - mounted compositions made of cast broom clippings and quinoa, that create large color field paintings of, in fact, large colorful fields.

His use of colour, form and material as elements in a compositional lexicon, as well as the stained or dyed fabrics which are his principal medium, declare the origin of his practice in the investigation of painting in an expanded field, while the way his compositions occupy and transform space are evidence of their sculptural nature.

Across this ravishing expanse, nine paintings proceed from 2007 to 2014, indicating an artist growing steadily while inspired by precedents that include Gauguin and the Symbolists, Picasso in his Blue Period, Matisse, Art Nouveau and the Color Field painters and Ovid.

The whole rhetoric of minimalism was about surpassing the games of highs and lows, where composition would stress some areas while underplaying others, and instead creating fields of robust sameness where every section of a painting was affectively equal to every other.

The day explored Hoyland's art and times, while opening his painting up to new perspectives and the peculiar pressures of the «expanded field» in which art now operates.

While in America — he did not return permanently to England until 1994 — Jones became preoccupied with process painting, particularly the way the Color Field painters, such as Helen Frankenthaler, Jules Olitski, and Larry Poons, practiced it.

While considered a color - field painter (see color - field painting), Olitski produced works that are freer and less severe than many of those associated with the movement.

While this term is often associated with American painting, specifically Abstract Expressionism and Color Field painting, Declaring Space addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engaged.