Sentences with phrase «field paintings created»

Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.

Manny Farber's monumental color field paintings created in New York and California during... Continued

The lithograph print poster features and untitled monochrome brown color field painting created in 1962.

Not exact matches

By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.

Poons, Christensen, Davis, Landfield, Seery, Lipsky, Zox and several others created paintings that bridge Color Field painting with Lyrical Abstraction and underscore a re-emphasis on landscape, gesture and touch.

Frankenthaler developed her own technique of pouring diluted paint directly onto canvas, then manipulating it with mops and sponges to create vivid fields of color.

The importance of three - dimensionality is apparent when one compares her oil paintings from this period to related drawings: even when these are on several pieces of paper creating a shape or a broken field, they operate in a more conventional relation to form.

The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.

Gorky created broad fields of vivid, open, unbroken color that he used in his many of his paintings as grounds.

Collins recently created Energy Field, a lounge in the Tang Museum at Skidmore College, where her paintings and three dimensional textile works co-exist with her home textiles and furniture.

In the late 1960s Richard Diebenkorn began his Ocean Park series; created during the final 25 years of his career and they are important examples of color field painting.

By the 1970s Poons created thick - skinned, cracked and heavy paintings referred to as Elephant Skin paintings; while Christensen sprayed loops, colored webs of lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band paintings are reflections of both Chinese landscape painting and the Color Field idiom, and John Seery's stained painting as exemplified by East, 1973, from the National Gallery of Australia.

In Giulia Ricci's Order Disruption Painting there's something strange going on spatially, the patterned repetition of a triangular motif creating something akin to a systemic field which breaks down in places as the pattern is interrupted, resulting in the appearance of wormholes or spatial anomalies that can also be interpreted as twisting forms caught in the net of the surface whilst at the same time forming that surface.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

I had a general sense that I needed to expand the range of my palette, to create a richer field of colour and to intensify the atmospherics of the paintings.

Although his earlier paintings are about limits, restrictions, and controlled accesses; in more recent work, he tries to counter his own expectations, juxtaposing unlike elements to create an active visual field.

Painted on un-primed supports, fields of dark charcoal or pencil - drawn areas on modulated titanium or zinc white acrylic fields respond to each other to create a delicate interplay of opposing forces.

She favors optical activity over conceptual rigor in «pencil paintings» from 1968, where diagonals in several colors of pencil on acrylic create a single vibrant field of blue - gray.

Mark di Suvero's painted steel sculptures are a burst of color in a green field, artists in residence create installations across the island and work in the studios near the ferry, and the Governors Island Art Fair crowds the island every summer.

He liked the effect, and made it his own, combining the wiped marks with sprayed loops to create complex abstract fields that began to look, squinted at from a distance, like black and white reproductions of paintings by Franz Kline or de Kooning.

In many of your paintings the foreground and background together create an all - over atmospheric field, while in your recent paintings, large star shapes become significant points of focus constructing much more of a figure / ground relationship.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

Gorky created broad fields of vivid, open, unbroken color that he used in many of his paintings as grounds.

In his installations, he has created silver Celotex walls that invite museum - goers to become vandals, and transformed shag carpets into grand echoes of Color Field paintings.

Through a process of applying many translucent layers of oil paint onto canvases lying on the floor random expressionistic color fields are created sometimes with broken geometric structures floating on the surface.

Halley goes on from there in his own curious fashion, creating visual parallels between the color fields in abstract painting and, yes, prison cells, circuit diagrams, and flowcharts.

An early and influential pioneer of Color Field painting, Louis gained renown for his innovative method of staining raw canvases with washes of pigment to create vibrant, large - scale works.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Combining the early «Slat» paintings, with exploration of form and field in his «Wedge» series, he created a body of work he entitled «Lattices» where lines appear to weave forward and back.

His large - scale abstract paintings feature fields of solid color with little depth or perspective, created by pouring, spraying, and sponging paints and dyes onto the canvas.

In his «Eccentric Polygon» series, from 1965 and «66, he embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas.

In the large construction «Bound», a wide yellow line (both as painted mark and as collaged or free hanging dyed and hand painted muslin) traverses the entire field, stitching together disparate materials and creating a possible path for the eye, which never arrives at a static image.

Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today.

Although the Japanise artist Yayoi Kusama creates in a diverse field that consists of everything from painting to sculpture, every single piece she ever produced has one same motif all over it — endless dots.

Westfall contends that Wilson is painting «at the height of her powers,» creating sky paintings that are «a perfect synthesis of abstraction and representation, field and tactile subject, the general and particular, process and memory.»

Influenced by both textiles and jazz, these paintings create around themselves a field of active energy as color interaction and mark improvisation blend and riff off each other.

The sense of space is created by a riotous field of painted squiggles and dashes that soar upward.

«I am interested in the social, even the propaganda, angle in painting; but I feel that the job of everyone in a creative field is to picture the whole scene... I am interested in creating a style that is much more powerful, that will take in the technical end and at the same time will say what I have to say.

His paintings and distilled style went on to influence Bauhaus artists, the Minimalists of the 1960s, Color Field Painting and even iconic fashion designer Yves Saint Laurent, who created the «Mondrian» dress — made with fabric matching the artist's Neo-Plastic color blocking.

«Force Field» features a selection of bold, thought - provoking pieces, the majority created by using old paint and discarded paintings.

New York - based artist Keltie Ferris covers her mostly large - scale canvases with layers of spray paint and hand - painted geometric fields, creating the effect of brightly colored digital screens dissolving into pixels.

This resulted in his minimal «line paintings» and then canvases filled with fields of subtle gradations of color created by thousands of dots.

Composed of 196 panels, each consisting of 25 coloured squares that can be arranged in 11 core configurations, this work pursues the artist's early investigation of colour field paintings which he began creating in 1966 by replicating, in large scale, industrial colour charts produced by paint manufacturers.

A main proponent of color field painting, Davis worked on canvas and paper, and also created large - scale public artworks, and light sculptures.

Now, for her new show, she's tackled the field of painting for the first time, creating elegant wall - mounted abstractions — she calls them «drawings» — by embedding tens of thousands of nickel - headed steel pins in Gatorboard, a polystyrene material often used for mounting prints.

At a time of the thrive of Abstract Expressionism, Britain turned to create an atmosphere of new ideas and movements, working with different media and spanning a variety of artistic fields, from architecture and graphic design to collages and drawings, film, sculptures and paintings.

Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

Frankenthaler on the other hand, poured turpentine - thinned artist grade paint to create watery amorphous pools, stains, lines and fields.

One lovely summer day, an iconic vision comes to mind: you see yourself seated at your easel in a field of flowers, working peacefully on a plein - air landscape painting as clouds float above and bees pass by, humming in a friendly manner while searching for nectar or creating honey or whatever.

Masako Kamiya's acrylic gouache paintings are constructed of thousands of tiny nodules of paint, one built upon another, creating fields of color that shift and move, generating patterns and illusions.