Sentences with phrase «field paintings done»

Work like this trusts the artist's impulse in a way that art immediately after color - field painting did not.

Not exact matches

Materials science Hot fields include semiconductors and nanomaterials development, but don't forget about the synthesis of plastics, paints and lubricants.

«Does this wall painting symbolize an act of homage to the great goddess on a spring morning in the Konya Plain amid fields of flowers and humming insect life nearly eight thousand years ago,» Mellaart wrote, «or is this too fanciful an interpretation?»

To suggest that yoga research, as a field, ignores these realities is to again, paint a biased and inaccurate portrait of the work being done.

Hello if thereis any business man or any body who like to design his / her home and fashion dresses and paintings for particular space then please contact me at my address [email protected] I am here because I have keen interest and talent in these fields and I want to do something on my own efforts that's why I am posting my comments on match.com because I really really need it.

I do henna, spin fire, paint, work in the medical field, have awesome children, love to go to shows and dance, I am interested in all types of music and the variety life...

Days of Heaven, which brought Malick the best director award at Cannes in 1979 and is arguably his finest film, is being reissued in a new print that does justice to Néstor Almendros's magnificent cinematography drawing on the paintings of Winslow Homer, Andrew Wyeth, Edward Hopper and (in one scene of a religious ceremony in wheat fields) Jean - François Millet.

Field of Lost Shoes doesn't tread any particularly new ground, but it certainly treads over very solid ground and Wiedmann has painted on a particularly grand canvas, writing emotionally rich music that is very easy to like and will surely prove very popular amongst those people who like the no - holds - barred - when - it - comes - to - emotions approach of 1990s John Barry or James Horner (and who are willing to give this score a chance).

Don't forget your local Eagle Scouts — we had one who volunteered to paint the entire field wall, and another one was happy to build our sound wall.

Yes, arts learning may have social and moral and professional benefits, but if people don't value the materials of the fields themselves — if they can't say that if High School X doesn't acquaint students with Renaissance painting, classical music, and modern dance, its graduates will be undereducated — then arts educators lose in the competition for funds and hours in the day.

«Do what you do best (repairing clocks) and hire the best to do what you can't do (case work, painting dials, etc.) I guess that pretty much applies in any field you want to excel iDo what you do best (repairing clocks) and hire the best to do what you can't do (case work, painting dials, etc.) I guess that pretty much applies in any field you want to excel ido best (repairing clocks) and hire the best to do what you can't do (case work, painting dials, etc.) I guess that pretty much applies in any field you want to excel ido what you can't do (case work, painting dials, etc.) I guess that pretty much applies in any field you want to excel ido (case work, painting dials, etc.) I guess that pretty much applies in any field you want to excel in.

And then you back off and you think about it, or somebody comes in the studio and you talk about what you do and you conceptualize things that didn't necessarily come out of any clear plan... a field of vision depends on what's in your mind... what you really see is not just how you're painting or what it looks like.

If the artist is using geometry to construct a painting, like so many since the early 1960s, it feels more like doing math than if the artist shows a square as an image floating in a field, like a character in a graphic novel.

Sometime in 1940 Rothko makes his last figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of color - Multiforms as they were called by others - which were greatly influenced by Milton Avery's style of painting.

In your paintings, you replicate DuBois» fields of color, but you don't reveal their context.

The paintings by this great Color Field innovator, now 80, looked as every bit as fresh as they did when they were first made in the»60s and»70s — prompting some fair goers to ask the gallery, «who is this young artist you are showing?»

His ability to explain what was wrong with a Color Field painting or a Neo-Dada sculpture interested me far less than his belief that such stuff could not possibly affect the work he was doing.

These paintings do not feature the luminous color fields that made Rothko famous.

His recent Mojave Desert paintings done on site in Joshua Tree National Park, California are a highlight of the exhibition; large, lyrical compositions of cliffs and boulders that all but dissolve into fields writhing and swelling with lambent reds and oranges.

He did, however, have an openness to the medium, despite what were then hostile attitudes toward craft - based processes and decorative sensibilities in the fiercely territorial field of avant - garde painting.

I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.

There's a piece that she did when she was a faculty member at Skowhegan where she paints the cows that are in the field and places herself in that context.

Color - field paintings fall into the category of art often derided with statements such as «My six - year - old could do that.»

Gorchov, then, does not disassemble and disperse the elements of color - field painting.

Although Blayton employed techniques from Abstract Expressionism and Color Field painting, she noted that her work did not grow out of any particular artistic tradition, but rather the feelings generated by her own thoughts.

But painting did not come to a standstill, and in recent years activity in the field has developed rapidly, especially among younger artists.

There is something direct and whimsical, forthright and imaginative about this painting that anticipates works done by Thomas Nozkowski, as does the vertical painting «7.65» (1965), where a band of different solid colors move across the bottom and left side of the painting, partially framing the mottled green field.

Although done within a shorter period, Bluhm's work undergoes the biggest change, from layered fields of interwoven gestures and shapes, with drips running down the surface, to angular gestures in thicker paint.

I get the feeling looking at this painting, that I am looking at a field of action that exists behind the plane of the canvas, and I think that is an extremely interesting thing for an abstract painting to be doing, if indeed it remains just that, an abstract painting.

Kahn didn't completely eschew the modes of Expressionism and Color Field painting, and combined these two styles along with his subconscious visions of nature.

This exhibition proposes a new reading, emphasizing that the achievements of her training in the field of abstract painting did not disappear when her work turned to textiles, and that the artist addressed pictorial abstraction in a unique way, manifesting itself very quickly through an openness to spatial concerns.

So, come to think of it, do the fields of color in his paintings.

None of this has the least to do with Impressionism's quest for light, color - field painting's quest for the art object, or Josef Alber's quest for the logic of perception.

They had less to do with American abstract expressionism or color field painting than with the British pop art of the period, for example that of Hoyland's good friend, Patrick Caulfield.

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

What are those stahlhelms — the steel helmet so evocative of German militarism — doing in two paintings from 2009, one upturned and seen in silhouette against a bleak landscape, the other glinting in the sun with fertile fields in the background?

Perhaps there are painters who are only concerned with painting who might fall into the traps mentioned above, but there are others whose concerns have to do with the present field of art and use the medium accordingly.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

Executed in flat, intensely pigmented acrylic gouache, these new paintings retain Curry's collagist sensibility: highly finished areas (some done with an airbrush) contrast with fields of roughly slapped - on brushwork.

«And I don't think any of these artists find painting an unproblematic field,» he says of the show, which included Fairfield Porter, Vija Celmins, and younger artists like Edgar Bryan, Mari Eastman, Jochen Klein, and Mamma Andersson.

did just that with his version of the 1889 painting «Olive Trees» by Vincent Van Gogh in Egan, Minnesota, taking up a field.

He thought it an a priori condition of painting, as he understood it; sort of like having foul lines on a field of play; without them you don't have a game at all.

Stan Herd did just that with his version of the 1889 painting «Olive Trees» by Vincent Van Gogh in Egan, Minnesota, taking up a field.

The work I'm doing now is me backing out of pure abstraction and color field painting into something more figurative.

While in America — he did not return permanently to England until 1994 — Jones became preoccupied with process painting, particularly the way the Color Field painters, such as Helen Frankenthaler, Jules Olitski, and Larry Poons, practiced it.

Likewise, Feeley's no - nonsense palette is remote from the saturated opulence to mainstream Color Field art (to which, contrary to various critical bids, it does not belong) and tempered by the systematic principles of industrial design, just as his contours are too pliant to conform to Hard Edge painting.

All one needed to do was follow American art, where the process was at work in exemplary fashion — from Jackson Pollock's all - over paintings and Barnett Newman's colour fields to the black - in - black paintings of Ad Reinhardt.

An overdue, if far from perfect, reconsideration of Color Field painting reintroduces the joyful pictorial derring - do of an art movement partly done in by the single - minded advocacy of its biggest fan, the great American art critic Clement Greenberg.

His paintings of the 1960s, 1970s and 1980s are associated with geometric abstraction, hard - edge painting, color field, and lyrical abstraction, although he did not readily subscribe to any category for his work.

For Strüwe's 1949 solo show at the Brooklyn Museum the press release stated that Strüwe's photographs «often remind us of modern artists such as Klee or Kandinsky and yet they do not encroach upon the field of painting.