Sentences with phrase «fifty artists»

On view through November 7 as well as a radish garden in a pedestrian traffic island and more, It all culminates in a day - long harvesting event, «Let them Eat LACMA» when fifty artists take over the museum, with talks and activities intended to «expand our perception of art, food and the museum.»
Selected interviews will also be included from the Jason Rhoades Oral History project devised by Lucas Zwirner, who has interviewed over fifty artists, curators, and others who intimately knew the artist.
(Paris, France) Fifty artists from all over the world present performances that range from political manifestos — such as Guilherme Peters» «Escola sem Partido» — to ladies» wrestling.
The Orange County Museum of Art recently announced the names of fifty artists selected to participate in the 2008 California Biennial (CB08).
Dispatches from the front: On May 30, after the opening of «The Interventionists: Art in the Social Sphere» at Mass MOCA, in North Adams, Massachusetts, some fifty artists gathered outside the...
With over fifty artists in the show, the exhibition featured a wide variety of works in different media.
In a major survey featuring nearly fifty artists, the MMK is now presenting the masterworks of this collection comprehensively for the first time.
The indoor dedicated space features «the finest collection of contemporary art ever assembled in a North Somerset seaside Town» with fifty artists from over seventeen
Between 2012 - 2014, he produced «Moderation (s)», a program between Witte de With Contemporary Art in Rotterdam and Spring Workshop in Hong Kong that involved more than fifty artists and engender a conference, three exhibitions, three residencies, and a book of short stories.
Featuring over fifty artists who frequently exhibit their work in respected galleries and prestigious museums of New York (examples include PS1 / MOMA, The Drawing Center, Apex Art and others).
Perhaps their sensitivity to the works at hand, rather than any overarching intervention or selection by the museum itself, is what we are supposed to take home from an exhibition with more than fifty artists and hundreds of works.
In Milan, alongside Christian Boltanski's Dispersion, the works of over fifty artists will be installed in the thousand - square - meter Shed at Pirelli HangarBicocca, also popping up outside the exhibition space with projects for the catalogue, bookshop, and web.
Titled «The Everywhere Studio,» the show will feature more than fifty artists — including Neïl Beloufa, Bruce Nauman, Laure Prouvost, Carolee Schneemann, and Andrea Zittel — and will reflect on the studio as a place where artists respond to social and economic change.
Nova Benway joined The Drawing Center, New York, in 2011, where she co-curates Open Sessions, a two - year program of exhibitions and public programs co-organized with more than fifty artists.
The enormous exhibition brings together more than one hundred fifty artists.
The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoades's work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Dylan Kenny and Lucas Zwirner, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist — including curator and art historian Linda Norden.
The show elucidated the relationship between the titular mediums from the 1960s to the present, bringing together work by nearly fifty artists while highlighting recent developments that promise to pluralize art's audiences in the best possible way.
His current exhibition, «Concept, Performance, Documentation, Language,» is a vibrant, important show featuring works made from the late 1960s to the early»80s by more than fifty artists, most of whom remain alive and well and working in New York today.
Due in part to the volume of material, I invited fifty artists, designers, and architects to help broaden the scope of inquiry and exploration of possible adaptations.
The first edition of the New Museum's signature Generational Triennial, «Younger Than Jesus,» is organized by Massimiliano Gioni, Director of Exhibitions, Laura Hoptman, Senior Curator, and Lauren Cornell, Director of Rhizome and adjunct curator, and includes fifty artists from twenty - five countries all born after 1976.
Like an excellent summer blockbuster, this exhibition has a pedigreed producer (the Walker Art Center), an accessible theme (post-1960s realism), a large cast (over fifty artists), and many stars of its genre (Ron Bechtle, Vija Celmins, Chuck Close, Thomas Demand, Sam Taylor - Wood, and Robert Gober).
Back at the turn of the millenium, fifty artists were called upon to devise a series of pop - up shows run at an independent project space — these included writers, film - makers, designers and performers, with known names like Richard Hamilton and Anish Kapoor, among them.
Is there a point where the creative desires of the fifty artists displayed converge?
These were followed by a series of dinner conversations that engaged fifty artists to «give voice» to members of Alba's artist community.
Comprising more than eighty works by fifty artists — including Ai Weiwei, Fang Lijun, Geng Jianyi, Huang Yong Ping, Zhang Peili, and Zhang Xiaogang — this is the first - ever chronological exhibition about the emergence of Chinese contemporary art.
This large group exhibition presents over fifty artists who have rendered or alluded to the body to illuminate larger conceptions of identity, femininity, and the gaze.
Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
Beginning with March Meeting 2014 and continuing through March Meeting 2015 (11 — 15 May 2015), Sharjah Biennial 12: The past, the present, the possible (SB12) invites over fifty artists and cultural practitioners from over twenty - five countries to introduce their ideas of the possible through their art and work.
Beinart Publishing was formed in 2007 with the release of a compendium of the work of fifty artists titled Metamorphosis.
The catalogue also includes an homage to writer Melody Sumner Carnahan's project, The Form, where the curators compiled responses from questionnaires to fifty artists, punk rockers, writers, and critics.
My most significant publications include Jamaican Art (Kingston Publishers, 1990), Fifty Years - Fifty Artists (Ian Randle Publishers, 2000), and Negrophilia: Avant Garde Paris and Black Culture in the 1920s (Thames & Hudson, 2000) and Back to Black, 2005, co-authored with Richard Powell and David Bailey.
My Caribbean exhibitions include; One Man's Vision: The Vincent D'Aguilar Collection (NAGB, 2003) and Past, Present and Personal: The Dawn Davies Collection (NAGB, 2004), Fifty Years - Fifty Artists (EMCVPA, 2003).
The New York installation is being overseen by Turning to the blues not simply as a musical category but as a field of artistic sensibilities and cultural idioms, the exhibition features works by nearly fifty artists from the 1950s to the present, as well as materials culled from music and popular entertainment.
Archer - Straw is the co-author of Jamaican Art (Kingston Publishers, 1990), editor of Fifty Years - Fifty Artists (Ian Randle Publishers, 2000), and the author of Negrophilia: Avant Garde Paris and Black Culture in the 1920s (Thames & Hudson, 2000).
Her Caribbean exhibitions include; One Man's Vision: The Vincent D'Aguilar Collection (NAGB, 2003) and Past, Present and Personal: The Dawn Davies Collection (NAGB, 2004), Fifty Years Fifty Artists (EMCVPA, 2003).
Fifty artists is not so many for a biennial, and we were certainly looking forward to a concentrated and focussed set of exhibitions.
Over seventy works by more than fifty artists will be included, including familiar names such as J.M.W. Turner and Tracey Emin as well as lesser - known figures of British art history.
The exhibition is curated by Barry Schwabsky and brings together paintings by close to fifty artists in an effort to illuminate how the act of making a representational painting became redefined over the past century, following the emergence of abstraction as a competing proposition.
2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
Fifty artists from more than twenty African countries are taking a look at the classic of world literature.
For this exhibition we collect such material from over a hundred and fifty artists, each invited to submit a single - page digital file to be printed on an 8 × 10 - inch sheet.
Besides, curator Philippe Vergne's first major effort for the Walker (fifty artists, catalogue, website) has been in the works for a time and may just stand out from the crowd.
Chatham Fine Art in Chatham on Cape Cod represents fifty artists and is run by Bob and Phyllis Tortaro, who have operated major art galleries in New England since 1980.
Thought is Elastic» at Murray Guy and «Fifty Artists Photograph the Future» at Higher Pictures.
Disturbing Innocence features over fifty artists using surrogate imagery such as dolls and mannequins to pose questions regarding the «social constructs of youth, beauty, transformation, violence, sexuality, gender, identity, and loneliness.»
Cumberland Gallery represents almost fifty artists and welcomes new guest artists every year.
This exhibition featured artwork submissions from over fifty artists and celebrities in tribute to Hogarth including works by Quentin Blake, Harry Hill, Jacqueline Wilson, Cath Kidston, Peter Blake (artist) and Joanna Lumley.
NEW MUSEUM ANNOUNCES NAMES OF FIFTY INTERNATIONAL ARTISTS FOR FIRST EDITION OF «THE GENERATIONAL» a signature triennial exhibition The New Museum today announced the names of fifty artists from twenty - fivecountries who will be presented in the first edition of «The Generational,» the institution's new signature triennial exhibition.
Featuring works by more than fifty artists from twenty - two countries, the exhibition will occupy the entire three floors of galleries at P.S. 1.
With four hundred works and more than one hundred fifty artists, it dares anyone to take it all in.
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