The exhibition will feature approximately
fifty photographs taken between the years 1994 and 2008.
Victoria Miro will present a selection of
some fifty photographs taken from this extensive overview of the artist's career that comprises of an archive of -LSB-...]
Victoria Miro will present a selection of
some fifty photographs taken from this extensive overview of the artist's career that comprises of an archive of around 800 photographs created between the early 1970s to 1981.
Not exact matches
Also on show for the first time in the UK will be two photographic works: GAETA (
fifty photographs plus one)(2015)
taken in the studio of Cy Twombly and The Line of Fate (2011) of the art historian Leo Steinberg.
Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history,
Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and
takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's
photographs, from Francis Bacon's
take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britain.
In close dialogue with curator Francesco Stocchi, American artist Alex Da Corte has
taken Le miroir vivant's provocation as a starting point to create an immersive tableau utilizing the Boijman's collection as raw material: nearly
fifty paintings, sculptures,
photographs and videos by artists such as Cady Noland, Marcel Broodthaers, Jim Shaw, Gilbert and George, Alexandra Bircken, Carel Visser, Domenico Gnoli, Barbara Hepworth, Duane Hanson, David Hockney, among others.
This process can be seen here in three works on paper — one a charcoal drawing, another a mezzotint, and the third a drypoint — based on a
photograph of the ocean she
took fifty years ago from a pier in Venice, California.
Marta María Pérez Bravo's recent solo show was her largest ever in Spain: over
fifty of her austere
photographs,
taken from the mid -»80s through 1997, were dispersed throughout the gallery's four floors.
Unlike his earlier work Thank you, Fog (2009), which consists of
photographs taken from a static camera at one - minute intervals as fog descended over a densely wooded landscape, the work featured in the exhibition Five /
Fifty / Five Hundred traces changing fog over a lake in Connecticut.
In her exhibition at the Marian Goodman Gallery one large room is dedicated to GAETA, 2015 —
Fifty photographs, plus one, a mesmerizing series of
photographs that Dean
took in Cy Twombly's studio in the sunlit harbor town of Gaeta, Italy, some 60 miles north of Naples, in 2008.
This process can be seen in A Painting in Six Parts (1986 — 87/2012 — 16), a group of six oil paintings based on a
photograph she
took fifty years ago from a pier in Venice, California.
But by
taking language as its thread through
fifty - five works on paper, paintings, sculptures,
photographs, and installations from the past four decades, this show aims to bring the story up to the present.
This process can be seen in Untitled (Ocean Paintings)(1986 — 87/2012 — 16), a group of six oil paintings based on a
photograph she
took fifty years ago from a pier in Venice, California.
An extensive catalogue includes, California Surfing and Climbing in the
Fifties (2013), Surfing
Photographs from the Eighties
Taken by Jeff Divine (2011), Surfing
Photographs from the Seventies
Taken by Jeff Divine (2006), Dora Lives: The Authorized Story Of Miki Dora (2005) and Don James: Prewar Surfing
Photographs (2004) among others.
(1) No person shall --(a)
take or attempt to
take in any court any
photograph, or with a view to publication make or attempt to make in any court any portrait or sketch, of any person, being a judge of the court or a juror or a witness in or a party to any proceedings before the court, whether civil or criminal; or (b) publish any
photograph, portrait or sketch
taken or made in contravention of the foregoing provisions of this section or any reproduction thereof; and if any person acts in contravention of this section he shall, on summary conviction, be liable in respect of each offence to a fine not exceeding
fifty pounds.