Sentences with phrase «fight choreography»

COLELLA: Fight call is if there's any kind of fight choreography in a show, then the actors will meet prior to the show's beginning so that we can go through all of the moves of the fight.

Reeves also plays the film's villain alongside a cast that also features Karen Mok (So Close), Simon Yam (Ip Man) and Iko Uwais (The Raid), all with fight choreography from Yuen Woo Ping (The Matrix, Crouching Tiger Hidden Dragon).

I think in large part this was due to the amazing fight choreography provided by Sugar Ray Leonard.

We're close to the action in this film, often shot from low to the ground, more like a «Bourne» film than a superhero movie, and the focus is more on fight choreography than editing.

Next time: Donnie Yen, one of our greatest movie stars, introduces MMA - style fight choreography with the fast, impactful, glorious Hong Kong movie Kill Zone.

Robin Hood (Taron Egerton) and his Moorish commander (Jamie Foxx) mount an audacious revolt against the corrupt English crown in a thrilling action - adventure packed with gritty battlefield exploits, mind - blowing fight choreography, and a timeless romance.

Release: Friday, February 10, 2017 [Theater] Written by: Derek Kolstad Directed by: Chad Stehelski If you are on the fence as to whether you should see what happens to John Wick in a sequel, you should first ask yourself how much of a geek you are for the really technical stuff, like fight choreography.

With fight choreography from Corey Yuen and able support from Sammo Hung as a villainous gang boss, Rise Of The Legend is more than strong enough to launch a new series of Wong Fei Hung adventures.

Smooth and cool with some of the best fight choreography skills ever!

Danai Gurira found learning fight choreography for BP was a new process for her to learn compared to her work on The Walking Dead.

«We did fight choreography mixed in with working with a personal trainer so that we'd have the stamina to be able to pull off the fight sequences.»

To embody Okaye and Nakia, both actors undertook extensive physical training, which culminated in six weeks of Black Panther boot camps ahead of filming to bulk up and learn fight choreography.

Exceptional fight choreography coupled with one of the best songs in Star Wars» history certainly isn't enough to save [it], but next time someone makes the ill - advised choice to check it out, you at least have [a] great sequence to look forward to.

There is even an unintentionally hilarious scene where Tom Hardy gets to beat himself up with fight choreography designed by a second grade girl.

There is also some great fight choreography on - hand throughout the movie, especially during the escape and final showdown, granted much of it looks like a video game, but the character animation is all motion - captured, and Liebesman stages these sequence well.

But while the story is pretty generic and the acting is only marginally better than the movies that it's paying homage to, it features some incredible fight choreography from fellow «Matrix» alumnus Yuen Woo - ping.

The Raid: Redemption was smart enough to understand its purpose and play to its strengths — a firm command of action sequences that possessed incredibly impressive fight choreography and a sometimes chilling level of brutality.

Combine face - to - face combat with throwing weapons to recreate complex fight choreographies or just send bad guys flying through glass windows.

There are also a number of impressive set - pieces, most notable a crushing car chase to rival classics BULLITT, THE FRENCH CONNECTION and THE DARK KNIGHT, along with some ferocious fight choreography not seen since the best of Bourne.

The star's expertise in fight choreography also made him an assured action director, committed to registering the hurt and commitment the performers put in.

Beautifully acted, gritty realism and terrific fight choreography make it game for a binge - watching session at your earliest opportunity.

It gets by on stellar fight choreography and solid characterization, and the notion of either girl baring cleavage or showing more leg is laughable.

Even the occasionally decent fight choreography looks unappealing.

Without giving away too much, let's just say that bullets fly and blood splashes with methodically staged fight choreography that is very well done.

Loads of camera tricks, expert fight choreography, and an avalanche of CGI fail to impress when they're not in service of characters and the story.

Uwais said that all of the fight scenes were hard to shoot, as it wasn't easy to memorize the elaborate fight choreography.

The result is a bigger, glossier and better made action film with less embarrassing fight choreography.

Vaughn is as intimidating as ever — his lanky physique guiding through robotic fight choreography that feels natural but has an awkwardness in its visual presentation.

But regardless, both films are repositories of master - class fight choreography and gut - busting comedy.

Starring Iko Uwais (The Raid, The Raid 2) and his Raid costar Julie Estelle, this is a picture with first - rate fight choreography to match the quality of the martial arts talent involved.

I particularly enjoyed seeing the legendary Bob Anderson talk about the sword fight choreography.

But he's also busy shooting nearly an hour's worth of complicated fight choreography.

(One exception: a standout hand - to - hand combat sequence staged in a kitchen that blends fight choreography and banter to memorable ends.)

The movie has sharp dialogue, well animated characters, and bone crunching fight choreography.

Delivering a rabbit punch to the action genre's solar plexus, this sharp mix of gun - fu fight choreography and New York noir offered Keanu Reeves yet another career rebirth, just as The Matrix did in 1999.

Brief moments of interesting camera work and fight choreography tease us with the idea that this could have been much more kinetic and memorable.

The bar brawls have some of the best and most realistic fight choreography I have seen all year.

You can guess Powell's background by simply noticing how elaborate action and fight choreography stands out as the production's greatest priority.

It doesn't mean you still can't sit in your theater seat and have a great time watching some amazing stunts, well performed fight choreography, and your favorite action stars.

The director, who also works as a stunt actor and teaches fight choreography (at On - Camera Combatives), is premiering three of his films in an event that will bring together local agents, casting directors, filmmakers, and actors.

This story may sound familiar, but it wins because of Coogler, who uses constant tracking shots to follow our hero, superb fight choreography, and a script which never lets our characters struggles escape from their own internal strife.

To its unwavering credit, The Commuter has all the kooky thriller on a train action you'd expect — leaping between exploding train cars, blurry handheld fight choreography in tight corridors — as well as some you would not — like an impromptu paper mache project and hand - to - hand combat with an electric guitar.

The film presents interesting fight choreography, but it would be gratifying to meet the man behind the movie star.

A few of the fight scenes feel a little «same - same» as you notice fight choreography repeating, but Evans manages to provide enough variety in the execution to ensure each sequence heightens the escalation of the narrative.

A thirteen - and - a-half minute documentary called «Jet Li is «The One»» is a fawning thing detailing how Jet is indeed the coolest cat in the alley (and probably deserving of a better vehicle), while another docu called «Multiverses Create «The One»» (also 13 + minutes) imparts some intriguing fight choreography information whilst presenting behind - the - scenes footage and an interview with fight master Corey Yuen.

John Wick might have been the dark horse of 2014, wowing audiences and critics everywhere, with its brilliant fight choreography and new approach to the action thriller, but it is actually a very hard film to get right when it comes to a sequel.

A fight scene early in the film in which he allows Garner to duke it out with four would - be rapists (of guess who) while evening out the odds by making sure that one of Garner's armed enemies knows that Poirier's also got a gun, is a highlight in both the character - building and shooting / fight choreography categories.