Sentences with phrase «fight choreography in»

You are finally able to see the fight choreography in all its glory — at least most of the time anyway.

To its unwavering credit, The Commuter has all the kooky thriller on a train action you'd expect — leaping between exploding train cars, blurry handheld fight choreography in tight corridors — as well as some you would not — like an impromptu paper mache project and hand - to - hand combat with an electric guitar.

The fight choreography in general is also outstanding, and the mix of different forms of martial arts and hand - to - hand combat is refreshing.

Go back and watch the fight choreography in the Raimi films, then contrast with the way Spider - Man uses his webs as a weapon in this one.

COLELLA: Fight call is if there's any kind of fight choreography in a show, then the actors will meet prior to the show's beginning so that we can go through all of the moves of the fight.

Not exact matches

Originally seeking his education in physical theatre and fight choreography, Elias became enamored with character study and the reasons behind how people make decisions, especially in desperate situations.

Exceptional fight choreography coupled with one of the best songs in Star Wars» history certainly isn't enough to save [it], but next time someone makes the ill - advised choice to check it out, you at least have [a] great sequence to look forward to.

The fight with Elle Driver is a virtuoso celebration of fight choreography; although we are aware that all is not as it seems in movie action sequences, Thurman and Hannah must have trained long and hard to even seem to do what they do.

We've certainly seen better choreography in other boxing films before, but it's the scenes between the fights that keep you entertained and involved.

Of course, there is plenty of Hong Kong fighting action that Jackie Chan is famous for, and in this sequel, the fight choreography and pacing seemed to work much better than in the original.

In fact, there is one fight scene in particular that will leave audiences blown away by the choreography and filing techniqueIn fact, there is one fight scene in particular that will leave audiences blown away by the choreography and filing techniquein particular that will leave audiences blown away by the choreography and filing techniques.

(One exception: a standout hand - to - hand combat sequence staged in a kitchen that blends fight choreography and banter to memorable ends.)

And besides, it's a martial arts movie centered around sword fighting, with some downright beautiful choreography and cinematography... Not to mention, it's set in the 1930s, which is a very unique era for these types of movies.

Stopped watching this film after 30 minutes, the fight scene was the worst choreography I've seen in a boxing film so far, Jake may have gotten into shape but he definitely didn't learn to box.

After years working as a stunt man, stunt coordinator, and fight choreographer, David Leitch made his directorial debut with Chad Stahelski in John Wick and has become well known for the amazing stunt choreography and action sequences he brings to his films.

Delivering a rabbit punch to the action genre's solar plexus, this sharp mix of gun - fu fight choreography and New York noir offered Keanu Reeves yet another career rebirth, just as The Matrix did in 1999.

We're close to the action in this film, often shot from low to the ground, more like a «Bourne» film than a superhero movie, and the focus is more on fight choreography than editing.

It's actually the only time in the film where the fight choreography, the visual effects, and the dialog fit together well and brought up some excitement and genuine tension.

This collection of production - diary - style footage finds Brian De Palma on the set of his 2002 film Femme Fatale directing the shoot, a process that — as seen in these specific clips — includes rehearsals with actors Rebecca Romijn and Antonio Banderas, working through movement / blocking and fight choreography, and the management of the movie's bravura opening setpiece that takes place at the 2001 Cannes Film Festival.

They wisely placed running jokes in random situations along with the choreography during a surprising amount of bar - fighting action sequences, adds to the hilarity.

Brawl in the Hall — A fascinating and hilarious inside look at the process of creating Brave's fighting Scots, through animation, crowd simulation and fight choreography — not to mention a room full of grunting men whose vocal chortles added authenticity to the raucous scene.

Veteran Hong Kong action maven Cory Yuen, credited as martial arts «designer» here, serves up both some nifty meat - and - potatoes choreography in the big fights and the more light - hearted, stunt - centric restaurant smackdown of Auntie Blossom's goons that wraps up the gangster storyline.

I love how the chain is an integral part of the fight choreography (it even pays off later in an equally great scene).

Release: Friday, February 10, 2017 [Theater] Written by: Derek Kolstad Directed by: Chad Stehelski If you are on the fence as to whether you should see what happens to John Wick in a sequel, you should first ask yourself how much of a geek you are for the really technical stuff, like fight choreography.

To embody Okaye and Nakia, both actors undertook extensive physical training, which culminated in six weeks of Black Panther boot camps ahead of filming to bulk up and learn fight choreography.

Blu - ray Highlight: In addition to a fairly informative audio commentary by writer Seth Grahame - Smith, the disc also includes a collection of production featurettes (ranging from a basic making - of documentary, to more specific departments like make - up effects and fight choreography) that fans of the movie will definitely want to check out.

And let's not forget about the action sequences, which feature awesome fight choreography, impressive special effects allowing the heroes and villains to throw air, fire, water or air at each other, and some really cool long unbroken shots that use zoom - ins and slow - motion in a way that recalls «The Matrix» or «300».

Slowly, the professionals listened, meaning that now in 2017, we get some amazing fight choreography to witness in our mainstream cinema.

A few of the fight scenes feel a little «same - same» as you notice fight choreography repeating, but Evans manages to provide enough variety in the execution to ensure each sequence heightens the escalation of the narrative.

A thirteen - and - a-half minute documentary called «Jet Li is «The One»» is a fawning thing detailing how Jet is indeed the coolest cat in the alley (and probably deserving of a better vehicle), while another docu called «Multiverses Create «The One»» (also 13 + minutes) imparts some intriguing fight choreography information whilst presenting behind - the - scenes footage and an interview with fight master Corey Yuen.

It by no means ruins the experience, but the choreography and coverage pale in comparison to classic Rocky fights like Balboa vs. Creed.

Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look at the film's fight choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.

Sammo Hung's choreography, with fight scenes shot as cartwheeling flurries of gold, blue, and crimson, is just one of the pleasures in a film that also includes shapeshifting heroines, talking stags, a toppling colossus, cheesy digital compositions, and wacky exchanges («What's a Phantom Bazaar?»

The impressive special effects, exceptional fight choreography, and explosions of the Korean casino scene would be at home in most big - budget action movies.

Patrick Hughes's film also peddles a good line in quality car chases and fight choreography.

A war - hardened Crusader and his Moorish commander mount an audacious revolt against the corrupt English crown in a thrilling [Read More] action - adventure packed with gritty battlefield exploits, mind - blowing fight choreography, and a timeless romance.

Although he does put his body on the line in terms of stunts and fight choreography, it is in the scenes where there is no action that he truly delivers, as you can sense the pain and anguish of the moment, providing the necessary punctuation to make every interchange among the characters very compelling.

The actor also plays the villain in this fight intensive thriller with some incredible choreography coming from Yuen Woo Ping (The Matrix, Crouching Tiger Hidden Dragon).

Chu's penchant for choreography, as seen in his previous helming of Step Up 2: The Streets and Step Up 3D, is also an apt fit for the impressively - staged series of fight scenes, particularly a mountain - set martial arts sequence.

He was tasked with physically pulling off the feat in the ring, moving from actor to actor as the intense choreography (courtesy of fight and stunt coordinator Clayton Barber) tells a story that builds to a breathtaking punctuation.

Basically share your sentiments, probably just liked the fight choreography less than you did, but let's face it, Creed probably spoiled all of us in that regard.

While it isn't a great performance by most traditional measures, it likely would have been an action star - making turn, as Lee not only has the athletic physical attributes to convincingly go through the motions of the fight choreography, there is an innate sense of goodness and sensitivity in his demeanor that makes for a fine romantic hero, even though he looks like the inspiration of Heath Ledger's Joker from The Dark Knight and he's got murder on his mind.

I think in large part this was due to the amazing fight choreography provided by Sugar Ray Leonard.

Actor Beau Sia didn't spare anyone in his take - down of the hard work that Asian creators put into fight choreography.

As if aware that all that stuff about Bolivian peasants pining for water might be connected, and queasily, to Indiana Jones and the Temple of Doom (a daring cargo - jet escape is similarly cribbed from that film), Quantum of Solace does its level best to strip entire set - pieces from the Bourne series (a knife fight, the close - quarters disarming of government agents, the roof - top flight), forgetting in the process to port over the coherence of Doug Liman or Paul Greengrass choreography.

You've played a lot of physically involved roles, whether it's fight choreography or working in heavy makeup.

It invests a lot in ambitious set pieces and fight choreography, and features many predictable character archetypes.

The impact of the fight choreography is a pleasant surprise, given that directors Anthony and Joe Russo (taking over from Joe Johnston) have a background in comedy (Welcome To Collinwood, You, Me And Dupree, TV's Community).

The key is that Dawn of Justice's showdown is in the dark, where bad fight choreography and CGI go to hide.

There aren't enough camera tricks in the world to hide the ravages of time, and the clunky, staggering showdown between the pair speaks more to mounting chiropractic bills than breathtaking fight choreography.