Sentences with phrase «fight scenes filmed»

Not exact matches

The antipornography fight gained its greatest momentum in 1975 with the appearance of «snuff» films in the U.S. Claiming to depict the actual killing and dismembering of female actors during explicitly sexual scenes, these films highlighted the link between sex and violence that frequently characterizes pornography.

From the looks of the trailer, the entire film is one prolonged fight scene between enormous robots as an enthusiastic Charlie Day cheers them along.

This approach would call foul on all sorts of things: Moses wielding a sword but not a staff; Moses being chatty but Aaron having almost no lines; Moses killing lots of people and fighting in the Egyptian army; no «staff - to - snake» scene; no repeated utterances of «let my people go»; no «baby Moses in the Nile» scene; and every other deviation the film takes from the narrative in Exodus 1 - 14.

There is a scene in the film where a young boy prepares himself to fight another boy.

The former «Alias» star who plays a U.S. government agent in the upcoming movie «The Kingdom,» told People magazine that filming the fight scenes «was so down and dirty that [I] had scratch marks that we had to cover up on my face for the next few days.»

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

His influence has been so phenomenal over the years that for example, the legendary boxer Sugar Ray Leonard said he developed his amazing speed by emulating the fight scenes of Bruce Lee's films such as Enter the Dragon.

In fact, he told Twitter he got up to 5 sets of 75 reps (just days before filming a Hercules movie fight scene).

Here's one of the best scenes from the first film, when Mark Darcy and Daniel Cleaver fight it out over Bridget.

Black Panther's fight scenes are better than in other Marvel films, but they're still a disappointment from the maker of Creed.

Mostly it's a film to watch and go agog at the timeless special effects and fight scenes, and even for a chuckle once in a while.

He's good at speed and deception, and although his hand - to - hand fight scenes are just a smidgeon too jittery, his work is both confident and enthusiastic; he handles the lengthy 131 minute running time better than most directors handle shorter films.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

The film doesn't use sound anything like as effectively as Leone, but the fight scenes feel brutal and realistic, particularly in the final showdown (s) between Carver and Gideon.

He did a great job with the robot fight scenes, but he also did a great job of giving the film heart.

While not an elite action film, and overall disappointing, its stars compliment a witty script, a couple of cool fight scenes, and exotic locales.

In one of the film's most touching scenes, Oskar goes to Auschwitz and fights for the freedom of his employees.

The series betrays the film's DYI legacy by using a great deal of digital animation for the fight scenes and gore.

If you only watch Bond films for the car chases and fight scenes, rest assured they are still exhilirating enough to allow you to gloss over the plot holes.

Kristen Stewart can play tough without having to kick ass in a cat suit, but her one great fight scene was too late in the film and too spare to match her potential.

For his elaborately choreographed fight scenes, Canutt developed a new, more realistic method of throwing punches, positioning the action so that the camera filmed over the shoulder of the actor receiving the blow, with the punch itself coming directly toward the lens.

Not only are these scenes a lot longer and more expository than they need to be, but they give the sense of a film crew fighting against the material; the camera chases after the story, rather than grabbing it by the scruff of the neck like a proper adaptation would.

The animation is still pretty and lushly rendered in this sequel, but my biggest complaint was one that I had for the first film and that was the terribly sped up fighting scenes.

We've certainly seen better choreography in other boxing films before, but it's the scenes between the fights that keep you entertained and involved.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

From an opening scene in a prison fist fight to a staunchly bland climax finding him lost in an «unknown» realm when he's forced to shrink himself to fit between molecules (something resembling the resting place of Big Hero 6 mixed with the twilight hour of James Wan's «further»), Scott Lang is never a fully fashioned personality, some accidental prototype linked with schlocky zeal to the film's other do - gooder via a conflicted father / daughter bond.

Entertainment Weekly spoke with Ryan Reynolds about the film's naked fight scene, which saw him endure «eight hours of prosthetic makeup in places that no man needs to be there with a paintbrush.»

Blu - ray / DVD Combo Pack Extras: Deleted and extended scenes with director's commentary; alternate ending; Smack Talk: Filming the Girl Fight Scene; gag reel; Holiday Reunion; and feature commentary by director Malcolm Lee.

In one of the film's most golden scenes, a pair of cops show up to the house to investigate loud noises (Nick and Deacon fighting).

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

Despite the explosions and fight scenes in a grocery store, American Ultra is never worth whatever the admission price is, nor is it a film that will be remembered even a month after release.

«Deadpool 2» opens with a bang, and director David Leitch talked to TheWrap about one specific fight scene at the beginning of the film that took a lot of time and effort.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

In a scene where the town's men torture Ben to suss out Tom's whereabouts, I was reminded of Elia Kazan's Wild River and that film's establishment of a hero who, towards the end, moans that he'd like to win just one fight.

About two - thirds of the new scenes were presented in the deleted scenes section of the earlier edition of this film: «Battle Aftermath,» «Looking for Strength,» «Dye Market,» «Meeting at Gracchus» House,» «Father and Son,» «The Execution,» «Spies Close In,» «Another Enemy,» and «Fighting with Fire.»

Despite the urgency of the music, the film slows to a snail's pace whenever there isn't a fight scene or a band playing.

This Asian (South Korean / Chinese) film made good use of that figure, with sometimes disturbing, but very well done fight scenes and in general, beautiful cinematography.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

A veteran action director, McTeigue shoots individual fight scenes well enough, but never provides any modulation or sense of escalating terror — at no point is anyone allowed to crack a smile, and even when the children are threatened with imminent death, the film's pace never seems to quicken.

In one single scene - an exciting, unconventionally - filmed fight inside a glass high - rise - cinematographer Roger Deakins restores to 007's world a lush, rich color palette absent from the franchise since the»60s.

Suffice to say I have never been in a fight and claim no expertise in filming a fight scene!

Michael Cera auditions a fight scene with «Superbad» the film's co-writer and star Seth Rogen in the audition tape for the 2007 movie that launched his career.

Sex scenes between Sean and Nathan are beautifully handled, and the film's final chapter is a sensitive reminder of what the political fighting is all about: living your own way.

Stopped watching this film after 30 minutes, the fight scene was the worst choreography I've seen in a boxing film so far, Jake may have gotten into shape but he definitely didn't learn to box.

The film starts off a bit slow, with none of Chan's spectacular fight scenes occurring in the first hour.

Landesman, in what is only his second film after the milquetoast JFK assassination ensemble piece Parkland, has a journalistic approach to his writing that charges adrenaline into potent scenes of Omalu fighting against this corrupt system, but he lets his rightful anger get in the way of presenting the story in an objective fashion.

If you watch Jackie Chan's (Crime Story, City Hunter) films only for the two or three lengthy, well - choreographed fight scenes, and are able to sit patiently through ninety more minutes of bad drama in between, perhaps you will find Thunderbolt to be worthwhile in the end.

Reacher is a strongly performed action film with wide shots allowing for great fight scenes.

Although Leitch is an action director who says he would've enjoyed filming a fight scene involving the X-Force, he said the joke was too good to pass up.

Day - Lewis vividly portrays anguish in his torture scenes and radiates a forthright resolve when fighting to clear his name later in the film, but «In the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete Postlethwaite).