Sentences with phrase «fight scenes like»

Not exact matches

Wright: The fight scenes I felt should feel like musical numbers when the emotion is too strong and people run into songs to tell the next part of the story.

I remember watching WWF (before it was WWE) as a kid, Roddy Piper, Hitman Hart etc and you'd get the camera going backstage into a soap opera like drama, arguments between fighters, The Million Dollar Man stole an ambulance after a fight in a staged kidnap scene etc..................................

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

Each chase passed a staged fight designed to look like the scene Conley rushed by: two actors staged a beatdown on a third man, with kicking, punching and yelling.

Maximus» incognito return to Rome to fight in the Colosseum (in front of the new emperor, Commodus), his quick rise to fame as the town's winningest warrior, and his big showdown with his old adversary fill the last act of Gladiator — as do a dazzling display of old - time Roman crowd scenes and stadium acts conjured with computerized magic that would have slayed old sandal - movie showmen like William Wyler and Cecil B. DeMille.

bit slower then the old series, i think the writers need to rethink with the long drawn out stories abit, and be abit like the old classic ones, alot more fighting scene's with laser guns would be good to start with, but over all i think its alot better then the long drawn out battlestar galactica the new series,

[IMG] http://i54.tinypic.com/aelfew.jpg [/ IMG] 20 % for story: I liked the ending scene at the massive temple with the fight but that's about it.

The film doesn't use sound anything like as effectively as Leone, but the fight scenes feel brutal and realistic, particularly in the final showdown (s) between Carver and Gideon.

The result feels a bit like a lavishly produced, superhero - and supervillain - stocked standup comedy special, with fight scenes, chases and explosions spliced into footage of the hero telling you about the wild couple of weeks he just had.

He directs the high speed fight scenes — Boseman's nanite - infused outfit does something like superspeed — and he keeps it all moving.

Not only are these scenes a lot longer and more expository than they need to be, but they give the sense of a film crew fighting against the material; the camera chases after the story, rather than grabbing it by the scruff of the neck like a proper adaptation would.

The scene in the diner almost looked like an homage to «Fight Club».

While some elements, like the story and the boss fights, will definitely appeal to fans of the franchise, major step backs, like the low difficulty, the poor pacing due to the overload of cut - scenes and the uninteresting side quests keep Ultimate Ninja Storm 3 from being the next big hit by CyberConnect2.

When we finally get to the battle against the Armada, Kapur also demonstrates he has no knack for shooting fight scenes, meaning the boffo climax looks less like epic warfare and more like «Shark Attack 3.»

Deeply luscious scenery, clear dialog, a concise plot and some badass fight scenes... what's not to like?

Scenes like a fight between the old predators and the new ones are strictly unnecessary fan service and are only really worthy of Rodriguez.

MacFarlane gets an impressive amount of comic mileage from having a plush toy talk like a Boston low - life, though for gut laughs nothing compares to the brutal, frantic, and completely wordless fight scene between Wahlberg and his little buddy in a cheap hotel room.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

Bottom line apart from extra fight bits and various other odd small scenes the main crux of the director's cut are a few flashback sequences where Riddick sees a spirit - like entity of one of his people.

It's a weirdly bleak affair which could have worked, if it wasn't for the juxtaposition from the rest of the Sonic cast; where we have super cute characters like Charmy Bee talking about fighting in a war, and brief scenes where Infinite appears to kill equally endearing anthropomorphic creatures trying to fight back.

Some good laughs, great fight scenes, a bit predictable, and I'm still not sure I liked the ending but The World's End was a good way to end the summer.

Condon also likes to punctuate scenes with shortcut symbolism by having characters wear t - shirts with various icons or having walls painted with various iconic figures in history (Che Guevara, Albert Einstein) as a way to draw parallels between Assange's story and the fight for information throughout history.

There's a fight scene in a men's room that almost feels like Wright is showing off as he captures the action in what appears to be one take.

In a scene where the town's men torture Ben to suss out Tom's whereabouts, I was reminded of Elia Kazan's Wild River and that film's establishment of a hero who, towards the end, moans that he'd like to win just one fight.

LMD: I thought the fight scene early on when Zilong battles Generals Guan and Zhang in the Temple looked like Beijing opera.

Like Carell, she is convincing in the tennis scenes — augmented by special effects, both actors create the illusion of playing at a high level — but, more importantly, she captures the fighting spirit of King, who, as the movie opens, is beginning to realize that she can be true to herself only if she does two things.

While the fight scene at the end looked too much like a video game, I still found his gluttony for power to be the nice makings for a good villain.

Extraneous elements like «story» and «character» are abandoned so we can focus on what's important: scene after scene of self - serious cyphers fighting over something we don't care about.

Jeff Goldblum, as the Grandmaster of the planet Thor finds himself in, making people fight in his gladiator - like ring, steals every scene that he appears in.

«I don't know what it is to be in the military, but to recreate these scenes and to see what it's like for these men to rely on each other, love each other, protect each other, fight together, fight for each other... you do realize that there is something that is so bonding, and so beautiful, with a common cause.

More fun designs included images of a vibranium mine (which kind of looked like a scene from Tron, set underground, and which may be the setting for one of Black Panther's fight scenes), as well as T'Challa riding a rhino, which is one of Wakanda's most precious animals.

it looks like it might be worth a rental just to watch the robot fight scenes.

I would have excluded what look like scenes from the final fight of the movie.

Opening with a fight scene, followed by the interaction between the brothers, then the incident that puts Gosling in the shit is crammed into what felt like about 7 minutes.

The boxing stuff in Bleed isn't really special — like Hands of Stone, the fight scenes are okay but after Creed they just seem anti-climactic — and there's little about the family dynamics we haven't already seen, but the cast is pretty terrific and manages to elevate the material and make it seem stronger than it is.

The visual aesthetics sometimes contradict Constantine's depravity and corruption, but matches scenes of fleeing and fighting like any well - oiled crime - drama.

But «The Protector» plays like a greatest - hits collection of fight scenes because there's very little plot — and what there is of it is confusing.

The Dragon looked amazing and the fighting scenes at Hogwarts were breathtaking, it looked like something out of Lord of The Rings.

We had heroes fighting each other, we had fantastic CGI work, we had a decent story line, and I felt like he made the Hulk scary in that first scene when he transforms.

That means, however, that some characters, like Steve Rodgers and Black Widow, receive little screentime between fight scenes, while others, like Thor, the Stark - Parker - Strange trio, and, of course, Thanos, seem to spend more time onscreen than off.

The battle scenes in this movie make Saving Private Ryan look like a fight in a school playground.

Indeed, in the latter picture, there are a number of scenes showing adults bickering and fighting like 6th graders whilst the pre-teens look on in disbelief, their mature eyes downcast and lathered in shame.

And at 127 minutes, the movie is long, with extended fight scenes that feel like they could be easily trimmed without losing the impact of the action.

I loved that movie too, primarily for the chase scenes like the opening scene where 007 chases the smuggler; fights / kills the double agent in the bodego, changes into his clothes then meets the girl who takes him on another chase in her VW; and, of course, the boat chase with the corrupt politician.

Teasing, «My hand strength is like vice grips,» the action stars reveals images of himself filming fight scenes on the set of «Jumanji.»

It is simply a cool action movie and while the movie is not without its faults (I particularly missed the architectural fetishism of the Tim Burton movies and some fight scenes are shot up real close so that you can't always see just what the heck is happening) it is like seeing your favourite comic book title being written and drawn by some guys with an understanding of the character involved for a change after seeing it being ruined by some talentless hacks.

The melees are much more game - like than before, looking like cut scenes leading up to boss fights.

The scene that inspired producer Joel Silver to claim that the Wachowskis had raised the bar for special effects so high that «now there is no bar,» the sight of Neo fighting a phalanx of Agent Smiths looks exactly like a man fighting a computer program.

So for me, the argument scene between Stephen Strange and Christine Palmer, that fight scene in the apartment — even to this day, every time I watch the movie, it feels like, «How did I get this scene from this gritty little indie film into this Marvel movie?»

Adonis» fight scenes are choreographed with both technical fluidity and a palpable intensity: Heads don't dramatically snap back like they did when the Italian Stallion fought Drago in Rocky IV — instead, the blows land with a realistic force.