Sentences with phrase «fight scenes of the film»

Not exact matches

The antipornography fight gained its greatest momentum in 1975 with the appearance of «snuff» films in the U.S. Claiming to depict the actual killing and dismembering of female actors during explicitly sexual scenes, these films highlighted the link between sex and violence that frequently characterizes pornography.

From the looks of the trailer, the entire film is one prolonged fight scene between enormous robots as an enthusiastic Charlie Day cheers them along.

This approach would call foul on all sorts of things: Moses wielding a sword but not a staff; Moses being chatty but Aaron having almost no lines; Moses killing lots of people and fighting in the Egyptian army; no «staff - to - snake» scene; no repeated utterances of «let my people go»; no «baby Moses in the Nile» scene; and every other deviation the film takes from the narrative in Exodus 1 - 14.

His influence has been so phenomenal over the years that for example, the legendary boxer Sugar Ray Leonard said he developed his amazing speed by emulating the fight scenes of Bruce Lee's films such as Enter the Dragon.

In fact, he told Twitter he got up to 5 sets of 75 reps (just days before filming a Hercules movie fight scene).

Here's one of the best scenes from the first film, when Mark Darcy and Daniel Cleaver fight it out over Bridget.

Black Panther's fight scenes are better than in other Marvel films, but they're still a disappointment from the maker of Creed.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

He did a great job with the robot fight scenes, but he also did a great job of giving the film heart.

While not an elite action film, and overall disappointing, its stars compliment a witty script, a couple of cool fight scenes, and exotic locales.

In one of the film's most touching scenes, Oskar goes to Auschwitz and fights for the freedom of his employees.

The series betrays the film's DYI legacy by using a great deal of digital animation for the fight scenes and gore.

For his elaborately choreographed fight scenes, Canutt developed a new, more realistic method of throwing punches, positioning the action so that the camera filmed over the shoulder of the actor receiving the blow, with the punch itself coming directly toward the lens.

Not only are these scenes a lot longer and more expository than they need to be, but they give the sense of a film crew fighting against the material; the camera chases after the story, rather than grabbing it by the scruff of the neck like a proper adaptation would.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

From an opening scene in a prison fist fight to a staunchly bland climax finding him lost in an «unknown» realm when he's forced to shrink himself to fit between molecules (something resembling the resting place of Big Hero 6 mixed with the twilight hour of James Wan's «further»), Scott Lang is never a fully fashioned personality, some accidental prototype linked with schlocky zeal to the film's other do - gooder via a conflicted father / daughter bond.

Entertainment Weekly spoke with Ryan Reynolds about the film's naked fight scene, which saw him endure «eight hours of prosthetic makeup in places that no man needs to be there with a paintbrush.»

In one of the film's most golden scenes, a pair of cops show up to the house to investigate loud noises (Nick and Deacon fighting).

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

«Deadpool 2» opens with a bang, and director David Leitch talked to TheWrap about one specific fight scene at the beginning of the film that took a lot of time and effort.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

In a scene where the town's men torture Ben to suss out Tom's whereabouts, I was reminded of Elia Kazan's Wild River and that film's establishment of a hero who, towards the end, moans that he'd like to win just one fight.

About two - thirds of the new scenes were presented in the deleted scenes section of the earlier edition of this film: «Battle Aftermath,» «Looking for Strength,» «Dye Market,» «Meeting at Gracchus» House,» «Father and Son,» «The Execution,» «Spies Close In,» «Another Enemy,» and «Fighting with Fire.»

Despite the urgency of the music, the film slows to a snail's pace whenever there isn't a fight scene or a band playing.

This Asian (South Korean / Chinese) film made good use of that figure, with sometimes disturbing, but very well done fight scenes and in general, beautiful cinematography.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

A veteran action director, McTeigue shoots individual fight scenes well enough, but never provides any modulation or sense of escalating terror — at no point is anyone allowed to crack a smile, and even when the children are threatened with imminent death, the film's pace never seems to quicken.

Sex scenes between Sean and Nathan are beautifully handled, and the film's final chapter is a sensitive reminder of what the political fighting is all about: living your own way.

The film starts off a bit slow, with none of Chan's spectacular fight scenes occurring in the first hour.

Landesman, in what is only his second film after the milquetoast JFK assassination ensemble piece Parkland, has a journalistic approach to his writing that charges adrenaline into potent scenes of Omalu fighting against this corrupt system, but he lets his rightful anger get in the way of presenting the story in an objective fashion.

If you watch Jackie Chan's (Crime Story, City Hunter) films only for the two or three lengthy, well - choreographed fight scenes, and are able to sit patiently through ninety more minutes of bad drama in between, perhaps you will find Thunderbolt to be worthwhile in the end.

Day - Lewis vividly portrays anguish in his torture scenes and radiates a forthright resolve when fighting to clear his name later in the film, but «In the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete Postlethwaite).

The film opens with a scene in which Machete (Danny Trejo) and his partner, Sartana (Jessica Alba) are fighting off some baddies and seem to have been successful, when suddenly a masked man appears around the side of a vehicle and guns down Sartana, and then bails, leaving Machete alone and now even more morbid - looking than he previously had been.

Alexandra Shipp shared with fans a behind the scenes photo of X-MEN: DARK PHOENIX fight coordinator Richard Norton, taken from the film's set in Montreal last year.

The film's strength lies in its engaging visuals, namely the impressive opening sequence and the clever editing during certain fight scenes which lends them a greater feel of urgency and excitement.

There are quite a few moments where Coogler and crew help the audience forget this is a Marvel film, then of course we jump right back into another fight scene.

Marginalized in the initial sequences was Reeves, the lone actor well - known in the U.S. Universal opted to reshoot a major fight scene near the end of the film, as well as a few other scenes to sharpen the focus on Reeves» character Kai.

Carla not only has some of the only entertaining solo scenes in the film, but she's also instrumental in some of its best comedic moments - including a slow - motion dodgeball fight between all the film's parental and kid characters that comes at the end of an already entertaining sequence set within a SkyZone trampoline park.

Teasing, «My hand strength is like vice grips,» the action stars reveals images of himself filming fight scenes on the set of «Jumanji.»

It wasn't as epic as the rest of the films, and that may be due to the fact that they steered clear of long scenes on ships and ship v. ship fighting.

Speaking of which - with Civil War, directors Anthony and Joe Russo (who also helmed The Winter Soldier) deliver some of the most impressive superhero - based fight scenes and set pieces featured in any Marvel Studios film yet, in terms of both the sheer scale and creativity of the Avenger vs. Avenger battles.

In place of story is a non-stop cavalcade of wire - fu fight scenes rife with CG effects, which impress when compared to those of the original, but in the world of action, offer little we've seen before in better films with bigger budgets.

A sequel of the global smash - hit The Protector, this extreme fight movie is an endlessly intense, nerve - racking film full of daredevil stunt scenes and amazingly choreographed fighting moves that will pump hot blood through the body of all action fans!

The two - minute clip is an outtake from one of the film's many breakfast scenes — only this time the early hours confrontation escalates to a full - blown food fight between Lesley Manville's Cyril and Daniel Day - Lewis» Reynolds Woodcock.

Using a combination of actors on wires, motion capture and filming segments of fight scenes at different camera angles the actors would appear suspended in the air mid action.

Picking up eight years after The Dark Knight, this film finds billionaire Bruce Wayne (Christian Bale) has retired both from his secret life of crime fighting and from Gotham City's social scene.

The fact that the military is fighting aliens is almost a gimmick, as the intensely noisy and destructive scenes of military operations on the ground are nearly identical to other films without a science fiction premise to drive up the special effects quotient.

But the film was easily stolen by Blunt as the «full metal bitch», whose adeptness in fight scenes put all of the men around her to shame.

This Hungarian film, a sixth from Kornel Mundroczo, whilst documenting man's inhumanity to animals, shows some of the most graphic scenes of dog fighting since Amores Perros.

Boxing films are not for everyone, and there's no question that there's a certain degree of unpleasantness in some of the more intense fight scenes.