Sentences with phrase «fight scenes which»

If the movie has a flaw, it's in the fight scenes which leave a lot to be desired.

The film's strength lies in its engaging visuals, namely the impressive opening sequence and the clever editing during certain fight scenes which lends them a greater feel of urgency and excitement.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

Not exact matches

Police were even called in to break up fights, according to the BBC, which said violent scenes occurred across the country.

He also created a scene in which a little girl uses gymnastics to fight a dinosaur that many refer to as the worst thing he's ever done.

That movie featured not one but two excellent fight scenes soundtracked by Led Zeppelin's «Immigrant Song,» which is very cool.

One of the most memorable scenes in «Animal House» is the food fight in the college's cafeteria, which is started by Bluto, played by John Belushi.

Police were called to the scene after reports of a fight in the Strangers Bar, which is reserved for MPs and their guests.

Spitzer, who in his previous career had targeted clubs for noise and liquor licenses, and his gal toured the venue, including the hotel's fourth floor, which had staged scenes in rooms — including lingerie - wearing models and drag queens pillow - fighting, plus models in their underwear playing with puppies — before they headed to the rooftop.

NIAGARA FALLS — Niagara Falls Police were called to the scene of two separate shootings and a stabbing Tuesday, all of which occurred within a span of three hours and involved groups of people fighting.

We aren't sure which is hotter: Olivia Munn's fight scenes in X-Men: Apocalypse (out this month) or that latex suit she's sporting.

By the time Stiller's character engages in a slapping fight with a pair of monkeys, Night at the Museum: Battle of the Smithsonian has incontrovertibly established itself as an endeavor designed to appeal solely to small children - which is undoubtedly a shame, given the strength of the cast and the promise of the movie's early scenes.

The «Ultimate Cut» builds on why Superman wants to fight Batman, allowing Clark Kent to do some investigative journalism in Gotham, adding various scenes in which he is warned by random citizens «only actions can stop Batman».

My only problem is that during many of the fight scenes with the robots it is hard to tell which side the robot is on other than Optimus Prime and Bumblebee.

As expected, there are scenes of gushing blood, but it's not hyper - violent, save for one fighting scene in which more is implied than shown.

Johansson's infinitely bland, which is better than her normal awful (regardless of her acting, her fight scene has some great choreography).

Between the Yoda puppet voiced by Frank Oz was far superior to the CGI Yoda in the prequels imo (except for the Yoda fight scene was great which would have been difficult to do with the puppet).

It's a weirdly bleak affair which could have worked, if it wasn't for the juxtaposition from the rest of the Sonic cast; where we have super cute characters like Charmy Bee talking about fighting in a war, and brief scenes where Infinite appears to kill equally endearing anthropomorphic creatures trying to fight back.

Entertainment Weekly spoke with Ryan Reynolds about the film's naked fight scene, which saw him endure «eight hours of prosthetic makeup in places that no man needs to be there with a paintbrush.»

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

He doesn't have many scenes, but when he does, he truly shines, especially in the one scene in which he is alone with the comatose Mia discussing his own regrets as a father, and his own views on Mia's fight.

«Now that the cast has their powers, the series can include fight scenes on a more regular basis, which will at least make its incoherent story feel less tepid.»

A scene in the third act which is very reminiscent of a Clive Barker short story comes close, as does a fight with a pregnant zombie, but they don't quite make it.

Apart from a trailer, its only supplemental feature is a six - minute behind - the - scenes featurette, in which Austin talks about the time constraints of the production and also (pretty intelligently, actually) about the difference in fighting for camera versus fighting in the ring, and how the former is «less of a dance.»

Jake: My favorite scene is when they're taking apart the defunct water well and they start play fighting, which is sort of very rough.

More fun designs included images of a vibranium mine (which kind of looked like a scene from Tron, set underground, and which may be the setting for one of Black Panther's fight scenes), as well as T'Challa riding a rhino, which is one of Wakanda's most precious animals.

The Rock's acting is about as wooden as the truncheon that he wields, but he has an extraordinary physical presence which makes the fight scenes convincingly punishing.

However, plenty of scenes still mark Age of Ultron out as one of Marvel's superior efforts, including a kinetic chase sequence set in South Korea and the electrifying opening scene which reminds audiences exactly why we love seeing all of our favorite Marvel heroes fight together in one place.

The film opens with a scene in which Machete (Danny Trejo) and his partner, Sartana (Jessica Alba) are fighting off some baddies and seem to have been successful, when suddenly a masked man appears around the side of a vehicle and guns down Sartana, and then bails, leaving Machete alone and now even more morbid - looking than he previously had been.

Not only is the shrinking / growing tech essential for fight scenes and funny bits, but Ghost's intangible nature — which we get to see on display here — sets this villain up to be intriguing and hard to fight.

The battle scenes realistically convey the brutality of the fighting on Okinawa, which was the worst in the Pacific, in terms of American casualties.

There's one huge fight scene where Eric Bana takes care of a group of guys in a subway station, which was clearly shot as a single take.

Silly doesn't even begin to describe this plot, which also involves killer robot dogs and an extended Elton John cameo — basically, an excuse to dust off his most flamboyant costumes and to score over-the-top action scenes to «The Bitch Is Back» (Poppy's theme, but also sorta Elton's, once he busts out the kung fu) and «Saturday Night's All Right for Fighting.»

In case you're wondering which mural we are referring to, it's the one located at the back of the room Loki and the Grandmaster find themselves in during Thor and the Hulk's arena fight scene.

One particular scene in which Adonis shadow boxes dad after «YouTubing» the original Balboa v. Creed fight was particularly cool.

Fighting scenes of this movie are noted very duly which is awesome.

This scene directly links Black Panther to the next MCU offering, Avengers: Infinity War — the trailer for which show Bucky fighting in Wakanda — but Coogler says he wasn't tasked to include the bit.

Speaking of which - with Civil War, directors Anthony and Joe Russo (who also helmed The Winter Soldier) deliver some of the most impressive superhero - based fight scenes and set pieces featured in any Marvel Studios film yet, in terms of both the sheer scale and creativity of the Avenger vs. Avenger battles.

In place of story is a non-stop cavalcade of wire - fu fight scenes rife with CG effects, which impress when compared to those of the original, but in the world of action, offer little we've seen before in better films with bigger budgets.

We loved Tekken 7 for its «intricate and robust fighting mechanics» in our review, and it's good to see that the seventh title won over a huge audience, which in turn, will hopefully sustain its FGC scene for years to come.

Extras include commentary by Lee and executive producer and co-screenwriter James Schamus; the documentary «Unleashing the Dragon,» which shows how Lee and martial - arts choreographer Yuen Wo Ping did those fly - through - the - air scenes and sword fights; a conversation with actress Michelle Yeoh; and interviews with composer Tan Dun and cellist Yo - Yo Ma.

Naturally, in a film of this scale, there's going to be some carnage in the form of some intense fight sequences, and it turns out the final fight scene in the film, which will take place in Wakanda, was 25 pages long.

If I never had to watch another dreary - looking, CGI - heavy third - act fight scene in which a major world city is threatened, or even seriously damaged, but saved from annihilation at the last minute — or at least, if I could get a two - year break — I would be immensely happy.

Of course, there are a couple of theories floating around, but we'll have to wait until Captain Marvel or Avengers 4 for definitive answers as we know Brie Larson has filmed scenes with Josh Brolin (who plays Thanos), which means Captain Marvel won't be sitting this fight out completely.

The best fight scene takes place on the planet of red dust, which is the most spectacular look of all.

Director Gary Ross» coverage can get a little manic during a fight scene or two, but generally, his camerawork is notably fresh offering up all sorts of appealing camera angles, almost all of which serves the material in a deliberate fashion, enhancing emotion and, at times, making you feel as though you're in Katniss» shoes.

While many of the fight scenes take place in close quarters which best enables Feeney to square up against multiple adversaries (and also demonstrates his strategic cunning), larger shoot - outs demonstrate impressive directorial ability.

Though some viewers may find themselves playing spot - the - author with the patchy script (e.g., a fight scene gag involving The Cure's Disintegration, which smacks of Wright), it still makes for an enjoyable, intermittently inspired effects - driven comedy and a welcome antidote to the over-burdened world - saving that seems to define big - screen superhero stories.

The danger the gang encounters along the road is palpable and immersive, thanks to the excellent sound design, and a minimalist musical score that allows you to focus on the action, unlike the average Hollywood blockbuster which smothers every fight scene with a bombastic musical score that more often than not distracts from the action.

This includes a scene in which it seems as if Mildred Loving wanted to fight for her marriage simply because she hates living in the city, which is far too much of a simplification.