Sentences with phrase «fight sequence at»

Zhang Ziyi and Max Zhang Jun who played her elder shot a shocking fight sequence at the train station.

In a bewildering series of deceptions, these people entrap the idealistic Mike into debt, betrayal, grief, guilt and cynical disappointments, all leading up to a big televised fight sequence at the end which makes no attempt to be plausible and is interesting (if you are a student of such things) for its visual fakery.

Not exact matches

The hosts have been formidable at home all season, the sort of side who always give travelling opponents a vigorous encounter in Lancashire, and so the Spurs chief desperately needs to see some character, some fighting spirit from his team much like when his side went to places like Stoke and Fulham earlier in the season and grounded out priceless away wins, as this morale - battering sequence of results is threatening to ruin what had been, up until the end of 2010, a fantastic campaign which promised endless possibilities.

After recently arresting a potentially damaging sequence of results which had seen the Red Devils rack up two quick - fire defeats in the league, United turn their immediate attention towards Tuesday's Champions League Last - 16 second leg decider with Marseille at Old Trafford in a match they simply have to win if they're to book a fifth consecutive quarter - final appearance following a hard - fought but ultimately disappointing 0 - 0 draw in France two weeks ago.

Researchers at Queen Mary University of London (QMUL) have successfully decoded the genetic sequence of the ash tree, to help the fight against the fungal disease, ash dieback.

6/13/2007 UCSD Scientists Sequence Genome of Marine Organism Producing Promising Disease - Fighting Agents Bacteria discovered in Bahamian mud has potential as producer of natural antibiotics and anticancer products Scientists at UC San Diego's Skaggs School of Pharmacy and Pharmaceutical Sciences and the Scripps Institution of Oceanography have solved... More...

Now, at the time, Disney made safe films for kids to not have to think too hard about, and while «The Jungle Book» (1967) does play it safe in some regards, the harsh fight sequences and undertones of race really does come through for older viewers and may have kids hiding their eyes every once in a while.

Exceptional fight choreography coupled with one of the best songs in Star Wars» history certainly isn't enough to save [it], but next time someone makes the ill - advised choice to check it out, you at least have [a] great sequence to look forward to.

The other Black Panther post-credit scene revealed that T'challa now plans on sharing Wakanda's high - tech resources with the rest of the world, but we know that at least one of the major battle sequences in Avengers: Infinity War, that has been featured in the trailers, is set in Wakanda, with Steve Rogers as Nomad teams up with Bucky / White Wolf and several of his Avengers buddies to take on the nefarious Outriders, an alien race who fights for Thanos (Josh Brolin).

Mendes shoots the scene at night, using the flashing bulbs of neon lights to silhouette the men as they engage in a vicious fight sequence.

A look at a fight sequence from Drunken Master 2, including a brief comparison of the original Hong Kong audio and the dubbed, re-scored, and re-foleyed U.S. release version.

Spider - Man fights bad guys; jumps around as an amazingly - poor - at - times CGI puppet; climbs the Washington Monument in a scene that reminds me of a dream Miles had on «Murphy Brown» about being a dolphin erupting from the tip; and tries to hold the Staten Island Ferry together in a scene that recalls - without - surpassing the runaway - train sequence from Spider - Man 2.

Sure, the ballet at the barn - raising is arguably the greatest group dance in Hollywood history (the only other real contenders are probably from West Side Story), building a traditional minuet ever faster into a gymnastic competition, but it's immediately followed by a very well - choreographed (for Hollywood at the time) fight sequence.

Carla not only has some of the only entertaining solo scenes in the film, but she's also instrumental in some of its best comedic moments - including a slow - motion dodgeball fight between all the film's parental and kid characters that comes at the end of an already entertaining sequence set within a SkyZone trampoline park.

No amount of multinational money thrown at the screen can give any of its action sequences the clean, cold athleticism of the best fights in John Wick 2 (Warner, 15), a less electric follow - up to 2014's excellent Keanu - Reeves - on - a-rampage thriller that nonetheless knows all the moves.

During one of the endless action sequences straight out of «World of Warcraft», involving the dwarves fighting the creepy white guys, who fight the gold elphin soldiers, who fight the other mythical creatures, etc. etc. etc., I thought «If I'm going to get through these I at least have to try and enjoy them».

We see Rogers having to fight off his own people in the infamous elevator sequence that played well at Comic - Con, a S.H.I.E.L.D. Quinjet attacking Rogers and Falcon (Anthony Mackie) and the most shocking of all - a shot of the S.H.I.E.L.D. Helicarrier (or at least one of them) from The Avengers crashing and burning.

Bird's proven hand at creating spectacular and imaginative set pieces (a chase in a raging sandstorm; an insane parking garage fight that's Pixar - ready) is in full effect here as well as a heretofore unseen skill at nailbiting suspense (a sequence of Cruise — not a double — scaling the side of the world's tallest building is by far the best non-documentary use of large format IMAX photography to date).

And let's not forget about the action sequences, which feature awesome fight choreography, impressive special effects allowing the heroes and villains to throw air, fire, water or air at each other, and some really cool long unbroken shots that use zoom - ins and slow - motion in a way that recalls «The Matrix» or «300».

It was a bit slow at the start, mostly because it seemed like more of the same, epic fight sequences being shown in 3D, watching the Furious Five (+1) work together.

Of course, every Statham movie is contractually obligated to contain at least some action, and though «Wild Card» has its share, the first fight sequence doesn't occur until the 40 - minute mark, and even then, it's short and sweet.

At the film's Los Angeles press day, Woodley talked about how Jennifer Lawrence encouraged her to take the role, what she shares in common with her character and how they differ, what inspired her to take a course in urban survival skills, what the experience was like doing many of her own stunts, her most memorable sweaty palm moments, zip - lining over the streets of Chicago and climbing the Navy Pier Ferris Wheel, her challenging fight sequence finale with Theo James, working again with Miles Teller, and what she learned about herself in the process of making her first large scale studio movie.

On the other hand, Working Title's «Darkest Hour,» which I saw at Telluride, is a series of talky dramatic sequences in which new Prime Minister Churchill (Gary Oldman), supported by his wife (Kristin Scott Thomas), must take on the fight against the Nazis who are swiftly conquering Europe and cornering some 400,000 Allied forces in Dunkirk.

Writer - director Coogler (who directed Jordan in the excellent «Fruitvale Station» in 2013) takes a chance in revisiting so many familiar and beloved touchstones from previous «Rocky» films, from the training sequences to another journey up the stone steps at the entrance of the Philadelphia Museum of Art to the introduction of yet another colorful, seemingly indestructible champion — this time one «Pretty» Ricky Conlan (Anthony Bellew), an undefeated, undisputed light - heavyweight from Great Britain who is getting one last fight before he's off to prison.

«Abandoned Sequences & Deleted Scenes» offers five scenes that didn't make it into the theatrical version, some of which were abandoned at the conceptual stage: Alternate Title Design, Blood Vision, Rhino Fight, Choose Your Weapon, and Treasure Chest.

This is old school kung fu at its best, filled with excellent fight scenes, strange training sequences, martial arts weaponry, and an opening credit sequence that alone is worth the price of admission.

The action sequences are insanely fun: Watch as Gurira, in a fight scene, effortlessly wrangles a floaty red evening gown while kicking butt, and dispatches a bad guy by throwing her wig at him.

We get the requisite actions sequences, too — laser - blaster fights (Caine's gun, amusingly, sounds like a barking dog), gravity - defying chases with the help of Caine's gravity boots (He had wings at one time, but considering that his boots make him fly, that seems a tad showy), ship battles through Chicago and in space, and plenty of climbing up and jumping across collapsing edifices.

The former World Kick - Boxing Champ also orchestrated the acrobatic fight sequences, and proves himself far more adapt at delivering punches than delivering dialogue.

There's a promising sequence involving a fight between Stark in a massive Iron Man suit and a rampaging Hulk that hints at the playful attitude of the previous Avengers adventure, but it becomes yet another display of mayhem for the sake of mayhem.

As a result, all of the shootout and fight sequences become predictable and, at times, incoherent.

In the good - looking opening sequence, filmed by Ellen Kuras, they're intercut with dancers at a club, get into a fight, and then find themselves being debriefed and lectured by Capt. Greer (Dennis Farina), who orders them to stand up when they talk to him, quit sitting on his desk, etc..

As it is, every major fight sequence takes place either at night in the pouring rain, or underwater where it's just as murky, and that makes it really difficult to see things clearly, especially when del Toro relies so heavily on extreme close - ups and quick cuts.

This was a good watch in which the awesome music (soundtrack and score, this is definitely making an appearance in my music series), great lead performances, and great fight sequences (the stairwell scene really is worth the price of admission alone) slightly outweigh the meh to bad script at times.

At the end of a well - taught K - 12 social studies sequence, one would expect young people to know at least who Abraham Lincoln and Theodore Roosevelt were, why World War II was fought, how to find Italy and Iraq on a map, and what «supply and demand» meaAt the end of a well - taught K - 12 social studies sequence, one would expect young people to know at least who Abraham Lincoln and Theodore Roosevelt were, why World War II was fought, how to find Italy and Iraq on a map, and what «supply and demand» meaat least who Abraham Lincoln and Theodore Roosevelt were, why World War II was fought, how to find Italy and Iraq on a map, and what «supply and demand» mean.

It's also incredibly frustrating sometimes as it can feel like enemies have huge stamina pools that enable them to whale on you or have seemingly unstoppable attack sequences, but eventually, ly you'll learn that since Henry is just a commoner there are going to be a lot of fights that are night on impossible to win, at least at first.

Take the recent Risen 3; at the very start of the game there's a sequence where two ships are side by side, cannons blazing and men fighting with swords to the death.

Tried the new controls at the Beta Rooms and have to say i was very impressed:) The fight scene at the beginning was actually really awesome, and it's very telling that i did the whole sequence without missing a single prompt — something i have never managed with the DS3 controller!

Those elements shift around each other at times but Team Bondi have paced each case so that action sequences feel like breaths of fresh air and interrogations feel like boss fights.

It really feels like something is missing as Nano Assault doesn't invest much at all in its story or the character the player is playing as that's involved in the fight against the contagion as it isn't really brought up once you pass through the opening sequence.

The primary villain and technical final boss of the game, Bowser is fought at the end of world 6 before the final credits sequence.

It's impossible to ignore the idea that «3D - breasts» were a huge selling - point for the game; when the students take a certain amount of damage, or are on the receiving end of a special - attack, her clothing is incrimently destroyed; at the start of each Mission, players have the option of activating «Frantic» mode - the character will shed her clothes (she fights in a bikini) and her attack - power will increase, at the cost of her defenses; during «Shinobi Transformation» sequences, players are also shown some rather gratuitous fan - service angles of their character between the change from one outfit to another...

In execution, story mode strives for variety, mixing animated cut - scenes with static stills, more conventional fights with at least a dozen epic boss battles - and even the unexpected on - rails shooting sequence where players can take control of characters like Susanoo.

Whilst there's a whole lot to do in the game, you can actually approach it all at your own pace — you're never necessarily forced into taking care of your Kingdom or fighting these tactical battles unless they're one of the few instances where they're part of a story sequence.

Other sections take place at The Wall (featuring the best fight of the series so far — albeit a quick time event, like pretty much every action sequence in Telltale's games), the Forrester home of Ironrath and, far away to the east, Meereen, where a certain would - be queen puts in an appearance — along with her unruly pet.

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