He enhanced some of the title's most intense
fight sequences with intense rock and electronic arrangements, including new renditions of «J - E-N-O-V-A», «Those Who Fight», and «The Great Northern Cave».
Clichés in «Safe House»: skilled C.I.A. agent gone rogue, naïve rookie agent with superb talents, bureaucratic director, gruff and mysterious senior officer, unnecessary blonde girlfriend, shaky camera,
fight sequences with quick cuts, an obligatory car chase, poor character development, a double cross, a triple cross, an action - thriller without thrills, boredom.
Even del Toro's extensive use of close - ups and long shots injected the mechanised
fight sequences with the dazzling import of an exhibition boxing match.
Coogler also directs
his fight sequences with such acuity you'd swear he was a more seasoned director.
Directors Anthony and Joe Russo, returning from two of the three Captain America movies, treat the many
fight sequences with clarity and originality.
The fight sequences with Wakanda's women warriors are breathtaking; a car chase featuring T'Challa and his sister (remotely controlling the car from her Wakanda headquarters, no less) is thrilling.
She also revealed that
her fight sequence with Nicholas Hoult's Beast in X-MEN: APOCALYPSE was drastically cut.
(he ended up in the hospital after going through the first
fight sequence with josh)
Valerio Schiti faces a few artistic challenges in this issue, including the dialogue - heavy dinner table meeting and
a fight sequence with the Skrulls.
Not exact matches
Plus, it definitely helps to be familiar
with King T'Challa's (Chadwick Boseman) home of Wakanda, where one of the movie's biggest
fight sequences takes place.
And, even after seven installments, they still manage to up the ante
with increasingly ridiculous action
sequences, car chases and
fight scenes.
NPR has featured recipes in addition to a math - y video
with v dramatic music (it's currently playing as I type and it's making everything feel like a
fight sequence in an action movie.)
After recently arresting a potentially damaging
sequence of results which had seen the Red Devils rack up two quick - fire defeats in the league, United turn their immediate attention towards Tuesday's Champions League Last - 16 second leg decider
with Marseille at Old Trafford in a match they simply have to win if they're to book a fifth consecutive quarter - final appearance following a hard -
fought but ultimately disappointing 0 - 0 draw in France two weeks ago.
(Check out the
sequence in the opening credits where Elena beats a bandit in a sword
fight on top of a moving carriage then leaps onto a leopard
with wings and flies away.)
THE
sequencing of a rather unusual bacterium could provide farmers and doctors
with a cornucopia of natural toxins for
fighting pests and diseases.
Each virus contained genetic
sequences coding for one of two proteins: miR24, a cancer -
fighting antibody, or human interferon beta - 1a, a protein
with antiviral properties.
Please people, stop giving this game a 10, and stop buyng it, if you keep believing the hype and continue to pretend this game is good just because you liked its predecessor (which wasnt as good as the original Syphon Filter by a longshot by the way) then the game will never improve, the next version will have just as lame a story,
with another crappy character, and they'll lazily put in another torture
sequence, and stinger
fight with an aircraft (how lame was that?)
The early battle between Smaug and the dwarves dazzled,
with fire and flying all around the room, and subsequent
fight sequences worked equally well.
There are some reasonably nice
sequences with fights, guns and cars to satisfy the brain but «Lethal Weapon'this ain't.
The supporting characters are usually an afterthought, but in Black Panther, they are so well drawn that they seem every bit as interesting, perhaps even more so, than the main protagonist himself, who is either mostly masked or obvious CG during his battle
sequences, whereas we are always aware as the women
fight,
with full acting and facial expressions to root us into their
fight in the moment.
Director Hood (Tsotsi) opens strong,
with a wickedly crafted opening - credits
sequence that shows young mutant Logan and his more feral half - brother, Victor, aka Sabretooth (Schreiber), emerging from Canada's Northwest Territories, circa 1845, to
fight side by side in the Civil War, both World Wars, and Vietnam (what, Korea wasn't badass enough?).
The
sequence on the train is essentially a more stereoidal take on the train
fight in From Russia
with Love, and Swann's appearance particularly in the dining car is strongly influenced by Tatiana Romanova.
Exceptional
fight choreography coupled
with one of the best songs in Star Wars» history certainly isn't enough to save [it], but next time someone makes the ill - advised choice to check it out, you at least have [a] great
sequence to look forward to.
That she grew up as much a fan of martial arts as animation can be felt everywhere, in elaborately choreographed
fighting sequences à la «Crouching Tiger, Hidden Dragon,» and in small touches — the way in which Lord Shen turns his peacock feathers into lethal weapons, especially powerful when combined
with Oldman's ability to sound so deadly.
The
fight with Elle Driver is a virtuoso celebration of
fight choreography; although we are aware that all is not as it seems in movie action
sequences, Thurman and Hannah must have trained long and hard to even seem to do what they do.
Carano gets a good
fight sequence... naturally, the underground is shown along
with some other landmarks... naturally, and of course we are given one obligatory street race.
The other Black Panther post-credit scene revealed that T'challa now plans on sharing Wakanda's high - tech resources
with the rest of the world, but we know that at least one of the major battle
sequences in Avengers: Infinity War, that has been featured in the trailers, is set in Wakanda,
with Steve Rogers as Nomad teams up
with Bucky / White Wolf and several of his Avengers buddies to take on the nefarious Outriders, an alien race who
fights for Thanos (Josh Brolin).
A paranoia - laced tale of injustice, obsession, and revenge that finds Lee plumbing the dark depths of the human soul, Oldboy is replete
with intricately choreographed
fight sequences and shocking revelations that lead to a gut - wrenching surprise ending.
Veteran action director Yuen Bun recaptures the style of gravity - defying wire - fu that Tsui helped popularize in the early»90s, enhanced
with 3D that works seamlessly in the
fight scenes, but proves effective in the blurry underwater
sequences.
Blu - ray Highlight: In addition to the old commentary
with director John Carpenter and star Roddy Piper, there's also a new interview
with Carpenter where he discusses the idea behind the film, casting his leads, and filming the infamous alley
fight sequence.
The best movie of the year by far, it's creative, it's imaginative and downright epic, it combines the N64
with 1970's Jackie Chan
fight sequences, what it does is it turns the amp of epicness up to 11 and completely blows you away 11/10, it is truly and epic of epic epicness
Part of me thinks it'd be a fun gag for the movie to end
with a Bruce Lee style
fight sequence where all this build up ends in a one two punch kick combo that just brings the losing party to his feet and the curtain falls and we're all sitting there
with our jaws in our laps, doubt it though.
What follows are some terrific action and
fight sequences, a wonderful segment where Hanna hangs out
with a traveling British family led by Olivia Williams and Jason Flemyng... and their daughter Sophie, played exceptionally well by Jessica Barden.
There are also a few
sequences with bare breasts, including a baffling topless pillow
fight, the exact context of which is still a bit unclear, and a moment where Vaughn has to enter a coed nude sauna to lock down one of the details of the master plan to save his company.
An Australian - Hong Kong co-production,
with fight scenes choreographed by Sammo Hung, the minimal regard for safety concerns is readily apparent in the chase
sequences.
In one of Cronenberg's most audacious
sequences, Mortensen, wearing only his manly pride, engages in a brutal knife -
fight with two assailants.
The motorcycle chase
sequence in Istanbul, the train top fist
fight, and the underwater scuffle are all fantastic, but it's the scene where Bond goes head - to - head
with an enemy in a Shanghai glass skyscraper that's easily the most mesmerizing of all.
With all three elements in place, the film unravels as the expected CGI - laden mess the trailer promises, rendering dialogue, story and mis - cast star Worthington secondary to
fight sequences.
An extended nightclub
fight sequence is a particular highlight, as is Wick's bruising encounter
with former acquaintance Ms Perkins (deliciously played by Adrianne Palicki).
The DTS - HD Master Audio 5.1 mix complements the film's realistic depiction of NYC
with good directional effects, though those sensitive to variations in volume may be a bit annoyed by the pumped - up, percussive music and full - throttle
fight sequences.
In one particular
sequence, Arthur has to
fight several creatures in a place called the Blacklands to train
with Excalibur.
Whether it's showing an aerial combat
sequence, a high - speed footrace, a
fight against a shark, or a quiet moment of tension between two characters, Jolie handles Unbroken
with a sure hand.
What lifts the film is not just its high - kicking
fight sequences, but the sharpness of the writing (by Jonathan Aibel and Glenn Berger), the vibrant animation and the sheer, good - natured relish and gusto
with which the film - makers attack their material.
After years working as a stunt man, stunt coordinator, and
fight choreographer, David Leitch made his directorial debut
with Chad Stahelski in John Wick and has become well known for the amazing stunt choreography and action
sequences he brings to his films.
However, if you want sizzle and action that's even more violent than what we've seen in previous films, you've come to the right place, as «Smaug» is more aggressive
with its
fight sequences and battles.
Numerous battle
sequences occur
with characters
fighting against each other in spaceships or hand - to - hand combat.
The
sequence, drawn by artist Ashley Guillory, features Magik (Colossus» younger sister in the comics)
with the dragon Lockheed on her shoulder,
fighting against the main antagonist Demon Bear.
Johnson reprises his villain role from «The Mummy Returns,» but in this prequel he's a dashing and whimsical sword - and - sandal hero in ancient Egypt,
fighting super-powered despots, teaming up
with sorceresses and saving the day in a big battle
sequence.
It's all very thinly held together by first - time director Paul Hunter, who does the best he can
with the poor plot, but can't even manage to raise the pulse for the duration, even during what should be some incredible
fight sequences.
They wisely placed running jokes in random situations along
with the choreography during a surprising amount of bar -
fighting action
sequences, adds to the hilarity.