Sentences with phrase «fighting scenes in this film»

Naturally, in a film of this scale, there's going to be some carnage in the form of some intense fight sequences, and it turns out the final fight scene in the film, which will take place in Wakanda, was 25 pages long.

Typically, scripts run at about a one minute of runtime per page, so it's quite likely the fight scene in the film will be at least 25 minutes long, if not more.

The fighting scenes in this film is very explosive... literally.

The fight scenes in this film contain several jaw - dropping moments that I hadn't ever seen done on screen before.

Not exact matches

The antipornography fight gained its greatest momentum in 1975 with the appearance of «snuff» films in the U.S. Claiming to depict the actual killing and dismembering of female actors during explicitly sexual scenes, these films highlighted the link between sex and violence that frequently characterizes pornography.

This approach would call foul on all sorts of things: Moses wielding a sword but not a staff; Moses being chatty but Aaron having almost no lines; Moses killing lots of people and fighting in the Egyptian army; no «staff - to - snake» scene; no repeated utterances of «let my people go»; no «baby Moses in the Nile» scene; and every other deviation the film takes from the narrative in Exodus 1 - 14.

There is a scene in the film where a young boy prepares himself to fight another boy.

The former «Alias» star who plays a U.S. government agent in the upcoming movie «The Kingdom,» told People magazine that filming the fight scenes «was so down and dirty that [I] had scratch marks that we had to cover up on my face for the next few days.»

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

In fact, he told Twitter he got up to 5 sets of 75 reps (just days before filming a Hercules movie fight scene).

Black Panther's fight scenes are better than in other Marvel films, but they're still a disappointment from the maker of Creed.

Mostly it's a film to watch and go agog at the timeless special effects and fight scenes, and even for a chuckle once in a while.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

The film doesn't use sound anything like as effectively as Leone, but the fight scenes feel brutal and realistic, particularly in the final showdown (s) between Carver and Gideon.

In one of the film's most touching scenes, Oskar goes to Auschwitz and fights for the freedom of his employees.

Kristen Stewart can play tough without having to kick ass in a cat suit, but her one great fight scene was too late in the film and too spare to match her potential.

The animation is still pretty and lushly rendered in this sequel, but my biggest complaint was one that I had for the first film and that was the terribly sped up fighting scenes.

We've certainly seen better choreography in other boxing films before, but it's the scenes between the fights that keep you entertained and involved.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

From an opening scene in a prison fist fight to a staunchly bland climax finding him lost in an «unknown» realm when he's forced to shrink himself to fit between molecules (something resembling the resting place of Big Hero 6 mixed with the twilight hour of James Wan's «further»), Scott Lang is never a fully fashioned personality, some accidental prototype linked with schlocky zeal to the film's other do - gooder via a conflicted father / daughter bond.

Entertainment Weekly spoke with Ryan Reynolds about the film's naked fight scene, which saw him endure «eight hours of prosthetic makeup in places that no man needs to be there with a paintbrush.»

In one of the film's most golden scenes, a pair of cops show up to the house to investigate loud noises (Nick and Deacon fighting).

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

Despite the explosions and fight scenes in a grocery store, American Ultra is never worth whatever the admission price is, nor is it a film that will be remembered even a month after release.

In a scene where the town's men torture Ben to suss out Tom's whereabouts, I was reminded of Elia Kazan's Wild River and that film's establishment of a hero who, towards the end, moans that he'd like to win just one fight.

About two - thirds of the new scenes were presented in the deleted scenes section of the earlier edition of this film: «Battle Aftermath,» «Looking for Strength,» «Dye Market,» «Meeting at Gracchus» House,» «Father and Son,» «The Execution,» «Spies Close In,» «Another Enemy,» and «Fighting with Fire.&raquin the deleted scenes section of the earlier edition of this film: «Battle Aftermath,» «Looking for Strength,» «Dye Market,» «Meeting at Gracchus» House,» «Father and Son,» «The Execution,» «Spies Close In,» «Another Enemy,» and «Fighting with Fire.&raquIn,» «Another Enemy,» and «Fighting with Fire.»

This Asian (South Korean / Chinese) film made good use of that figure, with sometimes disturbing, but very well done fight scenes and in general, beautiful cinematography.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

In one single scene - an exciting, unconventionally - filmed fight inside a glass high - rise - cinematographer Roger Deakins restores to 007's world a lush, rich color palette absent from the franchise since the»60s.

Suffice to say I have never been in a fight and claim no expertise in filming a fight scene!

Michael Cera auditions a fight scene with «Superbad» the film's co-writer and star Seth Rogen in the audition tape for the 2007 movie that launched his career.

Stopped watching this film after 30 minutes, the fight scene was the worst choreography I've seen in a boxing film so far, Jake may have gotten into shape but he definitely didn't learn to box.

The film starts off a bit slow, with none of Chan's spectacular fight scenes occurring in the first hour.

Landesman, in what is only his second film after the milquetoast JFK assassination ensemble piece Parkland, has a journalistic approach to his writing that charges adrenaline into potent scenes of Omalu fighting against this corrupt system, but he lets his rightful anger get in the way of presenting the story in an objective fashion.

If you watch Jackie Chan's (Crime Story, City Hunter) films only for the two or three lengthy, well - choreographed fight scenes, and are able to sit patiently through ninety more minutes of bad drama in between, perhaps you will find Thunderbolt to be worthwhile in the end.

Day - Lewis vividly portrays anguish in his torture scenes and radiates a forthright resolve when fighting to clear his name later in the film, but «In the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete Postlethwaitein his torture scenes and radiates a forthright resolve when fighting to clear his name later in the film, but «In the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete Postlethwaitein the film, but «In the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete PostlethwaiteIn the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete Postlethwaite).

The film opens with a scene in which Machete (Danny Trejo) and his partner, Sartana (Jessica Alba) are fighting off some baddies and seem to have been successful, when suddenly a masked man appears around the side of a vehicle and guns down Sartana, and then bails, leaving Machete alone and now even more morbid - looking than he previously had been.

Another style over substance Hong Kong action film that has some pretty exciting fight scenes, but also some very flimsy and annoyingly romanticized back story to fill in between them.

In the featurette «To Fight,» we get a behind the scenes look at the film with brief quotes from the film's cast, including Olivia Munn (Psylocke) and Alexandra Shipp (Storm).

Alexandra Shipp shared with fans a behind the scenes photo of X-MEN: DARK PHOENIX fight coordinator Richard Norton, taken from the film's set in Montreal last year.

The film's strength lies in its engaging visuals, namely the impressive opening sequence and the clever editing during certain fight scenes which lends them a greater feel of urgency and excitement.

The tears that stung writer Meredith Woerner's eyes during Wonder Woman's early fight scenes, for example, led to a larger conversation (we might call it film cry - ticism) about how seldom we see women's martial strength on display in blockbusters.

Marginalized in the initial sequences was Reeves, the lone actor well - known in the U.S. Universal opted to reshoot a major fight scene near the end of the film, as well as a few other scenes to sharpen the focus on Reeves» character Kai.

Carla not only has some of the only entertaining solo scenes in the film, but she's also instrumental in some of its best comedic moments - including a slow - motion dodgeball fight between all the film's parental and kid characters that comes at the end of an already entertaining sequence set within a SkyZone trampoline park.

Emily has been filming the thriller in New York, and admits she struggled to sleep after shooting a particularly dramatic fight scene.

Speaking of which - with Civil War, directors Anthony and Joe Russo (who also helmed The Winter Soldier) deliver some of the most impressive superhero - based fight scenes and set pieces featured in any Marvel Studios film yet, in terms of both the sheer scale and creativity of the Avenger vs. Avenger battles.

In place of story is a non-stop cavalcade of wire - fu fight scenes rife with CG effects, which impress when compared to those of the original, but in the world of action, offer little we've seen before in better films with bigger budgetIn place of story is a non-stop cavalcade of wire - fu fight scenes rife with CG effects, which impress when compared to those of the original, but in the world of action, offer little we've seen before in better films with bigger budgetin the world of action, offer little we've seen before in better films with bigger budgetin better films with bigger budgets.

The «X-Men: Apocalypse» star detailed how Professor X and Magneto had to fight a man too stupid to mind control in a scene cut from the film.

Although he mostly shows it with snippy dialogue and rigidly controlled schedules, Daniel Day - Lewis» Reynolds Woodcock is a fussy little dude, something made especially clear in a deleted scene that Anderson recently released to promote the film's upcoming home release, showing the Woodcock siblings descend from prodding at each other into a full - on food fight.

Using a combination of actors on wires, motion capture and filming segments of fight scenes at different camera angles the actors would appear suspended in the air mid action.