The exhibition's thesis on the interplay of
figuration and abstraction finds four basic expressions among the featured artists.
Not exact matches
Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging
abstraction with
figuration,
and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk
and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs,
and rope.
Whether appropriated by some contemporary figurative painters or aligned with some sort of new
figuration, where the painters «
find everything to be a matter of images» (to quote Barry Schwabsky from the online catalogue for «A New Subjectivity»),
Abstraction clearly
and demonstratively engages with the problems of painting (
and collage
and sculpture) despite the surprising conservatism of Kerry James Marshall.
In «Meta - Modern» practice there is extension
and deconstruction of formalism, which blurs lines between
abstraction and figuration,
and employs the use of non-traditional with traditional painting materials, which is
found in much of Vernacular art.
Beyond bronze, he roamed through the history of sculpture
and its materials, carving in stone, working in ceramics, moving between
abstraction and figuration and occasionally even using
found objects.
Employing various objects he
found in his studio onto canvas, Ruby tests the limits of painterly expression, while subverting visual extends of both
figuration and abstraction.
Alongside this view, we can
find works of many other contemporary artists, that reveal the
abstraction in
figuration, for example, seen last year in Santa Fe
and the exhibition (Un) Real.
Taken as a whole, his work defies a singular style,
and in his drawings, paintings,
and sculptures, Aldrich is able to move effortlessly between
figuration,
abstraction,
and representation — often combining imagery variously inspired by people
and places close to him, visual artists, writers,
and musicians whom he
finds interesting,
and experiences drawn from his everyday life.
All of the polarities of West Coast art have
found their way into his practice, from «cool»
abstraction and the brand - newness of Pop to «hot» (abject)
figuration and the used - upness of assemblage.
Combining classical influences with Neo-Expressionist features
and processing themes such as sexuality, obsession, suffering, death
and belief, Schnabel plays with both
abstraction and figuration with the use of
found materials, fragments of language, paint,
and digital reproduction.
The multimedia work of Brazilian artist Valdirlei Dias Nunes navigates the space between geometric
abstraction and figuration, using
found and created objects, forms, lines
and shapes to create a dialogue between all parts of his compositions.
Unlike the strict geometries
found in the butterfly works, Grotjahn's face paintings appear more free
and loose, exhibiting a raw energy
and a greater degree of back -
and - forth between
abstraction and figuration.
Splitting the difference between these two approaches is a third, employed by Sue Williams, D'metrius John Rice,
and Tschabalala Self, in which an even balance is
found between
figuration and abstraction, neither quite getting the upper hand.
Commenting on the works he brought to the fair, Centeno added, «I wanted to
find a balance between
figuration, gesture
and abstraction,
and also a feeling of human presence on the stand.»
A constellation of paintings, sculptures,
and found objects, this show dramatically expands upon the artist's practice including a carefully considered investigation of color
and figuration amidst his signature
abstractions.
For his collages, he uses
found images from cartoons, coloring books,
and fairy tales, combining fragments of Disney - like characters with violent
and sexual imagery to make work that borders between
figuration and abstraction and subverts the innocence of cartoon referents with a darker psychology.
Expect to
find landscapes presenting both interior
and exterior vistas rendered in realism to
abstraction plus
figuration and still life.
Sometimes hyperrealist, sometimes fluidly disembodied,
and drawing on
found imagery
and 3 - d forms, Morley's painting displays an intense, ambivalent engagement with
abstraction and figuration, representation
and the imaginative re-creation of the world.
Famous first as a
founding contributor to Bay Area
Figuration of the 1950s
and early»60s - a regional counterthrust against the influence of New York School
abstraction - Diebenkorn (1922 - 93) has achieved canonical stature internationally for the abstract paintings he began producing after his move to Los Angeles in 1966.
Elmer Bischoff: «Figurative Paintings» (closes on Saturday) During the heyday of Abstract Expressionism in the 1950s, a number of painters in San Francisco turned away from
abstraction and back to representational painting, thereby
founding what came to be known as Bay Area
Figuration.
During Abstract Expressionism's heyday in the 1950s, three artists in San Francisco turned away from
abstraction and back to representational painting,
founding a movement that came to be known as Bay Area
Figuration.
While continuing the dance between
abstraction and figuration found in her previous decade of works, the new pieces move away from a more direct narrative to a more abstract, open language about painting itself.