I translate that tension into a different tension, one between
figuration and abstraction put simply, which I hope feels vital and familiar in some way.
Thomas Chimes: Early Works (1958 - 1965), 2009 Text by Lisa Saltzman 56 pages, Hardcover Published by Locks Art Publications ISBN: 978 -1-879173-41-5 «Developing, in these formative paintings, a visual style indebted to the palette
and compositional structures of such modernist forefathers as Marsden Hartley
and Henri Matisse
and emboldened by the stenographic proto -
abstractions of such New York School predecessors as Jackson Pollock
and Mark Rothko, Chimes systematically
put forth a series of paintings that pressed such experimentations with the limits of
figuration into the realm of the theological, the philosophical
and the historical.