Sentences with phrase «figuration in»

This development represented a major departure from the art that she had created while still in Japan; from detailed, observational figuration in the traditional Japanese style with incorporated surrealist elements, to full - blown minimalist abstraction.

The whole room, a huge room, was nothing but pure light — just canvases with light and no figuration in the paintings, or hardly any.

Proportionally, the amount of figuration in the art world now, compared to abstraction or even, say, landscape painting, is insurmountable.

«Sculpture from the Body» was an honest confrontation with the» body «specifically and not figuration in general.

Then, too, Pollock was not the only New York School artist making art that wavered between abstraction and figuration in the same work.

The Human Factor: Figuration in American Art.

New Images: Figuration in American Painting 16th November 1974 - 29th December 1974 Flushing, New York, The Queens Museum

I would add that shifts in scale, combined with an attention to every aspect of the work, even at the expense of unity, could bring about a kind of changing space that is different to figuration in that you can't always join the dots and say for certain what that space is attempting to be.

The Human Factor: Figuration in American Art 5th August 2000 - 4th October 2000 Lincoln, Sheldon Memorial Art Gallery

Bischoff made a sudden departure from figuration in the late 1970's and reverted back again to abstraction.

But Mr. Diebenkorn's conversion to figuration in the mid-1950's stunned some East Coast critics, especially those unfamiliar with Park and Bischoff, whose figurative paintings of the early 50's set the stage for him.

For a historical guide to figuration in England, see: English School of Figurative Painting: 18th / 19th Century.

Accrochage Galerie Bruno Bischofberger, Zurich 60/80 Attitudes, Concepts, Images Stedelijk Museum, Amsterdam Galerie Bruno Bischofberger, Zurich New Figuration in America Milwaukee Art Museum, Milwaukee New York Now Kestner - Gesellschaft, Hannover; Musée cantonal des beaux - arts Lausanne, Lausanne In Our Time: Houston's Contemporary Arts Museum 1948 - 1982 Contemporary Arts Museum, Houston Still Modern After All These Years Chrysler Museum, Norfolk Body Language Modern Art Museum of Fort Worth, Texas The Americans: The Collage Contemporary Arts Museum, Houston New Paintings: Sandro Chia, Francesco Clemente, Anselm Kiefer, David Salle, Julian Schnabel Anthony d'Offay Gallery, London 74th American Exhibition The Art Institute of Chicago, Chicago The Pressure to Paint Malborough Gallery, New York Homo Sapiens: The Many Images Aldrich Museum of Contemporary Art, Ridgefield Castelli and His Artists Museum of Contempoary Art, La Jolla; Center for the Visual Arts, Aspen

Richard Hawkins: Hijikata Twist finds a dialogue between the scale of gesture and visceral expression found in Jean Dubuffet's (1901 - 1985) The Tree of Fluids 1950 or Willem de Kooning's (1904 - 1997) The Visit 1966 - 7 and the surreal figuration in Francis Bacon's (1909 - 1992) Study for a Portrait of Van Gogh IV 1957, Hans Bellmer's (1902 - 1975) The Doll 1936 and Graham Sutherland's (1903 - 1980) Standing Forms II 1952 with the «corrupted» bodily gesture of Butoh.

On the occasion of his seventieth birthday, K.H. Hödicke — a pioneer of German New Figuration in the 1970s — here presents large - format charcoal drawings from 1975 to 1982.

It recasts debates around abstraction and figuration in 1960s art through a discussion of gender's mutability and multiplicity.

Known for confronting history and addressing political and social issues in his abstract collage paintings, Bradford plans to incorporate figuration in his work for the first time and is «taking as a point of departure» a major Civil War painting.

Joe Bradley is notorious for his shape - shifting capabilities on canvas, merging minimalism and figuration in works that are at times spiritual, hallucinogenic, and funky.

Marking Muehl's turn against figuration in the late»80s, ten abstract canvases display refined material surfaces while retaining the traces

He was the first painter to return to figuration in the post-War era and was quite pioneering in linking high art and images from popular culture, so that today many celebrate him as the trailblazer of postmodern, figurative painting.

Also noted for her gestural figuration in works like 1000 Thread Count (2004).

Although well established as an abstract painter, Diebenkorn returned to figuration in the mid-1950s.

Ronay's hand - carved basswood sculptures, while often heavily patterned with dimples, curves and cairn - like stacks, eschew hard edge abstraction for a molecular, spore - like affect coupled with a kind of suggestive figuration in the form of disembodied hands and tongues.

Among these are the artist's most famous, landmark paintings — among them Pink Angels (1945), Excavation (1950), and the celebrated third Woman series (1950 — 53)-- plus in - depth presentations of all his most important series, ranging from his figurative paintings of the early 1940s to the breakthrough black - and - white compositions of 1948 — 49, and from the urban abstractions of the mid 1950s to the artist's return to figuration in the 1960s, and the large gestural abstractions of the following decade.

Now they can see the figuration in abstraction.

Greifbar, meaning tangible, reflects the artist's reference to figuration in the series of abstractions.

Fifty years ago Willem de Kooning shocked the art world with his «Woman» paintings — not simply because the figures were so violently abstract but because his abstraction had so much figuration in it.

The next lot from this section, Luogo e segni translating to «Place and Signs» is from a unique transitional period of Rama's oeuvre, right before she turned back to figuration in 1979.

The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th Century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s.

Beginning with Bob Thompson's determined focus on figuration in abstraction's finest hour in Postwar New York; Alice Neel's sheer skill and commitment to the particular details and psychology of her subjects; Henry Taylor's funny, passionate take on his Los Angeles friends and neighbors; and young Brooklyn artist Daniel Heidkamp's gawky precision and plein air exuberance.

Over the past fifteen years Havekost has established himself as one of the most exciting young painters to explore the limits and implications of figuration in contemporary art.

Philip Guston (1913 — 1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture.

Her own canvases, however, often evoked elements of landscape or figuration in the shaping of their forms.

Nathan Oliveira, a leading Bay Area artist who achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation, died on Saturday at his home in Palo Alto, Calif..

This is a question with implications for figuration in art as well as for the self, struggling in the world to exert control over motions, emotions and fate, as the abstract expressionists were during the early post-war period.

The succeeding rooms that link Bruce Conner, Jay DeFeo and Robert Rauschenberg and survey Bay Area conceptual art under the title of a 1979 SFMOMA show, «Space / Time / Sound,» also put Bay Area Figuration in its place.

With Abstract Expressionism showing no signs of losing steam among artists working during the late 1950s, a group of dissenting San Francisco - based artists began to rethink that aesthetic, electing to return to figuration in their work.

Nathan Oliveira, a leading Bay Area artist who achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation, died on Nov. 13 at his home in Palo Alto, Calif..

Writing in the Times, William Grimes described Oliveira's work — despite its resistance to «neat categorization» — as «fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation.»

«I struggled somewhat with this new figuration in my painting, and Krazy Kat gave me something I found affecting and could use as a formal reference.

In this installation drawn from the Seattle Art Museum's permanent collection, artists including David Salle, Eric Fischl, Richard Pettibone, Jessica Jackson Hutchins, Brian Jungen and others grapple with these concerns in various ways — by returning to figuration in painting, rethinking modernist masterworks in more humble scale, or reconnecting art and craft in their work.

Gilliam's red, blue, and green watercolor, Parade VII, employs color through staining; Thompson's humorous oil painting, The Golden Ass, features a more traditional application; McArthur Binion uses crayon and collage elements in his 2016 brown abstraction, DNA: Sepia II; Nathaniel Mary Quinn's Mean Ol' Teacher uses color as a way to bridge abstraction and figuration in a collaged face made up of many different harlequin features.

And then think of Philip Guston, when he starts doing those Ku Klux Klan pictures, going from abstraction to figuration in conversation with people like Norman Lewis, Sam Gilliam, Betye Saar.

Thus, Lauand successfully negotiated the development of Brazilian avant - garde tendencies after World War II ⎯ ⎯ including the influence and reception of Pop art and New Figuration in the 1960s and 1970s, as well as the political disruption initiated during the military dictatorship ⎯ ⎯ continually buttressing Concretism's critical ideas while formulating her own meaningful intersections with notions of rupture.

When Guston turned back towards figuration in the 1970s, he lost a lot of friends.

The exhibition will feature works that show Dubuffet's vivacious embrace of abstraction and figuration in both painting and sculpture.

Elizabeth Peyton was a leader in contemporary painting's return to figuration in the 1990s.

The artist skillfully combines abstraction and figuration in order to create distinctly contemporary art.

The artists in this exhibition approach - figuration in very different ways and the people they depict are both imaginary and real characters.

But it's also a reminder of why Guston moved on to fleshy, cartoonish figuration in the last decade of his life — this show inadvertently makes the case that abstraction became a dead - end, or perhaps circuitous cul - de-sac, from which Guston desperately needed an exit.