Sentences with phrase «figurative art in»

RISD Museum's latest exhibition runs through January 4, 2015, and features artists from four distinct American regions that had a significant impact on figurative art in several mediums.

Picturing People: Figurative Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum of Art, Hong Kong; National Gallery, Harare, Zimbabwe

Radical Figurative Art from Sickert to Bevan, James Hyman Fine Art, London, England 2002 Five Painters, Kilkenny Arts Festival, Kilkenny, England 2000 Painting, I Love, Michael Hue - Williams Fine Art, London Look Out: Art, Society, Politics, Wolverhampton Art Gallery, Wolverhampton, England; traveled to Bluecoat Gallery, Liverpool, England; and Wolsey Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams Fine Art, London The School of London: From Bacon to Bevan, Musee Maillol, Paris; traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams of the Millennium — The Reemergence of British Romantic Painting, Stephen Solovy Art Foundation; traveled to California State University; Tyler Museum of Art, Tyler TX; Manoa Art Gallery, University of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler Arts Centre, Sheboygan, Wisconsin 1995 Inside Out, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now: Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British Figurative Painting of the 20th Century, The Israel Museum, Jerusalem, Israel 1991 Out of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People: Figurative Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European Painting and Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy

Reflecting the surroundings and the viewer as part of the image breaks down traditional notions of figurative art in an ever changing spectacle, combining material form, pictorial space and gesture.

She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001.

I was intrigued when he mentioned to someone years later, «Don't forget, I made figurative art in the 1940s.»

To conclude the exhibition, a salon evening will be held in January featuring a panel discussion and offering many of the artists in the exhibition with an opportunity to speak about the influence of the Academy and the relevance of representational and figurative art in a creative climate that has turned in their favor.

«Artists Choice, Figurative Art in New York.»

MAD Antequera, Malaga Curated by Fernando Francés This exhibition brings together a selection of sixteen large format works from fifteen Andalusian creators, proposing a review of the current figurative art in different formats and styles.

This display explores the pioneering role that painters such as Francis Bacon, Lucien Freud and David Hockney played in the reinvention of figurative art in the second half of the 20th century.

The exhibition is designed to trigger a debate on contemporary figurative art in the work of forty - six international artists selected to mark the prestigious European award.

It documents and / or restages four installations, spaces or happenings, in Chicago, San Francisco, Detroit and Providence, which were crucial to the development of figurative art in the United States.

Hall, James, The Battle for Realism — Figurative Art in Britain during the Cold War 1945 — 1960, Yale University Press, New Haven and London, 2001

Midwest Painters Demonstrate Realism and Its Discontents By Jud Yalkut Taking its cue from Sigmund Freud's treatise on psychology and civilization, the current exhibition by the Midwest Paint Group tackles the place of realism and figurative art in contemporary times.

How to make sense of a show of painterly, figurative art in 2016 is part of the fun when taking in On Painting.

New figuration is a blanket term referring to the revival of figurative art in Europe and America in the 1960s...

The oldest figurative art in Europe includes mammoth carvings on mammoth ivory.

European cave paintings were seen as evidence of a «creative explosion» sometimes attributed to a brain mutation, a theory reinforced by the apparent age discrepancy between figurative art in Europe and other, more recent art elsewhere.

It is a product of the Nok culture that flourished from about 1000 BC to AD 500, when it mysteriously died out, and provides examples of the earliest figurative art in sub-Saharan Africa.

Not exact matches

The expression of art — the exploration of figurative and abstract thought in tangible external forms — is unique to human beings.

«It's no coincidence that this area is such a dynamic place,» he says, also citing the recent discovery — published in Nature last October — of the world's oldest known figurative art, on the neighboring island of Sulawesi.

Further details of figurative art identified in these last two seasons included many more corpulent clay figurines, an intriguing snail figurine, a pair of enigmatic «female torso» pendants, and a broken - up finely carved standing figure, originally almost a meter in height.

We offer both figurative and abstract dimensional art options that allow you to add variety to any wall in your house.

About Blog Furtado Figurative is a Sculpture Gallery of Melanie Furtado which provides sculpture classes, how to sculpt articles, art Courses, demonstrations, events, Works in Progress and Exhibitions including Human Figure, Anatomy, Skull, Portrait, Realism, Clay Sculpting.

As in Melville's brooding gangster classic, Mamet's film focuses on a lonely, figurative samurai devoted to a governing code, in this case a jiu - jitsu instructor named Mike Terry (Chiwetel Ejiofor) who runs a Los Angeles martial arts academy where he trains both lay people and cops.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Drenda Duff — Drenda Duff regards figurative art, composed and arranged in natural surroundings, as a favorite subject for her drawings and paintings.

In 1953 Blackman was co — founder of the Melbourne Contemporary Art Society and he was also one of seven artists responsible for the Antipodean Manifesto; these artists protested the dominance and rejected the rise of abstract expressionism and non — figurative aArt Society and he was also one of seven artists responsible for the Antipodean Manifesto; these artists protested the dominance and rejected the rise of abstract expressionism and non — figurative artart.

Relax in your surrounds with large figurative Blackman prints and stylish designer furnishings, then experience sweet dreams in your Art Series Signature bed.

1 Jan Müller quoted in Judith E. Stein, «Figuring Our the Fifties,» The Figurative Fifties: New York Figurative Expressionism, Newport Harbor Art Museum, 1988, p. 41.

If you are interested in David Park, the Bay Area Figurative, trends in art, how movements begin, California School of Fine Arts, this is the book to read.

But that may be about to change thanks to the Royal Academy of Arts (RA) which has launched the first major survey of Diebenkorn's figurative and abstract works in the UK in almost 25 years.

1987 Black & White: Visual Sonatas, Aion Fine Art, Dallas, TX Recent Figurative Prints, Associated American Artists, New York, NY Succinctly Stated, Falkirk Cultural Center, San Rafael, CA Monotypes II, Allan Frumkin Gallery, New York, NY Avant Garde In The 80's, Los Angeles County Museum of Art, Los Angeles, CA Made in New York, NY, Gianfranco Zani Gallery, Turino, Italy Group Show, Michael Kohn Gallery, Los Angeles, CA On Paper, Curt Marcus Gallery, New York, NY Group Show, Sette Gallery, Scottsdale, In The 80's, Los Angeles County Museum of Art, Los Angeles, CA Made in New York, NY, Gianfranco Zani Gallery, Turino, Italy Group Show, Michael Kohn Gallery, Los Angeles, CA On Paper, Curt Marcus Gallery, New York, NY Group Show, Sette Gallery, Scottsdale, in New York, NY, Gianfranco Zani Gallery, Turino, Italy Group Show, Michael Kohn Gallery, Los Angeles, CA On Paper, Curt Marcus Gallery, New York, NY Group Show, Sette Gallery, Scottsdale, AZ

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

By the 1960s, he had established himself as an original force in London's art scene, with a style that brilliantly combined figurative, symbolic and abstract elements.

In 2003 Adrian was offered a private painting studio and teaching position with the Los Angeles Academy of Figurative Art.

Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important exhibitions of his work; vacillating between the figurative and the abstract in his painting; his working methods.

In 1999 he co-founded the Stuckist movement, which railed against the dominance of the Young British Artists» conceptual art, in favour of contemporary figurative worIn 1999 he co-founded the Stuckist movement, which railed against the dominance of the Young British Artists» conceptual art, in favour of contemporary figurative worin favour of contemporary figurative work.

DHC / ART is delighted to present two concurrent solo exhibitions by acclaimed Belgian sculptor Berlinde De Bruyckere and American painter John Currin — two leading international figurative artists working in a virtuosic, old masterly tradition yet testing and expanding the parameters of their respective disciplines.

Five years ago, he curated a show at Colby of such young art stars as Elizabeth Peyton, Peter Doig and Merlin James, who work in the same figurative territory staked out by Katz.

In opera / Figurative Geometry Ulrike Müller, Béla, 2015 oil on canvas Courtesy the artist and Callicoon Fine Arts, New York © Ulrike Müller

If the «contemporary» scene suffers from a crushing surfeit of concept and reference, which ends in tedium and irrelevance, the contemporary figurative scene suffers from a lack of internal criticism, from a failure to distinguish between what is well painted and what is good art, which ends in mediocrity and kitsch.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Spent 1939 - 47 in the Argentine, working part of the time in a figurative style, but in 1946 helped to found the avant - garde Altainira Academy at Buenos Aires, his ideas about the need for new art to express the modern world as revealed by science leading to the publication of the Manifiesto Blanco.

Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture exhibition, The Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of Art.

Pauline has exhibited her work annually in Boston since 1998 and has also continued to exhibit in Australia where she was the recipient of a coveted prize for oil painting in the prestigious national juried exhibition, The A.M.E. Bale Art Awards, known as Australia's premier awards for traditional realism and figurative aArt Awards, known as Australia's premier awards for traditional realism and figurative artart.

DHC / ART is delighted to present a solo exhibitions by acclaimed Belgian sculptor Berlinde De Bruyckere, a leading international figurative artist working in a virtuosic, old masterly tradition yet testing and expanding the parameters of their discipline.

MB: I am sure that the painting from Cluj is associated with the term Figurative Painting, which has regained more than a fashionable status in the art world, and the «old masters» have become key reference points for many contemporary painters.