Sentences with phrase «figurative art through»

Sabin is the author of The Art of Life, a photoessay about figurative art through the ages.

Featuring renowned art critic Donald Kuspit, artist Vincent Desiderio, artists Natalie Frank and Alexi Worth, and moderated by Peter Drake, The Art of the Figure panel explores the genesis and progression of figurative art through the ages.

Not exact matches

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Christina explained to the class how art could capture, channel, and convey emotion through symbols and figurative representations.

Nigerian - born, U.S. - based artist Njideka Akunyili explores the dynamics of her culture and community through mixed - media art, melding limitless combinations of acrylic, charcoal, pastel, marble dust, colored pencils, oil, fabric or Xerox transfers into figurative collages with distinct narratives.

My work is evolving all the time and after 35 years as a figurative artist I've recently discovered ways to express myself through abstract art which has been the most exciting and liberating experience I've had for ages.

The new 176 - page monograph, Edna Andrade, takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptual work.

Through his street roots in graffiti, Basquiat helped to establish new possibilities for figurative and expressionistic painting, breaking the white male stranglehold of Conceptual and Minimal art, and foreshadowing, among other tendencies, Germany's Junge Wilde movement.

Currently on view at MCA Chicago through May 20, the exhibition spans Pindell's five - decade career, «featuring early figurative paintings, pure abstraction and conceptual works, and personal and political art that emerged in the aftermath of a life - threatening car accident in 1979.

September 27 - 28 Ann Agee, long known as a figurative ceramicist, explores the intersection of domestic space and art production, merging decorative and fine arts and playing with historical conventions of art as seen through contemporary eyes.

These painters focused on depicting contemporary life through innovative figurative works, rather than the abstraction, minimalism, and conceptualism that dominated contemporary art at the time.

Veils of Color, an exhibition of unique career - spanning pairings and groupings of both figurative and abstract works is on view at the Michener Art Museum through November 15th.

Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representational.

Teasing out common themes, from representations of joy and loneliness to masks and the carnivalesque, this highly illustrated publication offers a very personal journey through contemporary figurative art.

Rejecting the figurative and abstract art of the era, and in an effort to transform the Japanese psyche from wartime regimentation to independence of thought, Gutai artists fulfilled their commitment to innovative practices by producing art through concrete, performative actions.

Its considerable reach gains focus through the prism of its curator; Luc Tuymans» own uneasy commitment to the figurative sets up a productive tension with the works he has selected, and with the many and conflicting ideas, subtly alluded to, that have shaped abstract art over the course of a century or so.

The degree of illusion of their figurative images and motifs was taken to extremes, since reality seen through the media and its consumable outer sheen was the key theme of Pop Art.

The exhibition will feature some 100 works by the French artist, a key - figure of Art Brut, who through a manifold production, by experimenting materials and techniques, prominently contributed to the 20th century figurative arts.

Wolk - Simon says that this new awareness helps to work through certain biases: «For a long time, abstraction was modern art's preeminent triumph, and artists working in the figurative tradition were not seen as modern, but now with a renewed interest in Italian modern art comes a renewed interest in figurative art.»

Opening: Emma Amos at Ryan Lee Ryan Lee in this show surveys the art of Emma Amos, an artist and educator known for her vivid figurative works that explore issues of African American identity and narrative, often through the lens of both art history and popular culture.

An accomplished figurative painter, Felice «strives, through her portraits of women, to provide a counterpoint to the passive representations found in art historical tradition.

It also addressed Indonesia's local figurative art - and craftsmanship - dominated art scene, through the lens of his fine - art training, personal reflections and resources.

Figurative Futures aims to explore the mythology and evolution of figural art realized through a wide - ranging collection of inventive painting, sculpture, installation, jewelry, fiber arts, drawing and mixed media.

The book attempts to address the question of how societies represent themselves through the practice of figurative art.

The pair were closely bound together through their relentless pursuit of producing dynamic new works through figurative painting, going against the major art trends which claimed the end of representational art.

Edna Andrade takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

The history of Irish art in the twentieth century shows that landscape painting was closely entwined with Irish nationalism and the search for an «Irish» identity, although artists pursued these ideas in quite individual ways: Jack B Yeats (1871 - 1957) through his intense expressionist landscapes populated by unmistakably Irish figurative icons; Paul Henry (1876 - 1958) and James Humbert Craig (1878 - 1944) through their outstanding renderings of sky, sea, turf and light in their West of Ireland views.

Howardena Pindell: What Remains to Be Seen traces the themes and visual experiments that run through the New York — based artist's five decades - long career, featuring early figurative paintings, pure abstraction and conceptual works, and personal and political art that emerged in the aftermath of a life - threatening car accident in 1979.

Milton Avery Little Fox River, 1942 - 43 Oil on canvas 36 x 48 inches Permanent Collection of the Neuberger Museum of Art Purchase College, State University of New York; Gift of Roy R. Neuberger This exhibition examines the contributions of Milton Avery as a significant figurative painter from the late 1920s through the early 1960s.

Through this expatriate, Benton came to believe - when he returned to making figurative art - that his work ought to have a sculptural basis.

Adam is the founder and author of the Rhino Horn Group blog, a contemporary discourse on socially engaged art and figurative painting; and Artfully Learning, where he writers about contemporary art through the lens of education.

Rosie Wylie (born in 1934, UK) expresses herself through figurative and large - scale paintings, representing her daily encounters derived from a variety of sources, spanning from art history to cinema and comics books.

These examine notions of the raw intersection of race, gender, and sexuality through iconic, silhouetted figures, which offer an extended contemplation on the nature of figurative representation and narrative in contemporary art.

The publication charts Hepher's life and work from the 1950s to the present day, tracing a path that begins in an era of the last century that was highly suspicious of figurative painting, through to the recent re-evaluation and rise to prominence of post-war British Art within global art histoArt within global art histoart history.

AM: Youâ $ ™ re seen as one of the pre-eminent British contemporary figurative painters working today, but you seem to be linked with the street art movement â $ «perhaps through association â $ «as the majority of the other Lazarides artists having this sort of background.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

More than 130 paintings and drawings, beginning with the artist's earlier abstract works and moving through his subsequent figurative phase, display his profound influence on postwar American art.

of found objects and figurative references wharton is also influential for her part in founding artemesia gallery chicagoâ $ ™ s first all female art gallery in 1972 truly influential in her own right through her oeuvre and for her part in founding chicago's first all female art gallery in 1972 the now (5 words, 24 characters)

By the time Botero created Yellow Niña in 1962, at age 30, this distinct style of figurative painting had gained him critical attention: he had been included in the Venice Biennial and the Guggenheim International Award exhibition and gained institutional recognition through the Museum of Modern Art's acquisition of Mona Lisa, Age Twelve, 1959, in 1961.

There was the famous return to painting (figurative painting especially and painterly), a shameless appropriationism that saw a «pick and mix» from art history, non-western art and popular culture, an enthusiastic re-embrace of Dada and the challenge to notions of self - contained works of art through the increasing popularity of installation.

In American art schools their work seemed to suggest a way to something else, something different, something more radical... Most certainly, the model of Balthus of rang through American figurative painting, in that period and later, probably sometimes in embarrassing ways

As well as a meditation on art history, these works explore both figurative and abstract approaches to sculpture, through materials including volcanic stone, marble, bronze and steel and through series such as The Protesters, of which the artist has stated:

RISD Museum's latest exhibition runs through January 4, 2015, and features artists from four distinct American regions that had a significant impact on figurative art in several mediums.

Abstract and figurative painting as well as participatory and conceptual art have emerged as strong threads running through the exhibition.