Sentences with phrase «figurative art which»

A prominent figure within the pop art movement, most noted for figurative art which included sculpture, paintings, and print is American artist and Brooklyn native Alex Katz, born on July 24th, 1927.

Not exact matches

About Blog Furtado Figurative is a Sculpture Gallery of Melanie Furtado which provides sculpture classes, how to sculpt articles, art Courses, demonstrations, events, Works in Progress and Exhibitions including Human Figure, Anatomy, Skull, Portrait, Realism, Clay Sculpting.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

My work is evolving all the time and after 35 years as a figurative artist I've recently discovered ways to express myself through abstract art which has been the most exciting and liberating experience I've had for ages.

Drawing from the art - historical lineage of cubism, cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Comic Future is as much about the breakdown of the human condition as it is about the absurdities which define the perils of human evolution.

But that may be about to change thanks to the Royal Academy of Arts (RA) which has launched the first major survey of Diebenkorn's figurative and abstract works in the UK in almost 25 years.

In 1999 he co-founded the Stuckist movement, which railed against the dominance of the Young British Artists» conceptual art, in favour of contemporary figurative work.

Remaining defiantly figurative despite an art scene that swung increasingly toward abstraction, and choosing as his subjects those places and homes to which he felt most deeply connected, Porter produced a body of work of tremendous personal significance and emotional power.

Her recognizable style, which features figurative portraits of women, has been widely documented and has gained her praise from art critics and fans alike.

If the «contemporary» scene suffers from a crushing surfeit of concept and reference, which ends in tedium and irrelevance, the contemporary figurative scene suffers from a lack of internal criticism, from a failure to distinguish between what is well painted and what is good art, which ends in mediocrity and kitsch.

MB: I am sure that the painting from Cluj is associated with the term Figurative Painting, which has regained more than a fashionable status in the art world, and the «old masters» have become key reference points for many contemporary painters.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

Marrinon received the Anne & Gordon Samstag International Visual Arts Scholarship in 2001, which enabled her to attend the New York Academy of Art, where she was introduced to traditional techniques of figurative sculpture and gained a greater technical understanding of human anatomy.

Often zigging when the established art world zagged, Wiley began creating large, unctuous paintings inspired by the Abstract Expressionist and Bay Area Figuration movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish figurative style, which waned in popularity as Minimalist and Conceptual art became fashionable.

Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify -LSB-...]

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptual work.

They also wanted to avoid what they saw as the traps of figurative art, which was seen as either petty - bourgeois or as Stalinist socialist realism.

Leslie Lyons and J.B. Wilson draw inspiration from this art historical oddity, creating sublimated print tiles that both reference the «Unswept Floor» as well figurative tile works which «remove the trappings of mythologizing human behavior and return to a place of rational accounting and purification.»

Bearden's relationship with abstract expressionism was an uneasy one, in part because of his figurative work, which often took up mythic subjects, was seen by some as out of step with the trajectory of art at the time.

Gathered in laboratory - like settings of ateliers and arts academies across Europe and the Americas, such figurative models demonstrate the standards of excellence according to which generations of artists learn the classical idioms of beauty and perfection.

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

FRANCIS PICABIA: OUR HEADS ARE ROUND SO OUR THOUGHTS CAN CHANGE DIRECTION Picabia was on the ground with the Dadaists in Paris, but this exhibition includes his later work, which has influenced contemporary painters — perverse figurative paintings that look like precursors to Pop Art, or pulp fiction book covers.

In Spain, the study of pop art is associated with the «new figurative», which arose from the roots of the crisis of informalism.

Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify or mediate the artist's immediate perception of what he is looking at.

The cozy NEWD Art Show, on Johnson Avenue, featured the Lower East Side gallery Regina Rex, which displayed several of Hannah Barrett's playfully deviant folk - arty takes on the traditional portrait and still life; Greenpoint's 106 Green, an artist - run space showing gently noirish figurative paintings by Beijing - raised Xinyi Cheng; and Greenpoint Terminal, offering Eric Shaw's meticulous but sardonically wobbly hard - edge abstractions.

Abstract art is often divided into two categories, Semi-Abstraction, in which the imagery is still tethered to figurative shapes or styles, and Pure Abstraction, in which the visual elements are completely independent.

A selection of sculptures, reliefs and paintings by artists working in the area will be exhibited to complement the Gallery's major spring exhibition, Victor Pasmore: Towards a New Reality, which illustrates Pasmore's controversial move from figurative to abstract art.

Guston, in turn, went back to his origins by painting figurative images in the late 1950's, which earned him fierce criticism that led him to retire from the art world.

The Columbus Museum of Art and Denver Art Museum present Mark Rothko: The Decisive Decade, 1940 — 50, a major exhibition tracing the evolution of Rothko's work from his Surrealist - influenced, figurative compositions of the early 40s to the abstract, color field paintings for which he is best known.

The problem with figurative art at the time was that it had run out of steam, but the polemic was that you couldn't do it any more, which seemed absurd after 4,000 years of people making representations of each other.

The portrait's theme, which is mostly included under figurative paintings, is one of the ancient art subjects from Greece and Rome.

A few years later, in 1979, David Hockney, long before he became an RA (he was elected in 1991), gave an interview to the Observer in which he lambasted the Tate Gallery, and in particular its then Director, Norman Reid, for what he saw as its culpable neglect of figurative art.

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representational.

For the Pennsylvania Academy of the Fine Arts she organized Red Grooms, A Retrospective; The Figurative Fifties, New York School Figurative Expressionism, (with Paul Schimmel;) and I Tell My Heart: The Art of Horace Pippin, which traveled to the Metropolitan Museum of Art.

His large abstracts of the Sixties — one of which, the succinctly titled 17.7.69, hangs in the Academy's current show «British Art in the Twentieth Century» as a reproof to academic shortsightedness — were massive walls of colour, mutely resistant to the figurative imagination.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, LFigurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Kitaj had a significant influence on British pop art, with his figurative paintings featuring areas of bright colour, economic use of line and overlapping planes which made them resemble collages, but eschewing most abstraction and modernism.

This was the context in which Kitaj developed as an artist, and although his art may be associated with the trends in figurative painting and British pop art, the most important influence on his art was a sense of not belonging, Diaspora, spawning an oeuvre in which symbols and references of visual, literary, historic and personal origin are brought together into colourful, narrative and complex compositions.

She began making figurative works that were more poetic than perfect, which caught the art world's fancy.

He studied at the New York Academy of Art and the Pennsylvania Academy of Fine Arts — both bastions of traditional figurative painting and sculpture — and he paints with his subjects arranged in frontal poses, as if for a photograph (which, since these look like paintings from photos, they probably were).

It documents and / or restages four installations, spaces or happenings, in Chicago, San Francisco, Detroit and Providence, which were crucial to the development of figurative art in the United States.

A number of Stoller's figurative works are partially masked, their eyes either hidden from view or altogether absent, hence «Lend Me Your Eyes,» which calls on us to witness these haunting works of art — each with its own contorted, marred and / or embellished form — with some degree of empathy for the subject.

«Germaine Richier» will explore the daring ways in which Richier's art bridges the tradition of classical figurative sculpture with an idiosyncratic visual language born of an anguished, searching, and, ultimately, spiritual post-World War psyche.

In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and smaller wall pieces, sculptures as flat as the wall on which they are placed as though they were paintings.

Kehinde Wiley's canvases, which repopulate Old Master portraits with young black men in contemporary streetwear, have been hailed inside and outside art - world circles as triumphant examples of contemporary figurative painting.

It's a diverse lot that includes the Alturas Foundation, which funded «Makin» Hay,» the public art installation of monumental sculpture by Tim Otterness at Hardberger Park; the Harmon and Harriet Kelley Foundation for the Arts, known for one of the best collections of African American art in the country; and Claudia Huntington and Marshall Miller, who loaned SAMA large scale figurative sculpture for the show, including the piece by Chia and Polish artist Igor Mitoraj's «Sonno Screpolato (Cracked Sleep),» a bronze of a fragmented face.

Overpainted Paintings are a series of works in which Schuyff adds abstract and organic motifs to figurative art found in junk shops.

He does not rate his technical abilities very highly compared with the Old Masters, and perhaps his paintings are the swan song of figurative art, as video art, computer art and digital cameras revolutionize our youth, capturing their attention for hours which were once spent doodling or sketching or painting or playing ball.