Sentences with phrase «figurative artists then»

YALE CENTER FOR BRITISH ART In 1976, American - born R.B. Kitaj applied the label School of London to his work and that of other figurative artists then living in that city.

Not exact matches

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.
Currently, the Evans Center features an exhibition called Pose / Re-Pose: Figurative Works Then and Now, which showcases works by acclaimed African American artists of the late 19th and early 20th centuries in dialogue with contemporary artists who utilize the body as a primary focus.
Also, we had Leon Golub, who did his large, partially untreated canvases, and then we went from Arnulf Rainer to [Gérard] Gasiorowski, to Raoul De Keyser, who was then still alive and making these amazing abstract paintings, to Robert Ryman, to Malcolm Morley — from conceptual to abstract to figurative — to On Kawara, to Gerhard Richter, who reunites all these dimensions, to Dick Bengtsson, a tricky forgotten Swedish artist who died young, to Ed Ruscha, to Niele Toroni.
If Warren's figurative works recall Umberto Boccioni and Alberto Giacometti, then these steel works look back to artists such as Richard Serra and John McCracken, among others.
«Pose / Re-Pose: Figurative Works Then and Now» showcases works from the Walter O. Evans Collection by acclaimed African American artists of the late 19th and early 20th centuries in dialogue with contemporary artists who utilize the body as a...
But then came Futurists, Dadaists, Constructivists, Cubists, Minimalists and finally Abstract artists, and figurative painting was pushed aside, giving way to all things non-realistic.
Taking as her professional name her parents» first names, Edith was a prolific artist working first as an abstract expressionist then turning in the 1980s to figurative, political work consisting of drawings, paintings, and embroideries which she called «Daily Rage».
So those two are really important, and then there are all of the figurative artists that I love, because I think of myself as a figurative painter.
With Figurative VS Abstract, Melody Saraniti underscores the inevitable conversation between both camps by inviting painters whose work exists mainly on one side or the other, and then asking those artists to invite their inspirations from across the aisle.
His daughter Gabrielle says in a 2014 interview that while he «came out to Berkeley just as Pop and Conceptual Art were ascending on the East Coast,» Selz turned away from these popular movements and instead «identified with the irreverence of styles like Funk art,» seeking to highlight the work of «ceramic artists like Peter Voulkos [who] were barely considered fine artists then» or Nathan Oliveira, «a figurative artist who did not follow the prevailing east coast trends.»
Drawn to the marginalized in society who are often overlooked, artist Linda Colsh depicts elderly subjects in layered figurative scenes silkscreen printed onto fabrics she alters with ink, dye, and paint then stitches into textile artworks.
Harlem - based artist Sanford Biggers takes African wooden figurative sculptures, dips them in wax to erase the facial features, shoots them repeatedly at close range, and then recasts them in bronze.
The unique aspect of his career is that he moved from being a successful figurative artist to pure abstraction and then, late in life, returned to figurative art.
During that time, Peruvian artists denounced figurative and landscape painting and embraced the modern aesthetic that first began in the 1910s and»20s with Kasimir Malevich and Piet Mondrian, evolved in Paris during the 1930s, and then continued in New York.
Since then, the term London School has been used to refer to the group of artists associated with the city at that time, who continued to practise forms of figurative work, in the face of the avant - garde establishment.
Often such works are revived precisely to give contemporary artists the historical buttress that will burnish their reputations: thus late figurative works by Picabia, previously seen as kitschy aberrations were first restored to critical favor in the 1980s at a time when it seemed to retrospectively offer an important patrilineage for and contribute to the historical buttressing of the work of a then emerging David Salle.
Both concluded with a somewhat mysterious room of «late works» which left it unclear whether that meant late in the artist's biography (a Baziotes from 1961, but then he died the next year), late in the history of abstract Expressionism (a figurative Guston from 1976) or something else entirely — a Motherwell from 1949 and a Sam Francis from 1952 fitted neither category.
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