Often using
the figurative form as a base, she subverts the viewers» expectations by implementing several textures, patterns, and materials.
Not exact matches
Here is the first point to be clear on: All metaphors (or other
forms of
figurative writing) rely first on literal definitions before they can be of any use
as figures of speech.
Related terms: language features and their effects structural features sentence
forms emotive language
figurative language types These pages can be used in a number of ways, homework, class activities, interest groups, formal lessons, booklet style,
as an introduction to writing and poetry instruction etc
Students are encouraged to consider a number of start points such
as working directly from the model, on
Figurative Sculpture or Portrait Head courses to developing individual projects on the Free
Form course.
A unique amalgamation of artist, Spiritualist and medium, the fascinating and unexpected story of Houghton has generated international interest from curators and writers who see her work
as representing an abandonment of
figurative form that anticipates the development of modern abstraction by artists such
as Kandinsky or Malevich by several decades.
Although a critical force within the group, the artist's contributions to Memphis — in the
form of graphic patterns — were only a small segment of her career;
as the ICA show makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested in abstract and
figurative painting.
His five recent paintings are joined by Philippe's steel sculptures, which «reference tall bird perches while doubling
as figurative bird like poems,» and muted paintings of hill - like
forms.
Mason's
forms have been described
as figurative, and for more reasons than simply their scale.
Lonely Old Slogans traces Richter's earliest, colour - intensive abstract improvisations through to his
figurative works, described by the artist
as a new
form of history painting.
Whereas Bickerton's early works tackle
form, function, and communication, with sometimes single words acting
as the entire painting, his later
figurative pieces are visually deafening, with bright color and cluttered objects mirroring the over-the-top excess featured
as the work's subject.
Peter Shelton's sculptures incorporate both abstracted and
figurative forms along with anatomical
as well
as architectural motifs.
In
figurative paintings brimming with crisp, flat
forms and bold outlines (evoking sign painting
as well
as the works of John Wesley), Keogh portrays headless female bodies that have been bisected at the waist, an empty suit of armor, and flowery vines that weave in and out of swords.
With a raw, gestural aesthetic, and containing both abstract patterns and
figurative forms, Dial's work is considered comparable to that of iconic artists such
as Anselm Kiefer, Willem de Kooning, and Robert Rauschenberg.
Curator Glen Cebulash, whose own work has beautifully deconstructed the
figurative into interacting planes and color
forms in both painting and collage, opines that realism «is a fascinating and slippery concept and one that confounds
as much
as it clarifies.»
When scrutinised carefully, Bernhardt's work offers up intriguing sets of tonal, temporal and formal correspondences: the yellow Pac - Men are the same colour
as Lisa Simpson; the Smurfs and the Windex are an identical shade of blue; the facets of the Rubik's cube mirror the squares of chocolate; rectilinear black and white
forms (cigarettes) are the antithesis, both literal and
figurative, to the glowing, luscious fruits (papayas and kiwis); nature (toucans) counteracts the artificiality of consumer culture (Nike trainers); the cartoon characters belong to both the past and the present, to the old and the young.
His use of classical
figurative techniques with a honed attention to aesthetics of
form and surface — such
as in the velvety finished concrete or waxed iron patina surfaces of his sculptures — reflect an embrace of the making of objects that seems refreshingly out of step with the digital era.
Hueller's work, while almost abstract, plays with three - dimensionality,
figurative elements and shapes and
forms derived from such diverse influences
as surrealism and die Brücke.
Handaxes are considered the longest - used tool in human history and figure stones are naturally occurring stones that prehistoric people collected for their
figurative qualities, such
as faces and animal
forms.
Some sketches feature
figurative motifs, human
forms and faces, while others appear
as purely abstract shapes, configurations and patterns.
A former
figurative painter turned sculptor, Bryt adopts the rough ratios and measurements of the study of the human
form (often the proportions of her own body)
as compositional elements in her constructions.
Superimposing intricate networks of lines, dots and planes of colour, with recurring
figurative motifs such
as doors, windows, aeroplanes, railway tracks and fragments of the human
form, Bernard Cohen creates dizzying arrangements, within which an internal sense of order is revealed to the viewer gradually over time.
And I think in contrast here, there is this —
as I said — openness to engage with narrative, to engage with
figurative form in a kind of unapologetic way.
During the late 1960s, Guston became frustrated with the limitations of abstraction and returned to
figurative painting, amassing a potent language of motifs whose roots can be seen in the
forms and shapes of Traveler III, and illustrating what Christoph Schreier refers to
as subcutaneous figuration.2 Following his 1966 exhibition at the Jewish Museum in New York, Guston relocated to Woodstock, New York, embarking on what would become a two - year hiatus from painting.
The book is a beauty... There is, throughout Ms. Jones's essay and the book
as a whole, voluminous documentation of work by major artists who still rarely figure in most histories of American postwar art, like Betye Saar, who made intricate
figurative drawings on covered glass windows; Senga Nengundi, who was conjuring unusual
forms from sand and pantyhose before Ernesto Neto was even a teenager; and John Outterbridge, whose multifarious assemblages took on a gamut of styles.
Anyone can see that the early Russian paintings in this show are a breathtaking escape from the old conventions of
figurative painting, or that geometric art in the hands of great Latin American pioneers such
as Oiticica and Lygia Pape is an escape from the ancien regime of the west, that their ecstatic floating
forms are a vision of freedom.
She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional
figurative painting: «My work is a
form of tribute, analysis and intervention: tribute out of sincere admiration for the
figurative tradition; analysis, by making something vast,» the role of race in the history of
figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color
as primary picture - maker, in whose hands the
figurative tradition is refashioned.»
Volker Stelzmann - the quintessential German Artist Grotesque
figurative forms are often rejected by the society
as it attempts to turn its face away...
As you spend more time looking at his full range of shapes and
forms, you'll soon begin to recognize clear connections between his
figurative and abstract sculptures.
From performative and low - fi beginnings, Oursler has developed an ever - evolving multimedia and audio - visual practice utilising projections, video screens, sculptures and optical devices, which might take
form as figurative puppets, ethereal talking automatons or immersive, cacophonous environments.
It was in his sculpture Pyramid (1959) where the
figurative was erased by the method of stacking identical wood segments in a repetitive
form, which like Frank Stella's «black» paintings appeared
as if the process had been simply mechanical.
Influenced by some of the masters of
figurative painting, such
as Titian, Rembrandt, and Peter Paul Rubens, Auerbach has helped
form a new aesthetic language of painting.
Just
as the
figurative paintings of Giorgio Morandi, whom he admires, are not about merely depicting vessels, so Sean Scully's definitive abstract works have narrative structures when they evoke associations of figure and landscape, of window and mirror, or of religious
forms and themes such
as altar or resurrection.
Although largely focused on abstract
forms, Nitegeka,
as our reviewer points out, also makes a return to some
figurative work in order to explicate his theme.
Here,
figurative artists use the human
form as a tool to express varied content and contemporary issues.
In fact this exhibition is organized in a way that allows the viewer to see the artist's progression from
figurative to abstraction and how simple vegetal
forms (the gnarly tree limbs, the nudes) would later reemerge
as twisted abstract
forms mounted onto pedestals.
LaToya Ruby Frazier's straight documentary photography has reignited this sleeping
form and made it into a raging beast; Louis Fratino's personal, painterly depictions of everyday gay life raise the bar of
figurative - visionary painting,
as do the stitched, painted, and sewn works of Tschabalala Self; ditto Katherine Bernhardt.
The grand special exhibition on occasion of the inauguration of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the classical idea and
form of sculpture grows more flexible and abstract
as some artists integrate the trivial stuff of everyday life into their art or blur its spatial and conceptual boundaries, even
as others return to the
figurative tradition in an effort to set the genre on a new solid foundation.
From unconventional materials and processes, he creates
figurative forms such
as Self (1991).
Watch for the literal and
figurative intersection of their works
as Sato's sculptures originate from the ceiling and Miller's begin at the floor, toying with figure,
form and space.
These works use
figurative elements such
as beefy legs under a straw skirt, big puppy - dog eyes, and intertwining bodies paired with a consistently experimental approach to
forms of collage and mark - making.
An earlier Tate Gallery catalogue entry has suggested that single stone
forms such
as this may be seen
as re-interpretations of Hepworth's early
figurative work in similar materials.
He sees abstraction
as a
form of gesture or geometry, in a superimposed position, sometimes combined or mixed with new
figurative shapes.
The exhibition «The Bottom Line» presents various aspects of drawing
as a
form of contemporary art: from abstract to
figurative, from small format to large, from rapid sketches to slow, large - scale projects and from drawing
as film to drawing
as performance.
The result is surprising and powerful
as it redefines how abstract
forms can transform into
figurative ones.
Grau - Garriga introduced a new dimension into the art of tapestry where he took the traditionally
figurative flat
form and eliminated its expensive materials such
as gold threads and silks.
«Diebenkorn's abstract and
figurative modes,» Burgard writes in the catalog, «also shared his conception of metamorphosis
as an operating principle that not only generated new
forms - and their subsequent permutations - but also endowed the resulting works with an animating energy.»
Already, we see the young artist negotiating between the abstract and
figurative, reducing organic
forms into geometric configurations and using the branches of trees
as a way to frame or delineate space.
Absurd and elegant,
figurative and abstract, Handforth's Dallas Snake animates the space, conversing with and taking on the large «formal» sculptures nearby, such
as Tony Smith's Willy (destroyed in 1962; fabricated in 1978), which is comprised of black geometric
forms.
Taking and reinventing classicist and old masters paintings
as principal elements and focal points for his work in this show, he uses angular
forms inspired by and abstracted from his historical outdoor use of the alphabet to compliment the
figurative work that he pays homage to and slices - up in equal measure.
The artist looks to the use of geometry in Islamic art
as opposed to
figurative forms seen in other artistic traditions.