His works, made on vinyl foil and mounted on the walls, are in conversation with the architecture but also with Impressionist paintings, which can only be perceived as
figurative imagery once the viewer has reached a certain distance from the work.
Not exact matches
His
imagery, which had
once been entirely abstract, in his later years became ever more eclectic, and recognisable
figurative elements appeared with increasing frequency.
After an initial dalliance with
figurative painting in the 1950s he became a life - long proponent of the possibilities of non-
figurative imagery, which possessed for him, he
once wrote, «the potential for the most advanced depth of feeling and meaning».