Abstract and
figurative painting as well as participatory and conceptual art have emerged as strong threads running through the exhibition.
Vincent Desiderio: I really can not speak to the idea of
figurative painting as something apart from abstract painting or conceptual painting.
I always come back to landscape and
figurative painting as the the most relevant art form.
Figurative painting as a genre is celebrated here as well, whether or not this style of work is «on trend», and celebrated in its myriad forms.
That was a real argument about a certain legacy of
figurative painting as an antagonistic force.
In the West, we are generally in the habit of seeing
figurative painting as a window on the world and in a linear perspective, while artists in the East still see themselves as an integral part of this landscape.
In After Tin Man, Redwood considers the hierarchy of
figurative painting as a subject.
Painter's Painters at the Saatchi Gallery picks up the theme of
figurative painting as a still essential and central form of art making and tries to give it a new spin.
Born in Shiraz, Iran, and raised from age 8 in Cincinnati, Ohio, he trained in
figurative painting as an undergraduate at the Maryland Institute College of Art before studying with the children of Abstract Expressionism at Columbia.
Their titles may be provocative — one of his new works on show here is called The Same Old Crap — but Shaw's work is as close to traditional
figurative painting as the Turner Prize gets.
I did
figurative painting as an undergraduate and in graduate school.
A co-founder of the Stuckism art movement with Charles Thomson in 1999, Childish promotes
figurative painting as opposed to conceptual art, and a quest for making art a part of personal discovery.
Baltimore - based artist Mequitta Ahula's work Performing Painting: A Real Allegory of Her Studio (2015) used herself as a means to depict and deconstruct the history of
figurative painting as it relates to the body along time and space.
To attempt to bring this all back to where I began, I think that light, as splendid as it is, might indeed be a bit of a red herring, but perhaps for
figurative painting as well.
Benglis described Chingery's
figurative paintings as «clean and decided in the way he approached his work.»
In fact, she concentrated more on «whimsical watercolors and
figurative paintings as well as murals for the PWPA.»
Doig, indeed, paints
figurative paintings as though they were abstract.
Brooklyn - based artist Kehinde Wiley creates large - scale
figurative paintings as firmly rooted in contemporary design, music, literature, and sociopolitical issues as they are in the history of portraiture.
If this commenting in any way on the conception so
figurative paintings as windows into other lands?
Not exact matches
European cave
paintings were seen
as evidence of a «creative explosion» sometimes attributed to a brain mutation, a theory reinforced by the apparent age discrepancy between
figurative art in Europe and other, more recent art elsewhere.
Drenda Duff — Drenda Duff regards
figurative art, composed and arranged in natural surroundings,
as a favorite subject for her drawings and
paintings.
We offer a strong
figurative tradition in the Drawing,
Painting and Sculpture Studios that can be used
as a foundation for students to move on into other artistic avenues, or that can be developed
as an end in itself to produce work within a
figurative genre.
His
paintings are so appealing at first sight,
as delightful coloured patterns with pleasing
figurative imagery, that many look no longer, or see no further, and for them the magical metamorphosis does not take place; they do not find that they are standing on a little terrace under a walnut tree looking through an overgrown garden straight towards the afternoon sun which is sparkling on the Seine below them, and all looking not
as it would to them, but more mysterious, more overpowering, fuller of space and light and colour and overwhelmingly real and harmonious.
Drawing from the art - historical lineage of cubism, cartoons,
figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Comic Future is
as much about the breakdown of the human condition
as it is about the absurdities which define the perils of human evolution.
When he returned to
painting in the Bay Area in mid-1965 his resulting works summed up all that he had learned from his more than a decade
as a leading
figurative painter.
His early work was
figurative and often described
as expressionist, but from the mid 1960s his
paintings became more geometric.
That show, acknowledging the strain photography and mass media had placed on
painting, posited artifice and irony
as the only acceptable strategies for
figurative painting to avoid being outmoded.
Eventually any
figurative painting was suspect
as potentially colonialist or oppressive in some way.
Sometime in 1940 Rothko makes his last
figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his
paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of color - Multiforms
as they were called by others - which were greatly influenced by Milton Avery's style of
painting.
Where
as Avery's early
figurative drawings and
paintings from the 1930s attest to affinities primarily with the work of Ernst Ludwig Kirchner, by the 1940s he was discernibly close to Henri Matisse.
The subject matter may not be
as compelling
as Katz's earlier
figurative work, but these
paintings, on view through July 7, aren't about garden design or abstract composition.
Pauline has exhibited her work annually in Boston since 1998 and has also continued to exhibit in Australia where she was the recipient of a coveted prize for oil
painting in the prestigious national juried exhibition, The A.M.E. Bale Art Awards, known
as Australia's premier awards for traditional realism and
figurative art.
These lectures enthusiastically commend less visually appealing works almost
as if they will be good for us, cod - liver oil for the eyes — but twentieth - century
figurative painters Alice Neel, Sylvia Sleigh, and Philip Pearlstein simply do not
paint as beautifully
as Courbet or Renoir.
As figurative painting made a comeback in the late»80s and»90s, a younger generation of artists began to see Katz with new appreciation.
The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the
figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas,
as well
as in the exhibition catalogue, available from the Tate, which features Hendricks»
painting «What's Going On» (1974) on the cover.
He established himself
as a major artist of the movement in Italian
figurative painting known
as the Transavanguardia, a Neo-Expressionist movement that sought to re-emphasize color and representation in reaction to the Conceptual Art of the times.
Although a critical force within the group, the artist's contributions to Memphis — in the form of graphic patterns — were only a small segment of her career;
as the ICA show makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested in abstract and
figurative painting.
But when it comes to viewing David Park's body of work, this book shines with superb color plates dispersed throughout, showing Park's development
as a painter from his early days, his non-
figurative period, his return to
figurative painting, and his final
figurative work in gouache.
Often zigging when the established art world zagged, Wiley began creating large, unctuous
paintings inspired by the Abstract Expressionist and Bay Area Figuration movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish
figurative style, which waned in popularity
as Minimalist and Conceptual art became fashionable.
But at a time when the art world was tilting toward abstraction and internationalism, Mr. Colville was also something of an outsider, dedicated to
figurative painting and to his native Canada, where he was revered by many
as «painter laureate.»
As in his earlier Storm paintings where scraping gestures that erased figurative components became central to the composition, Cooke again uses abstract elements as building blocks for his new wor
As in his earlier Storm
paintings where scraping gestures that erased
figurative components became central to the composition, Cooke again uses abstract elements
as building blocks for his new wor
as building blocks for his new work.
Over 300 pages illustrated with Zeller's own exquisite drawings and
paintings as well
as works by nearly 100 historical and contemporary
figurative art masters, the book includes some of the finest
figurative art of the past and the present day.
We have included both the abstract planer
painting and the
figurative - expressive - painterly expression
as key exponents for our era's pictorial art.
We tend to think of the history of art
as a series of exceptionally unique ideas, but in fact, the
figurative painting tradition is deeply conventional, and artists have mined narrow spaces for invention.
Well known and admired for her internet - era busts of figures seeming to emerge from abstract matrices, Sascha Braunig has recently evolved to
paint full portraits
as well
as these kinds of truncated
figurative studies, which create an alluring and elegant sense of mystery.
Elms includes much strictly formal work such
as figurative drawings and symbol - based
paintings by Elijah Burgher, overly nostalgic ink drawings by Paul P., and a seemingly popular, somewhat garish installation of aluminum and silver wall sculptures by Terry Adkins.
I was very happy indeed,
as the group fulfilled exactly what I wanted, namely a diverse and non-stylistically defined contemporary
figurative painting group that could only be unified by an ethos of honesty and communication.
As Burri kept the distance from
figurative painting by adding from time to time a new shape to his investigation into the world of conceptualism, Quaranta takes it all in one time.
Wylie's bold, large - scale
figurative paintings draw on ancient and folk art, such
as Mexican street art and contemporary Egyptian Hajj
painting,
as well
as art history and film.
Throughout this process a distinct distillation of choices developed for each artist that is wide - ranging but particular: both
figurative and abstract, sculptures and some works on paper have been selected in addition to
paintings, and historical
as well
as contemporary works, are juxtaposed.