This sculpture highlights Bhabha's long - term interest in revisiting the history of
figurative sculpture through the time machine of contemporary cinematic science fiction and horror.
These works, as with so much of Gormley's oeuvre, show the artist revitalizing the practice of
figurative sculpture through his investigation of the body (often his own) as the locus of memory and transformation.
Not exact matches
Benning's at times geometric, at times
figurative - leaning, work in painting and
sculpture represents a parallel to visual and auditory storytelling
through video and music.
(My hope would be that this is happening in abstract
sculpture too — though with sculptural, rather than pictorial, spatiality — but there is not really any comparable or relevant activity in how one moves
through a
figurative sculpture, since it rarely has any spatiality.)
Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or
sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly
figurative or representational.
One of the most original sculptors, Robert Arneson (1930 — 1992) reinvented American
figurative ceramics
through the integration of
sculpture and painting in his large - scale, often satirical, and even iconoclastic pieces.
Figurative Futures aims to explore the mythology and evolution of figural art realized
through a wide - ranging collection of inventive painting,
sculpture, installation, jewelry, fiber arts, drawing and mixed media.
The
figurative paintings and
sculptures have fallen
through the folds of reason, have been flattened out, liquified and parceled into various shapes.
Themes of color and transformation run deep
through the Kaleidoscope of the Mind, an exhibition featuring a variety of techniques and styles, from abstract
sculpture to realistic
figurative paintings.
Schütte makes familiar forms of expression, like memorial portraiture and
figurative sculpture, strange
through evocative, often disturbing alterations, such as in his treatment of the female nude in his «Bronzefrauen» series (Bronze Women, 1999 - ongoing) where
figurative shapes morph into abstract or mutant forms, or his «Alte Freunde» series, in which the subjects» despondent expressions highlight the vulnerability of the individual against the cruelty and complexity of the vast world.
Though these
sculptures evoke the body
through an elemental vocabulary, they also reveal the tremendous physical challenge of creation — most clearly evidenced when the work walks the tightrope between
figurative complexity and palpable mastery.
As well as a meditation on art history, these works explore both
figurative and abstract approaches to
sculpture,
through materials including volcanic stone, marble, bronze and steel and
through series such as The Protesters, of which the artist has stated: