Not exact matches
Modernist sculptors largely missed
out on the huge boom in public art resulting from the demand for war memorials for the two World Wars, but from the 1950s the public and commissioning bodies became more comfortable with Modernist
sculpture and large public commissions both abstract and
figurative became common.
His use of classical
figurative techniques with a honed attention to aesthetics of form and surface — such as in the velvety finished concrete or waxed iron patina surfaces of his
sculptures — reflect an embrace of the making of objects that seems refreshingly
out of step with the digital era.
In the 1980s, Smith turned the
figurative tradition in
sculpture inside
out, creating objects and drawings based on organs, cellular forms, and the human nervous system.
The new
figurative sculptures, shown in the front gallery space, are carved
out of cork, and darkened in parts with black paint.
1987 The Whitney Museum of American Art at Philip Morris, New York, Contemporary Cut -
Outs (catalogue) Monte Carlo, Monaco, Monte Carlo
Sculpture ’87 Port of History Museum at Penn's Landing, Philadelphia, National
Sculpture Society 54th Annual Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand Gallery, Tokyo, U.S.A. — U.K. Pop Art, exhibition traveled to Daimuru Museum of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum of American Art, Fairfield County, CT, Contemporary Cut -
Outs:
Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades of Diversity Herter Art Gallery.
The
sculptures have often been constructed from readymades but sculpted
out of their original forms and combined to resemble
figurative sculpture.
Partly responding to an upward - spiraling art market, partly from a lack of means to evoke a stressed -
out world made porous by virtual reality, sculptors from Paul McCarthy and Urs Fischer to David Altmejd and Thomas Houseago have powered a new monstrosity in
figurative sculpture.
These
figurative human and equine
sculptures are seemingly incomplete made
out of stainless steel, they represent a state of dissolution or one can think of it as the complete opposite.
Coming
out of the tail end of a legacy of abstraction at the region's art schools and in the midst of the ascendency of new
figurative painting and changing approaches to
sculpture via clay, etc, (eg, Voulkos) in the Bay Area, the work they made in that period of transition shows the freedom with which they approached art - making.
The
figurative paintings and
sculptures have fallen through the folds of reason, have been flattened
out, liquified and parceled into various shapes.
Emerging
out of the conceptual basis of Surrealism and Cubism, Alberto Giacometti established his unique aesthetic style with delicate
figurative sculptures and expressive portraits that resulted from intense observations.
Be sure to check
out booths by Galerie Flox from Dresden, focusing on realism painting and graphics; Galerie Klose contemporary tomorrow from Essen, focusing on
figurative painting,
sculpture and
sculpture; La Galeria / Unique from Torino, exhibiting art with an interesting contemporary proactive quality; Square Rock Ltd. from London; and PontArte from Maastricht; a tailored «on - demand art gallery»; among others.
Radical
Figurative Art from Sickert to Bevan, James Hyman Fine Art, London, England 2002 Five Painters, Kilkenny Arts Festival, Kilkenny, England 2000 Painting, I Love, Michael Hue - Williams Fine Art, London Look
Out: Art, Society, Politics, Wolverhampton Art Gallery, Wolverhampton, England; traveled to Bluecoat Gallery, Liverpool, England; and Wolsey Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams Fine Art, London The School of London: From Bacon to Bevan, Musee Maillol, Paris; traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams of the Millennium — The Reemergence of British Romantic Painting, Stephen Solovy Art Foundation; traveled to California State University; Tyler Museum of Art, Tyler TX; Manoa Art Gallery, University of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler Arts Centre, Sheboygan, Wisconsin 1995 Inside
Out, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now: Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British
Figurative Painting of the 20th Century, The Israel Museum, Jerusalem, Israel 1991
Out of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People:
Figurative Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European Painting and
Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy
In the 1980s, Kiki Smith literally turned the
figurative tradition in
sculpture inside
out, creating objects and drawings based on organs, cellular forms, and the human nervous system.