I've not done a lot of
figurative work because I lack subjects.
I think black people should always be producing
figurative work because it's naïve to believe that the art world is not a part of the bigger world, and there are political implications to everything that goes on in this domain.
Not exact matches
Bearden's relationship with abstract expressionism was an uneasy one, in part
because of his
figurative work, which often took up mythic subjects, was seen by some as out of step with the trajectory of art at the time.
Because Abts is neither a conceptualist nor a
figurative painter, her
work stood brazenly aloof from this dialectic.
Laderman was a friend and mentor of the Midwest Paint Group starting in 2004, and he wrote an essay for their 2005 exhibition in which he stated: «It requires your attention
because it is unlike most
figurative work seen in galleries today.
There is a painting of a reclining nude in the show, which of course is a traditional subject for
figurative painting, but we nicknamed this
work «Billboard,»
because the figure seems to command the presence of demanding a billboard all to herself.
I haven't wanted to add hints of fashion or include tattoos on the skin
because I think that
figurative work can denote its place in time purely through style.
We love these collaborative
works between Morgan Spry - Young and Daniel Giantomaso
because you have to really focus on each piece to find a narrative and
figurative elements.
I chose this Peter Doig
because it reminds me of quite a lot of recent
figurative painting which seems like a return to late - 19th century painting — to symbolist
works by artists like Gauguin and Munch.
Mitchell's paintings differed from her Abstract Expressionist colleagues
because of their use of hot colors, and Ashbery picked up on this, noting that her palette brought her
work closer to
figurative representation than pure abstraction.
«I just thought it was so different from anything that I had seen
because, at the time, so many of the artists of color were
working in heavy abstraction or very differently in terms of
figurative representation.»
What I'm trying to say is that the «triggers» (good word) of the space illusion are only going to
work because they are associated with a particular type of spatial sensation in the real world, so that the illusory space that is evoked is actually tied to that particular spatial sensation, making the pictorial space at least in this sense
figurative.
Primarily
because of my interest in ceramics and
figurative works, the historic draw weighs heavy.
It was something Ad could have said
because he was so adamant in his rejection of any kind of representation — he was the only New York School artist who never painted
figurative works — although unlike most of the others he actually could draw and studied at the National Academy of Design.
These
works were shown at the Sidney Janis Gallery in 1953 and caused a sensation, chiefly
because they were
figurative when most of his fellow Abstract Expressionists were painting abstractly and
because of their blatant technique and imagery.
In retrospect, it was less a conversion than it seemed at the time,
because the
figurative works were really an extension of his abstractions, just as his later change back to abstraction grew naturally out of his
figurative paintings.
I see the attraction for abstract painters, particularly of late Matisse planes of colour, but to me it only really
works because of
figurative prompts of depth and the tension of its depiction in 2 - D.