The figure and ground shift roles, elucidating one another and trading influence over the gaze of the viewer.
Not exact matches
Figure 8's will help you feel the power move from the
ground up as you learn to transfer force
and shift your weight.
The 4Motion system seemed slow to
shift torque around, particularly if one of the wheels was raised from the
ground,
and the car would occasionally bog down or spin a wheel while the system
figured things out or I reversed
and tried again.
Bite has a trio of irregular white triangles that zig zag horizontally across the centre not unlike clothes on a washing line or bunting, their rhythm echoed by other more or less triangular shapes in green above
and below, between them creating eccentric negative shapes that push forward,
shifting alternately between
figure and ground.
In this recorded sound performance, the artist plays a trumpet — one type of musical horn — to imitate car - related sounds; the performance comprises a series of perceptual
shifts between
figure and ground within an automotive soundscape — keynote or
ground sounds (the hum of a motor) are speckled with soundmarks (the sound of screeching tires, the sound of a transmission
shifting gears)
and, in some moments within the composition, drift entirely into signals (the sound of a siren, the sound of an engine blowing out).
In my more recent paintings, by increasing the scale
and gesture of the stars, the
figure /
ground relationship
shifts from delicate to muscular.
Colors
and surfaces vary in terms of density
and reflectivity,
and areas of the compositions frequently
shift between positive
and negative space, or between
figure and ground.
However, the composition is fractured into further sections, as both the
figure and ground seem to
shift up
and down across the length of the canvas.
For them, too, the mix let painting stop telling obvious stories — to become abstract, if you will — without losing concern for the
shifting identities of
figure and ground.
Shaffer uses a
shifting figure /
ground relationship calling to mind the flow of energy in, out
and through us, depicting women enveloped within fields of gestural DNA - like marks or packed with radiating color strokes like bursts of energy set against darker voids.
The fluid movement between abstract, hand - applied oil
and layered, photo - based silkscreens causes one to optically weave in
and out of the compositional picture planes, thus drawing one's attention to the
shifting relationship between
figure and ground.
Sandbox embodies yet another
shift in how Whitten approaches
figure and ground.
In Cultural
Shift, Whitten goes a step further, separating
figure and ground by using acrylic elements formed through different techniques.
TEST SITES included a major new installation of BREATHING ROOM III (2010) the third
and largest in this series of works which contain
and implicate the viewer as the
figure in a
shifting ground.
By disrupting the pattern through
shifts in color or the deployment of similar but subtly differing forms, Taaffe activates the visual field to the point that one must keep making distinctions, such as undoing the bond between
figure and ground.
By utilizing negative space
and alternating between a sense of representing a discrete object or a cutaway section of the
ground, he re-examines formal ideas of
figure and ground relationships
and the image
shifts between flat areas of modern colour
and illusory depth.
So, I might imagine that the
figure is being poured into her container, that the
ground surrounding her is some denser stuff, holding her in place (like a mold), or that the painting itself is a slice of air
and everything in it is just slightly
shifting, like condensation, or everything is skin, pushing against the membrane of the picture plane.
The multiple, interpenetrating layers
and constantly
shifting figure /
ground relationships are inseparable.